Decoded 1914-18 is a two-week programme of AV installations and events that explores the First World War and its effect on those living in Tyne & Wear.
http://decoded1914.org.uk/
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Decoded 1914-18 | Reflections on life, loss and invention in Tyne & Wear 1914-18 | decoded1914.org.uk Reviews
https://decoded1914.org.uk
Decoded 1914-18 is a two-week programme of AV installations and events that explores the First World War and its effect on those living in Tyne & Wear.
decoded1914.org.uk
Decoded 1914-18 | Sound Mirrors | Tim Shaw & John Bowers
http://www.decoded1914.org.uk/sound-mirrors.html
Sound Mirrors Tim Shaw and John Bowers. Sing and Dance for King and Country. Tuning In Listening Back in Time. Shiver the Flowers Like Fear. The Handmaidens of Death. Tim Shaw and John Bowers. Sound Mirrors is a durational sound performance which re-imagines the acoustic experience of war and connects, in an act of two-way mirroring, the sonic experience of war with contemporary local soundscapes.
Decoded 1914-18 | Reflections on life, loss and invention in Tyne & Wear 1914-18
http://www.decoded1914.org.uk/index.html
Reflections on life, loss and invention in Tyne and Wear 1914-18. Reflections on life, loss and invention in Tyne and Wear 1914-18. Decoded 1914-18 was a two-week programme of AV installations and events that explored the First World War and its effect on those living in Tyne and Wear. Seven artists took inspiration from Tyne and Wear Archives and Museums. The project is a collaboration between Tyne and Wear Archives and Museums. And the Newcastle University Institute for Creative Arts Practice. Tuning I...
Decoded 1914-18 | War Workings | Tim Shaw & John Bowers
http://www.decoded1914.org.uk/war-workings.html
War Workings Tim Shaw and John Bowers. Sing and Dance for King and Country. Tuning In Listening Back in Time. Shiver the Flowers Like Fear. The Handmaidens of Death. Tim Shaw and John Bowers. Drawing on museum and archive material, Shaw and Bowers will build a sound installation, starting from nothing. The duo invites the public to participate in making, listening to and re-inventing communications technologies from the First World War.
Decoded 1914-18 | Shiver the Flowers Like Fear | Phil Begg
http://www.decoded1914.org.uk/shiver-the-flowers-like-fear.html
Shiver the Flowers Like Fear Phil Begg. Sing and Dance for King and Country. Tuning In Listening Back in Time. Shiver the Flowers Like Fear. The Handmaidens of Death. Shiver the Flowers Like Fear. Shiver the Flowers Like Fear is a sound installation of spoken word, music and sound design framed around the wartime diaries of Gateshead author, playwright and social activist Ruth Dodds.
Decoded 1914-18 | Tuning In – Listening Back in Time | Chris Watson & Tim Shaw
http://www.decoded1914.org.uk/tuning-in-listening-back-in-time.html
Tuning In Listening Back in Time Chris Watson and Tim Shaw. Sing and Dance for King and Country. Tuning In Listening Back in Time. Shiver the Flowers Like Fear. The Handmaidens of Death. Tuning In Listening Back in Time. Chris Watson and Tim Shaw. Tuning In - Listening Back in Time is a reconstruction of time distant voices and personal accounts of events on Tyneside during the First World War. The work will be presented using period audio technology in a science and technology basement store.
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Parade Ground – Guy Schofield | Art & Research
https://guyschofield.wordpress.com/2015/03/09/parade-ground
Guy Schofield Art and Research. March 9, 2015. March 9, 2015. Decoded 1914-18 is a project led by Newcastle University Institute for Contemporary Arts Practice and Tyne and Wear Archives and Museums. As part of Decoded they commissioned me to make Parade Ground, a large scale video projection. Here’s what the work was about…. Here’s more. .http:/ decoded1914.org.uk/. Parade Ground was on display at 3 different venues:. When the Lamps Went Out exhibition. Kings Gate, Newcastle University. You are commenti...
Projects – Claire Bailey Ross
https://claireyross.wordpress.com/projects
Exploring museums, digital technology and user experiences. I work on a range of interdisciplinary projects which focus on digital engagement, user experience and knowledge transfer between academic departments and cultural heritage institutions. The Design for Creativity and Innovation in Informal Science Learning Environments. Is on the floor in the Brain Zone. A new gallery at the Centre. QRator was a collaborative project between the Centre for Digital Humanities (UCLDH), UCL Centre for Advanced Spat...
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Something for your mind… Something for your mind…. December 5, 2017. Sydney : January 2018 – April 2018. Filed under: Clubbing and Gigs. 8212; decoded @ 6:14 pm. Club nights/events with international (and local) techno, minimal, tech-house, deep-house, house etc. DJs and live acts (and live bands) coming up in Sydney Australia…. I’ve made it out to the red. 01012018 : Kate Doherty. The House Of Mince : Poida’s Pavlova Bar NYD Night Club 77. Charades, Bass Drop & The Riot Club! 06012018 : DJ T. 20012018 :...
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Understanding ‘Abstraction’. April 27, 2006 at 4:29 pm · Filed under Coding. In the beginning there was. And the abstraction was God (of OO). And God of abstraction said let there be Classes and there were Objects. 8212; Book of Genesis – OO Bible. Roughly stated, Abstraction is the process of discovering classes. The services they provide, the functions they implement] and how these classes interact [ co-ordination. With others to complete the big picture [implement the system]. Of that directory [class...
Decoded 1914-18 | Reflections on life, loss and invention in Tyne & Wear 1914-18
Reflections on life, loss and invention in Tyne and Wear 1914-18. Reflections on life, loss and invention in Tyne and Wear 1914-18. Decoded 1914-18 was a two-week programme of AV installations and events that explored the First World War and its effect on those living in Tyne and Wear. Seven artists took inspiration from Tyne and Wear Archives and Museums. The project is a collaboration between Tyne and Wear Archives and Museums. And the Newcastle University Institute for Creative Arts Practice. Tuning I...
The Beast Unraveled
The Mark of The Beast. 8220;…and his number is 666.” Revelation 13:18. Yesterday evening, as I read an article. Written by The Huffington Post senior editor Ryan Buxton, it slowly occured to me that I knew what, quite plausibly, was the true interpretation of the age-old puzzle: “666” – the mark of the beast. 6th month, 26th day, 2003: private Sodomy between consenting males approved throughtout the US. 6th month, 26th day, 2013: Defense of Marriage act struck-down throughout the US. Have been voiced ove...
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