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David Claerbout | davidclaerbout.com Reviews
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David Claerbout | davidclaerbout.com Reviews

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1

Wiels, Brussels, 2011 - David Claerbout

https://davidclaerbout.com/Wiels-Brussels-2011

Wiels, Brussels, 2011. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years), 2016. KING (after Alfred Wertheimer’s 1956 picture of a young man named Elvis Presley), 2015-2016. Radio Piece (Hong Kong), 2015. Highway Wreck, 2013. Oil workers (from the Shell company of Nigeria) returning home from work, caught in torrential rain, 2013. Breathing Bird, 2012. Homeless Cat, 2011. The Quiet Shore, 2011. The American Room, 2009-2011. White House, 2006.

2

Parasol unit, London, 2012 - David Claerbout

https://davidclaerbout.com/Parasol-unit-London-2012

Parasol unit, London, 2012. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years), 2016. KING (after Alfred Wertheimer’s 1956 picture of a young man named Elvis Presley), 2015-2016. Radio Piece (Hong Kong), 2015. Highway Wreck, 2013. Oil workers (from the Shell company of Nigeria) returning home from work, caught in torrential rain, 2013. Breathing Bird, 2012. Homeless Cat, 2011. The Quiet Shore, 2011. The American Room, 2009-2011.

3

Museu do Chiado, Lisbon, 2009 - David Claerbout

https://davidclaerbout.com/Museu-do-Chiado-Lisbon-2009

Museu do Chiado, Lisbon, 2009. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years), 2016. KING (after Alfred Wertheimer’s 1956 picture of a young man named Elvis Presley), 2015-2016. Radio Piece (Hong Kong), 2015. Highway Wreck, 2013. Oil workers (from the Shell company of Nigeria) returning home from work, caught in torrential rain, 2013. Breathing Bird, 2012. Homeless Cat, 2011. The Quiet Shore, 2011. The American Room, 2009-2011.

4

SF MOMA, San Francisco, 2011 - David Claerbout

https://davidclaerbout.com/SF-MOMA-San-Francisco-2011

SF MOMA, San Francisco, 2011. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years), 2016. KING (after Alfred Wertheimer’s 1956 picture of a young man named Elvis Presley), 2015-2016. Radio Piece (Hong Kong), 2015. Highway Wreck, 2013. Oil workers (from the Shell company of Nigeria) returning home from work, caught in torrential rain, 2013. Breathing Bird, 2012. Homeless Cat, 2011. The Quiet Shore, 2011. The American Room, 2009-2011.

5

MIT List Visual Arts Center, Boston MA, 2008 - David Claerbout

https://davidclaerbout.com/MIT-List-Visual-Arts-Center-Boston-MA-2008

MIT List Visual Arts Center, Boston MA, 2008. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years), 2016. KING (after Alfred Wertheimer’s 1956 picture of a young man named Elvis Presley), 2015-2016. Radio Piece (Hong Kong), 2015. Highway Wreck, 2013. Oil workers (from the Shell company of Nigeria) returning home from work, caught in torrential rain, 2013. Breathing Bird, 2012. Homeless Cat, 2011. The Quiet Shore, 2011. Long Goodbye, 2007.

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Mémorial | Jean-Philippe Baert

https://jphbaert.wordpress.com/memorial

Collapsing new landscape (série persistance). Esthetique de l'enregistrement. Laquo; Mémorial ». Vidéo, 22 mn, 2002. Mémorial contemporain sous la forme d’un générique de film. Par son silence et son austérité « Mémorial » annule tout effet spectaculaire des images de l’attentat passées en boucle sur toutes les chaînes des médias. Mémorial, vidéo, 22 mn. Be the first to start a conversation. Laisser un commentaire Annuler la réponse. Adresse de messagerie (obligatoire). Anne et Patrick Poirier.

jphbaert.wordpress.com jphbaert.wordpress.com

Jus de corps | Jean-Philippe Baert

https://jphbaert.wordpress.com/jus-de-corps

Collapsing new landscape (série persistance). Esthetique de l'enregistrement. Intervention Jus de corps au Glaz'art, 2002. Laquo; Jus de corps ». Mise en vente au bar du Glaz’art des cocktails « Jus de corps » à l’occasion de la soirée David Cronenberg. Arôme synthétique d’excrément et de sueur. Contenant et tube en polypropylène. Be the first to start a conversation. Laisser un commentaire Annuler la réponse. Entrez vos coordonnées ci-dessous ou cliquez sur une icône pour vous connecter:. S’abonne...

