DD Guttenplan is London correspondent for the Nation, and the author of American Radical: The Life and Times of I.F. Stone. A former reporter and columnist for New York Newsday, his essays have appeared in The Atlantic Monthly, The Financial Times, Granta, Harper's, The London Review of Books, the Los Angeles Times, the New York Times, the TLS, Vanity Fair and the Village Voice.
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United States
View this contact
Don Guttenplan
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United States
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D.D. Guttenplan | ddguttenplan.com Reviews
https://ddguttenplan.com
DD Guttenplan is London correspondent for the Nation, and the author of American Radical: The Life and Times of I.F. Stone. A former reporter and columnist for New York Newsday, his essays have appeared in The Atlantic Monthly, The Financial Times, Granta, Harper's, The London Review of Books, the Los Angeles Times, the New York Times, the TLS, Vanity Fair and the Village Voice.
ddguttenplan.com
D.D. Guttenplan
http://www.ddguttenplan.com/journalism.html
For a complete up-to-date list of D.D. Guttenplan's articles for the. For a complete up-to-date list of D.D. Guttenplan's articles for the. For a complete up-to-date list of D.D. Guttenplan's articles for the. For a complete up-to-date list of D.D. Guttenplan's articles for the. Below is a selection of articles by D.D. Guttenplan in the New York Times. For more of his writing in the. Click the logo above or click here. Calling All Ids: Freudians at War. THINK TANK; Is Reading Milton Unsafe at Any Speed?
D.D. Guttenplan
http://www.ddguttenplan.com/books.html
Click here to order. American Radical: The Life and Times of I.F. Stone. Ldquo;Prodigious research and a grateful heart inform this essential biography of an irreplaceable journalist.”—Kirkus Reviews (starred review). Ldquo;I. F. Stone is an inspiration to anyone who worries about the collapse of big newspapers with big budgets.” —Norman Pearlstine. Ldquo;A lively portrait of a journalist who was as passionate about radical politics and getting a story right as he was about ballroom dancing . . &...D D G...
D.D. Guttenplan
http://www.ddguttenplan.com/film.html
Edward Said: The Last Interview. A Film by Mike Dibb, Produced by D. D. Guttenplan. A fascinating record of his achievement and continuing influence.A fitting tribute to Said's life and work.". Jamie Russell, BBC. If you would like to see the whole film please contact Icarus Films. Or, for an unedited record of the whole 208 minute conversation, you can order a DVD from the Institute for Contemporary Arts. Website design by Levato Design.
D.D. Guttenplan
http://www.ddguttenplan.com/index.html
American Radical is a ripping yarn, a really good read. Guttenplan writes masterfully". Julian Assange, from the foreward to the British edition. Can one reporter change the world? New York Review of Books. The New York Times. This admiring but not uncritical biography makes a strong case for I. F. Stone's relevance to our own time. - read more ». IF Stone was among the most interesting of 20th-century American journalists. - read more ». The Los Angeles Times. Twenty years ago today, I.F. Stone ...Novem...
D.D. Guttenplan
http://www.ddguttenplan.com/links.html
The New York Times. Website design by Levato Design.
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The End of the Line: Microcosms of transition
http://peterbjel.blogspot.com/2009/08/microcosms-of-transition.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: February 2009
http://peterbjel.blogspot.com/2009_02_01_archive.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: November 2012
http://peterbjel.blogspot.com/2012_11_01_archive.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: Why on Earth is Slovenia doing this?
http://peterbjel.blogspot.com/2009/11/why-on-earth-is-slovenia-doing-this.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: The end of a hiatus
http://peterbjel.blogspot.com/2011/03/end-of-hiatus.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: Another lesson in the national character?
http://peterbjel.blogspot.com/2012/11/another-lesson-in-national-character.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: August 2009
http://peterbjel.blogspot.com/2009_08_01_archive.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: Atta boy, Klaus!
http://peterbjel.blogspot.com/2009/11/atta-boy-klaus.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: Visas and diplomatic spats
http://peterbjel.blogspot.com/2009/09/visas-and-diplomatic-spats.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
The End of the Line: December 2008
http://peterbjel.blogspot.com/2008_12_01_archive.html
The End of the Line. AND THEN P.R. DELTOID CAME IN TO HAVE A VIDDY, HIS OFFICE BEING IN THE SAME BUILDING, LOOKING VERY TIRED AND GRAHZNY, TO SAY: 'SO IT'S HAPPENED, ALEX BOY, YES? JUST AS I THOUGHT IT WOULD. DEAR DEAR DEAR, YES.' THEN HE TURNED TO THE MILLICENTS TO SAY: 'EVENING, INSPECTOR. EVENING, SERGEANT. EVENING, EVENING, ALL. WELL, THIS IS THE END OF THE LINE FOR ME, YES. DEAR DEAR, THIS BOY DOES LOOK MESSY, DOESN'T HE? JUST LOOK AT THE STATE OF HIM.'" (ANTHONY BURGESS, 'A CLOCKWORK ORANGE').
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D.D. Guttenplan
American Radical is a ripping yarn, a really good read. Guttenplan writes masterfully". Julian Assange, from the foreward to the British edition. Can one reporter change the world? New York Review of Books. The New York Times. This admiring but not uncritical biography makes a strong case for I. F. Stone's relevance to our own time. - read more ». IF Stone was among the most interesting of 20th-century American journalists. - read more ». The Los Angeles Times. Twenty years ago today, I.F. Stone ...Novem...
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