degenerator-operan-english.blogspot.com
Degenerator: In the begining
http://degenerator-operan-english.blogspot.com/2007/10/in-begining.html
Thursday, October 11, 2007. Ossuarium (performed in 2006, photo by Alexander Kenney). This blogpage is thought as a haven for ideas and contemplations in the midst of the creative process for the dancepiece Degenerator that will be premiered the 9th of November 2007 at the performance "Höstafton med Kungliga baletten" at the Royal Operahouse in Stockholm. Behnaz Aram, clothing and costume designer, Gunnlaugur Egilsson. And Jeannette Diaz-Barboza in a costumefitting at the Royal Swedish Opera.
degenerator-operan-english.blogspot.com
Degenerator: Second stage rehearsal
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Thursday, October 18, 2007. Recently I have been asked by many why I choose to write about my creative process for the dancepiece Degenerator here and on the homepage of the Royal Swedish Opera. It can be, for some, a sensitive thing to share with others something so unfinished or that is still under construction. The piece in the process. Jeannette Diaz-Barboza, Gunnlaugur Egilsson och Sandra Gerdin (photo by: Carl Thorborg. Irina Laurenova in rehearsal (photo by: Carl Thorborg). One of the costumes is ...
degenerator-operan-english.blogspot.com
Degenerator: October 2007
http://degenerator-operan-english.blogspot.com/2007_10_01_archive.html
Saturday, October 20, 2007. Rehearsal with the orchestra. Benjamin Pope conducting the Royal Court Orchestra (photo by: Gunnlaugur Egilsson. The conductor, Benjamin Pope, demonstrated for the orchestra with a profound expression how the dancers movements wilt in coherence with the breathing of the music. Ylva Helander in a rehearsal. The moment is at hand were as the music and the dance will unite for real. Thursday, October 18, 2007. Today was the second stage rehearsal for Degenerator. This time th...
degenerator-operan-english.blogspot.com
Degenerator: Frasing and Focus
http://degenerator-operan-english.blogspot.com/2007/10/frasing-anf-focus.html
Tuesday, October 16, 2007. The blog has moved to the homepage of the Royal Opera:. Altough I will continue to blog in English on this blogpage. Degenerator is for six female dancers from the Royal Swedish Ballet. They are:. There is, in my own oppinion, in the world of dance, theater and opera still lingering remains from an older social structure otherwise obsolete in todays society. There the director or the choreographer always has the last word. Subscribe to: Post Comments (Atom). THIS SITE IN SWEDISH.
degenerator-operan-english.blogspot.com
Degenerator: Rehearsal with the orchestra
http://degenerator-operan-english.blogspot.com/2007/10/rehearsal-with-orchestra.html
Saturday, October 20, 2007. Rehearsal with the orchestra. Benjamin Pope conducting the Royal Court Orchestra (photo by: Gunnlaugur Egilsson. The conductor, Benjamin Pope, demonstrated for the orchestra with a profound expression how the dancers movements wilt in coherence with the breathing of the music. Ylva Helander in a rehearsal. The moment is at hand were as the music and the dance will unite for real. Subscribe to: Post Comments (Atom). Gunnlaugur Egilsson, dancer and choreographer.
degenerator-operan-english.blogspot.com
Degenerator: The first steps
http://degenerator-operan-english.blogspot.com/2007/10/marcus-fjellstrom-composer.html
Thursday, October 11, 2007. Marcus Fjellström, composer. The choice therefore was Degenerator composed by the young Swedish composer Marcus Fjällström for the Nordic Chamber Orchestra in Sundsvall in August 2006. I am facinated by the world that Marcus has created with the music. He himself explained the music with following words in a letter adressed to me in January 2007:. Degenerator is pretty much about falling apart, being broken, wilting away. Something falling apart, a forest, plant or an organism...
degenerator-operan-english.blogspot.com
Degenerator: First Runthrough
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Thursday, October 11, 2007. It is with exitement that I watch the piece take form for the first time. I see what sections need more focusing and I now have a stronger sense for the high and low points of the piece or begining and end in. Benjamin Pope, conductor for Degenerator. Behnaz Aram working on a costume with a dancer for Degenerator. In the end of the week the first costume will be as good as ready, Behnaz Aram will come to see if it is all acording to her vision. I have choosen to illustrate the...