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Friday, April 16, 2010. Oil and enamel on canvas. 120 x 100 cm. Oil and enamel on canvas. 120 x 100 cm (diptych). Thursday, August 20, 2009. I'm writing this enrty from my new studio at ccas. The number on the key is 100, such a good number, I feel for some reason there is a lot to love up to in studio 100. I love seeing all of the mysterious marks in the space made by previous artists, what were they working on to be using red spray paint? Why is there fabric paint left in the cupbord? Now for some work.

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delivering light | delivering-light.blogspot.com Reviews
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Friday, April 16, 2010. Oil and enamel on canvas. 120 x 100 cm. Oil and enamel on canvas. 120 x 100 cm (diptych). Thursday, August 20, 2009. I'm writing this enrty from my new studio at ccas. The number on the key is 100, such a good number, I feel for some reason there is a lot to love up to in studio 100. I love seeing all of the mysterious marks in the space made by previous artists, what were they working on to be using red spray paint? Why is there fabric paint left in the cupbord? Now for some work.
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delivering light | delivering-light.blogspot.com Reviews

https://delivering-light.blogspot.com

Friday, April 16, 2010. Oil and enamel on canvas. 120 x 100 cm. Oil and enamel on canvas. 120 x 100 cm (diptych). Thursday, August 20, 2009. I'm writing this enrty from my new studio at ccas. The number on the key is 100, such a good number, I feel for some reason there is a lot to love up to in studio 100. I love seeing all of the mysterious marks in the space made by previous artists, what were they working on to be using red spray paint? Why is there fabric paint left in the cupbord? Now for some work.

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delivering light: April 2009

http://www.delivering-light.blogspot.com/2009_04_01_archive.html

Friday, April 17, 2009. Subscribe to: Posts (Atom). Canberra, ACT, Australia. I'm a painter based in Canberra Australia. View my complete profile.

2

delivering light: July 2009

http://www.delivering-light.blogspot.com/2009_07_01_archive.html

Wednesday, July 1, 2009. At the moment I'm working in a series of paintings titled  I want to to live in an infinity room . I have managed to execute most of them in my laundry. dirty washing for inspiration! Hope that it will all come together for my upcoming group show . S peaking With Objects  on at Strathnairn gallery opening Friday 17th July. . Subscribe to: Posts (Atom). Canberra, ACT, Australia. I'm a painter based in Canberra Australia. View my complete profile.

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delivering light: April 2010

http://www.delivering-light.blogspot.com/2010_04_01_archive.html

Friday, April 16, 2010. Oil and enamel on canvas. 120 x 100 cm. Oil and enamel on canvas. 120 x 100 cm (diptych). Subscribe to: Posts (Atom). Flooding sky Oil and enamel on canvas 120 x 100 c. Canberra, ACT, Australia. I'm a painter based in Canberra Australia. View my complete profile.

4

delivering light: Painting in circles

http://www.delivering-light.blogspot.com/2009/07/painting-in-circles.html

Wednesday, July 1, 2009. At the moment I'm working in a series of paintings titled  I want to to live in an infinity room . I have managed to execute most of them in my laundry. dirty washing for inspiration! Hope that it will all come together for my upcoming group show . S peaking With Objects  on at Strathnairn gallery opening Friday 17th July. . Subscribe to: Post Comments (Atom). Canberra, ACT, Australia. I'm a painter based in Canberra Australia. View my complete profile.

5

delivering light

http://www.delivering-light.blogspot.com/2010/04/flooding-sky-oil-and-enamel-on-canvas.html

Friday, April 16, 2010. Oil and enamel on canvas. 120 x 100 cm. Subscribe to: Post Comments (Atom). Flooding sky Oil and enamel on canvas 120 x 100 c. Canberra, ACT, Australia. I'm a painter based in Canberra Australia. View my complete profile.

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Light In An Empty Space: Fear

http://lightinanemptyspace.blogspot.com/2008/09/fear.html

Light In An Empty Space. Wednesday, September 10, 2008. 10 things that I'm afraid of. 6 Not achieving my goals. Failing. 7 Being left behind. 8 Being secretly hated. 12 September 2008 at 3:25 pm. Yeah although less so these days. i used to be very afraid of being away from civilisation. now that i read books more and have an iPod that's not so urgent. i do feel odd about not being near a TV, though. just for comfort. 13 September 2008 at 3:54 pm. 13 September 2008 at 5:44 pm. 23 September 2008 at 9:44 pm.