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Paysageaudiovisuels | Jean-Philippe Baert

https://jphbaert.wordpress.com/paysageaudiovisuel-2

Collapsing new landscape (série persistance). Esthetique de l'enregistrement. Paysageaudiovisuel, empreinte d'écran de télévision sur papier photographique. Paysageaudiovisuel, empreinte d'écran de télévision sur papier photographique. Paysageaudiovisuel, empreinte d'écran de télévision sur papier photographique. Paysageaudiovisuel, empreinte d'écran de télévision sur papier photographique. Paysageaudiovisuel, empreinte d'écran de télévision sur papier photographique. Aspirées par le flux,. Vous commente...

jphbaert.wordpress.com jphbaert.wordpress.com

Persistances | Jean-Philippe Baert

https://jphbaert.wordpress.com/persistance

Collapsing new landscape (série persistance). Esthetique de l'enregistrement. Persistance. 2000, Galerie EOF, mois OFF de la photographie à Paris. Dispositif utilisant du papier photographique, un poste de télévision et un lecteur VHS. Ce terme est commun à un ensemble de dispositif vidéo faisant appel à la technique des empreintes d’écran et réemployant leurs images sources images empruntées. Le présentateur est sans cesse en train de se dégager de son empreinte pour s’y recaller irrémédiablement. Adres...

designboom.es designboom.es

The Importance of Being... arte contemporáneo belga en MACBA de Buenos Aires

http://www.designboom.es/arte/the-importance-of-being-arte-contemporaneo-belga-macba-buenos-aires-07-30-2015

Shop – start selling. Para estar al día con los artículos más recientes y eventos próximos. Jul 30, 2015. The Importance of Being.’, arte contemporáneo belga en el MACBA de Buenos Aires. The Importance of Being…. Arte contemporáneo belga en MACBA de Buenos Aires. 2013 Peter de Cupere. A partir del 17 de julio y hasta el 4 de octubre la exposición. The Importance of Being. Muestra arte contemporáneo creado en Bélgica dentro del Museo de Arte Contemporáneo de Buenos Aires (MACBA). Como explica la curadora:.

mijnultimathule.blogspot.com mijnultimathule.blogspot.com

Ultima Thule: hands - head - eyes

http://mijnultimathule.blogspot.com/2015/08/hands-head-eyes.html

Zondag 2 augustus 2015. Hands - head - eyes. 169; Jan Delestinne. Http:/ jandelestinne01.businesscatalyst.com/. Didier van de steene. 160;  . J-H Lartigue, Mary Belewsky, 1941. 160;  . Roald Dahl, 1978. Those who dont believe in magi. 160;  . Hands - head - eyes. 160;    . My new studio. I need though to change the windows. Do not fear mistakes. There are none. Miles Davis. Obscured Figure #1, Robert Heinecken, 1966. Thomas Shields Clarke, ca 1910.

mijnultimathule.blogspot.com mijnultimathule.blogspot.com

Ultima Thule: Maurice

http://mijnultimathule.blogspot.com/2015/07/maurice.html

Woensdag 29 juli 2015. Https:/ www.facebook.com/maurice.dewitte/videos/857258037640972/. 169; Jan Delestinne. Http:/ jandelestinne01.businesscatalyst.com/. Didier van de steene. Tell your own story, and you will be interesting. At the Whitechapel Gallery. ©? 160;   . 160;  . Harry Partch, 1955, door Imogen Cunningham. Little Novice, Peter Arnold. 160;  . PJ Harvey door Anton Corbijn. 160;   . 160;   . In the woods of Brittany. 160;   . Not what it seems, nor what I expected.

mijnultimathule.blogspot.com mijnultimathule.blogspot.com

Ultima Thule

http://mijnultimathule.blogspot.com/2015/08/obscured-figure-1-robert-heinecken-1966.html

Zaterdag 1 augustus 2015. Obscured Figure #1, Robert Heinecken, 1966. 169; Jan Delestinne. Http:/ jandelestinne01.businesscatalyst.com/. Didier van de steene. 160;  . J-H Lartigue, Mary Belewsky, 1941. 160;  . Roald Dahl, 1978. Those who dont believe in magi. 160;  . Hands - head - eyes. 160;    . My new studio. I need though to change the windows. Do not fear mistakes. There are none. Miles Davis. Obscured Figure #1, Robert Heinecken, 1966. Thomas Shields Clarke, ca 1910.

jphbaert.wordpress.com jphbaert.wordpress.com

Installations | Jean-Philippe Baert

https://jphbaert.wordpress.com/installation

Collapsing new landscape (série persistance). Esthetique de l'enregistrement. No man's land video, 2001, installation, Empreintes d'écran de télévision et poste de télévision, Exposition Made in mode, 2001, Deauville. Détail de No man's land vidéo. FEU, 2001, installation, Empreintes d'écran de télévision et poste de télévision, Exposition Made in mode, 2001, Deauville. Ce sont des mise-en-scènes des rapports qu’entretiennent nos perceptions avec les images provenant de sources différentes. Ell...L&rsquo...

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