debwhistler.com

lifeuniverseandart.blogspot.com

life, the universe and art: Mary Kate Maher

http://lifeuniverseandart.blogspot.com/2007/10/mary-kate-maher.html

Saturday, October 27, 2007. 1 Your latest body of work deals with cryptozoology, whaling and underwater debris. How did you develop your interest in these subjects and how has researching these subjects engaged your practice? You latch on to one small part that makes you curious and you go from there. 2 Your work deals with a tension of representation and abstraction, where do you see that line aesthetically? And how has that tension affected your practice? And do you conceptualize your work as installat...

lifeuniverseandart.blogspot.com

life, the universe and art: July 2007

http://lifeuniverseandart.blogspot.com/2007_07_01_archive.html

Sunday, July 15, 2007. Joe Hu has graciously agreed to be the first interviewee for this blog. He lives and works in Philadelphia. Recently, Joe had a thought provoking and finely crafted exhibition up at Pentimenti Gallery in Philadelphia. He currently has work up at the Pennsylvania Academy and is featured in Mid-Atlantic edition New American paintings. For more information, and to see more of his work visit his website at www.josephhu.net. Kiki Smith (I'm a new fan of her work! Links to this post.

lifeuniverseandart.blogspot.com

life, the universe and art: August 2007

http://lifeuniverseandart.blogspot.com/2007_08_01_archive.html

Thursday, August 23, 2007. 1 Your current project deals with the idea of a life debt, what exactly is that and how did you come to work with this idea? There are moments in your life that stand out – pivotal moments that decide the course of things. A life-debt has to do with these moments in a positive way – people that give something, a word, an action – for the better. It can be something that’s small, but whose value can’t easily be measured. Images… text… these are currency…. 4 The philosophical and...

lifeuniverseandart.blogspot.com

life, the universe and art: Althea Georgelas

http://lifeuniverseandart.blogspot.com/2007/12/althea-georgelas.html

Friday, December 28, 2007. १ Your work frequently, deals with the current events, such as the war, feminist issues, or the use of media communication. How do you position your ideas about current events in your work, and how important is that for you as an artist? Artists, like all people (whether they are aware of it or not), are just responding the world from their vantage point. It is hard not to look into the fire, my friends. So, as I tell my students as I have been told myself… speak damn...Using c...

lifeuniverseandart.blogspot.com

life, the universe and art: AmzeEmmons

http://lifeuniverseandart.blogspot.com/2008/03/amzeemmons.html

Monday, March 24, 2008. Which deals with the architecture of displacement, here on Life. 1 This body of work seems very much about alienation and the urban environment. It almost feels post- apocalyptic, but with a wry wit to it. How did this recent series come to in being? What was your conceptual base for it? Your description touches on most of my main conceits; it’s great to hear that it comes through to the audience. And how do you see your audience relating to this narrative device? After re-reading...

lifeuniverseandart.blogspot.com

life, the universe and art: Judith Baumann

http://lifeuniverseandart.blogspot.com/2010/03/judith-baumann.html

Monday, March 15, 2010. 1 Your work, and in particular your body of work “When Appliances Attack” uses an overt and an almost slapstick humor. How do you see this functioning for your viewer? Is there a purpose for the humor for you? What tradition does this come from? 2 In “When Appliances Attack” you have massing of the objects that creates a unique aesthetic within the body of work. What was your methodology? And what was the ideology behind the massing? Is the aesthetic informed by your content?

lifeuniverseandart.blogspot.com

life, the universe and art: Will Luers

http://lifeuniverseandart.blogspot.com/2009/03/will-leurs.html

Wednesday, March 4, 2009. To view the videos, click on the picture. This will navigate you to the videos. To return back to Life, click on your return button. 1 You situate your work as net cinema poetics. What does this definition involve? How does this concept inform the way you create work? What constitutes the ideology behind net cinema poetics? 2 Alot of your work, in particular Foliage. And Steam, Light, Grid. How does this affect your process of creating works? 3 Steam, Light, Grid. I feel the nee...

lifeuniverseandart.blogspot.com

life, the universe and art: Jenn Figg

http://lifeuniverseandart.blogspot.com/2008/02/jenn-figg.html

Saturday, February 16, 2008. 1 Your work transforms the materials, which include jellybeans, salt, and a lot of other unexpected things. Why have you chosen to utilize these seemingly mundane things in your sculpture and what do they impart to the viewer for you? 2 There is a meticulous attention to detail in your work. How does the process and methods in your work relate to the final piece? 3 There is this feeling to your work of play, and of whimsy. How did you develop that? 4 Your piece, Foundation, i...

art.hanover.edu

The Studio Art & Art History Department - Faculty : Art and Art History Department : Hanover College

http://art.hanover.edu/ArtFaculty.php

Hanover.edu ›. Art and Art History Department. The Studio Art and Art History Department - Faculty. Leticia Bajuyo, Professor of Studio Art. Teaches 3-dimensional Studio Art courses. MFA University of Tennessee, Knoxville, Tennessee. BFA University of Notre Dame, Notre Dame, Indiana. Phone: 812.866.7338. Website: www.leticiabajuyo.com. Rick Lostutter, Art Director for Hanover College Public Relations. Teaches Graphic Design courses. MFA Rhode Island School of Design, Graphic Design. 2016 Art and Art Hist...