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Magazine and Video Interviews on Contemporary Art, based in Australia. 

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Das Platforms / Home | dasplatforms.com Reviews

https://dasplatforms.com

<p>Magazine and Video Interviews on Contemporary Art, based in Australia.&nbsp;</p>

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1

Das Platforms / Magazines / Issue 30

http://dasplatforms.com/magazines/issue-30

Das Platforms / Contemporary Art. Das Platforms / Contemporary Art. Issue 30 / Restoration. Edited by Robyn Stuart.

2

Das Platforms / Videos / The List: Daniel McKewen

http://dasplatforms.com/videos/the-list-daniel-mckewen

Das Platforms / Contemporary Art. Das Platforms / Contemporary Art. The List: Daniel McKewen. The List at Campbelltown Arts Centre. Discusses his work for. Text from Campbelltown Arts Centre. 09 August – 12 October 2014. Co-Produced by Das Platforms and Campbelltown Arts Centre, 2014. Fiona Hall: Wrong Way Time. Australian Pavilion, 56th Venice Biennale. 4A Centre for Contemporary Asian Art. Tintin Wulia: Untold Movements and Nasim Nasr: Only For My Shadow. 4A Centre for Contemporary Art. Tell Me My Truth.

3

Das Platforms / Videos / Crisis Complex: Laura McLean and Sumugan Sivanesan

http://dasplatforms.com/das_cinema/crisis-complex

Das Platforms / Contemporary Art. Das Platforms / Contemporary Art. Crisis Complex: Laura McLean and Sumugan Sivanesan. Curators Laura McLean and Sumugan Sivanesan discuss. A recent exhibition at Tin Sheds Gallery, Sydney. Plus featured artist Takayuki Yamamoto dsicusses his work. In examining this contradiction Crisis Complex showcases a confusion of ethics and determinism from artists whose practices flourish in the wake of disaster. Fiona Hall: Wrong Way Time. Australian Pavilion, 56th Venice Biennale.

4

Das Platforms / Magazines

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Das Platforms / Contemporary Art. Das Platforms / Contemporary Art. Issue 33 / Nov 2014. Guest-Edited by Caleb Kelly. Issue 32 / Aug 2014. Edited by Nick Garner. The importance of not doing as you say. Issue 31 / Jun 2014. Guest-Edited by Brooke Babington, Liang Luscombe and Pip Wallis. Issue 30 / Feb 2014. Edited by Robyn Stuart. Irrational Agents: Gender, Economics and Affect. Issue 29 / Nov 2013. Guest-Edited by Alys Moody. Western Sydney: A portrait of a place. Issue 28 / Aug 2013. Issue 27 / Jun 2013.

5

Das Platforms / Videos / Anne Ferran: Shadow Land

http://dasplatforms.com/videos/anne-ferran-shadow-land

Das Platforms / Contemporary Art. Das Platforms / Contemporary Art. Anne Ferran: Shadow Land. We visited Anne Ferran at her studio prior to the opening of. A retrospective of 30-years of work. The conversation looked at several elements of her practice being presented in the exhibtion:. 0815 On Returning and Revisiting. 14:35 On Surface and Texture. Anne Ferran: Shadow Land. Australian Centre for Photography, Sydney. 08 November 2014 – 18 January 2015. 12 September - 22 November 2015. Tell Me My Truth.

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drawing

https://drawing000.wordpress.com/2014/12/13/956

ANU School of Art. December 13, 2014. Life a users manual. Speech acts, at M16 Artspace 3 Dec – 12 Dec 2014. Responses to “”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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finnegans wake | drawing

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ANU School of Art. One part of every human existence is passed in a state which cannot be rendered sensible by the use of wideawake language, cutanddry grammar and goahead plot.’ James Joyce on. Finnegans Wake read by James Joyce, arranged for 20-note paper strip musical movement. Originally uploaded by nicci.haynes. The pianola roll was created by converting the sound frequencies of James Joyce reading from. Into dots on a computer printout (using Ben Fry’s. Finnegans Wake: 226631 wakewords. Join 27 oth...

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drawing

https://drawing000.wordpress.com/2015/05/07/981

ANU School of Art. May 7, 2015. Responses to “”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. James Joyce reading FW.

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drawing

https://drawing000.wordpress.com/2015/01/26/960

ANU School of Art. January 26, 2015. Responses to “”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. James Joyce reading FW.

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If only just for a moment | West Space Journal

http://westspacejournal.org.au/article/if-only-just-for-a-moment

If only just for a moment. The copy of the Margaret Atwood that I’m reading was on a shelf in the house that used to be my grandmother’s. I’ve been staying there, surrounded by her things the ashtrays, the musty hats, the piles and piles of yellow letters. Coming across this passage in one of her books, I wondered whether she knew, whether this was her little joke. Paintings of the Night Sky. In early 2014 I made a work called. Paintings of the Night Sky. Paintings of the Night Sky. For the past 400 year...

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About | Affiliated Text

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Is a year-long gallery project exploring visual representations of language. Incorporating intertextual, semiotic, linguistic and graphic approaches, monthly exhibitions will examine the cultural and political sphere of language. Curated by artists Bronia Iwanczak and Lynne Barwick, works on show will include visual art, typography, artist books, concrete poetry and printed matter. The program of exhibitions and associated events commences in March 2015 at 33 Roslyn St, Kings Cross.

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About Me | McKinley Valentine

https://mckinleyvalentine.com/about

Writing and Editing Services. I am a freelance editor, writer and Tolkien apologist based in Melbourne, Australia. Senior Consultant at Red Pony Communications. Sub-editor for Oberon Magazine. International periodical on contemporary art. Sub-editor at high-end architecture publisher Uro Media. Writer of speculative fiction. Where I wrote about country, folk and bluegrass music. Sub-editor for Das Superpaper. Emerging and Contemporary Art media project. Crowhurst article up at Cracked.com!

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Cherine Fahd / Links

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Http:/ williamwrightartists.com.au. Http:/ sydney.edu.au/sca/. CONTEMPORARY ART SCHOOL THE UNIVERSITY OF SYDNEY. ARTIST CURATOR and WRITER. Http:/ www.oberonmagazine.com. Http:/ artbank.gov.au/home/#about. Http:/ www.panovscott.com.au. TOKYO METROPOLITAN MUSEUM OF PHOTOGRAPHY. CENTRE FOR CONTEMPORARY PHOTOGRAPHY. ART DIRECTOR and ILLUSTRATOR. Copy Cherine Fahd 2016.

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Das Platforms / Home

Das Platforms / Contemporary Art. Das Platforms / Contemporary Art. Guest-Edited by Caleb Kelly. Edited by Nick Garner. The importance of not doing as you say. Guest-Edited by Brooke Babington, Liang Luscombe and Pip Wallis. Edited by Robyn Stuart. Irrational Agents: Gender, Economics and Affect. Guest-Edited by Alys Moody. Western Sydney: A portrait of a place. Guest-Edited by David Capra. Guest-Edited by Drew Pettifer. Guest-Edited by Superkaleidoscope (Sarah Mosca and Kim Fasher). Its a Vibe Thing.

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