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Hands, Please: Anthony McCall

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Monday, 28 May 2012. Stepping into the dark and cool Anthony McCall exhibition at Hamburger Bahnhof was a relief on a sticky Berlin lunchtime. Black walls, dense black carpet, the enormous old train station fog-filled with gently buzzing 'haze machines'. Then the projections: beamed pure white lines from high above describing slowly shifting shapes on the floor, the coned light paths marbling in the moving air. To see more work, please click below:. Simple template. Powered by Blogger.

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Hands, Please: Adventurous Manifesto

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Friday, 15 March 2013. Slim pickings of late, but the spring is coming. Over the last weeks, a growing sense of place here in Hackney as I dig into local history, discovering brilliant things, people and organisations - brilliant in that they really shine. Embodying the spirit of recent web-trawls, a little gem from The Building Exploratory based in East London. In The Adventurous Manifesto. Through excellent leafy animated portraits kids give some equally excellent springtime advice like:.

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Hands, Please: Patrick Keiller I

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Wednesday, 11 July 2012. Still from Patrick Keiller's ' London. Tate Britain between the downpours for the 'Robinson Institute' with Dave S. I had expected to spend an hour in the dark on a comfortable chair viewing the third film in Patrick Keiller's Robinson series - Robinson in Ruins. 2010, so the daunting miscellany of the film not. Screened - but rather unpacked and spread out - collided with artworks from the Tate's collection, came as a bit of a shock. It looks. With Robinson in Space.

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Hands, Please: Arrival in Lisbon

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Monday, 26 March 2012. Time, as you might tell, is keenly on my mind, though in the studio (as ever) it flows in mysterious and unpredictable ways. I am finding concentration, and the rhythm that moves one thing to the next with a kind of easy confidence normally suggests i'm on the right track. Though this I might well regret saying. To see more work, please click below:. Simple template. Powered by Blogger.

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Hands, Please: Yorkshire Sculpture Park

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Tuesday, 22 April 2014. The first few mornings after my arrival at Yorkshire Sculpture Park were shrouded in heavy mist, which lent the place an eerie feeling, hearing sounds but not being able to identify where they came from. The lambs are all out, running from one hill to the next, racing eachother on the unnatural tarmac driveway with spray-painted numbers on their sides. I remembered that somebody’s argument against this kind of corner-cutting was that though nobody could see. 2 Arthur Fleischmann,.

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Hands, Please: Takis the Greek

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Friday, 20 January 2012. I didn't even know his full name, just calling him 'Takis the Greek' on the rare occasions it came up. Normally this was brought about by some passing mention of La Défense. That my poor apprehension of spoken French had compressed together). And so it happened that I finally managed to see the Signaux Lumineux. To see more work, please click below:. Simple template. Powered by Blogger.

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Hands, Please: Larry Bird

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Thursday, 29 March 2012. Michael E. Smith, Larry Bird,. 2010), KOW Gallery Berlin. Yesterday a visit to Culturgest. An expansive, museum-like gallery in the basement of a monstrous, post-modern hulk of a building in the business city centre. Ten of us from Atelier Concorde. To see more work, please click below:. Simple template. Powered by Blogger.

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Hands, Please: The Kiln Gods

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Friday, 6 April 2012. Kilns, like other ovens, have little tricks and pitfalls that only their regular users can grasp. I took my inexpert pottery, wrapped in t-shirts and plastic sheeting, across the magnificent 25 de Abril. Bridge to AR.CO. This was on Monday. Today we went back to see the results. Amazing transformations in colour and weight, eye-wateringly fragile things that I didn't realise I liked so much. The steel has almost disintegrated structurally, though it fools you by still looking.

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Hands, Please: Relative Sizes II

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Wednesday, 12 December 2012. A film dealing with the relative size of things in the universe and the effect of adding another zero? The Eames’ film “ The Powers of Ten. As we approach Christmas time a nice line:. Notice the alternation between great activity and relative inactivity", our narrator informs us. 1 Powers of Ten. Made by the offices of Charles and Ray Eames for IBM,. To see more work, please click below:. Simple template. Powered by Blogger.

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Hands, Please: Fado

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Sunday, 6 May 2012. Oh already two weeks since my return to London, and amongst a backlog of half-baked ideas for intended posts only one impression raised itself. Fado made a big impact on my short stay. Visiting Porto for a week in 2007 was the first time I had seen this Portuguese tradition in the flesh, but these last weeks in Lisbon cemented it in my mind as something very special. What a way to pass the hours. Thanks: *http:/ truckstopmodels.com. To see more work, please click below:.