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Light In An Empty Space: Review

http://lightinanemptyspace.blogspot.com/2008/12/review.html

Light In An Empty Space. Thursday, December 25, 2008. It's been a good year for my music - and, by Dog, it's about time. Ten years ago, by contrast, I was a mess. I spent my entire undergrad degree in a perpetual state of fright and ennui. A seven-year writer's block. I was far too rigid, paranoid - and, dare I say, lazy - to write even the simplest of pieces. In fact, I failed my third year because in place of the required hour of music I submitted two 5-minute sketches. And "when will I? Between June a...

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Light In An Empty Space: Now

http://lightinanemptyspace.blogspot.com/2008/11/now.html

Light In An Empty Space. Tuesday, November 11, 2008. In the Sydney Festival's long-awaited program I notice that Fourtet will be "improvising in real-time". Er, right - like there's an alternative? Subscribe to: Post Comments (Atom). Critical Mass 2008, CarriageWorks, Sydney. View my complete profile. New Music Up Late. 2001: A Space Oddysey. Dancer In The Dark. My Own Private Idaho. Tous Le Matins Du Monde. TOP 10 VISUAL ARTISTS. Autechre "Version 7.30". Boards Of Canada "Geoggaddi".

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Light In An Empty Space: Bald

http://lightinanemptyspace.blogspot.com/2008/10/bald.html

Light In An Empty Space. Wednesday, October 01, 2008. It's always bugged me . just why were Arnold Schoenberg (A) and Mstislav Rostropovich (B) so bald? I mean, so much more bald-looking than anyone else? Other people with receding hairlines (C and D) seem to get away with it. Well, except this guy (E). And there's no guaranteeing that having hair will make any difference (F). But with the two maestros, you just can't avoid it. It's serious 'elephant-in-the-room' stuff. 1 October 2008 at 6:32 pm. Ar, i s...

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Light In An Empty Space: Surprise

http://lightinanemptyspace.blogspot.com/2009/11/surprise.html

Light In An Empty Space. Sunday, November 08, 2009. It's me again, after a heck of a time. I'm still here and thought I'd better sign on once again. It's been a pretty hectic year creatively, with lots of projects finally realizing fruition. A quick outline:. An Infinity Room (A.I.R.). Finally, a label! More to come . Subscribe to: Post Comments (Atom). Critical Mass 2008, CarriageWorks, Sydney. View my complete profile. New Music Up Late. 2001: A Space Oddysey. Dancer In The Dark. My Own Private Idaho.

lightinanemptyspace.blogspot.com lightinanemptyspace.blogspot.com

Light In An Empty Space: Taylor

http://lightinanemptyspace.blogspot.com/2008/11/taylor.html

Light In An Empty Space. Saturday, November 08, 2008. I am listening to the album. Uh, i think you've just described YOU! 9 November 2008 at 12:19 am. Taylor's a fox, no doubt. I feel like that towards him too, but that's probably more to be expected since you're the dude being performed in new york! 13 January 2009 at 12:32 pm. Subscribe to: Post Comments (Atom). Critical Mass 2008, CarriageWorks, Sydney. View my complete profile. New Music Up Late. 2001: A Space Oddysey. Dancer In The Dark.

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Light In An Empty Space: Glitch

http://lightinanemptyspace.blogspot.com/2008/07/glitch.html

Light In An Empty Space. Wednesday, July 23, 2008. It happens so often yet I thought this place was immune. I was in my local death metal/emo/hardcore CD store, only barely fitting in in my standard blacks (considering my lack of piercings, tatts, hairdye or youth). The sales assistant terrifically cool, robotic, bloodless. On the stereo, a typically grinding track with obligatory Cookie Monster vocals. Cookie Monster lost his 'tude. Subscribe to: Post Comments (Atom). View my complete profile.

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delivering light

Friday, April 16, 2010. Oil and enamel on canvas. 120 x 100 cm. Oil and enamel on canvas. 120 x 100 cm (diptych). Thursday, August 20, 2009. I'm writing this enrty from my new studio at ccas. The number on the key is 100, such a good number, I feel for some reason there is a lot to love up to in studio 100. I love seeing all of the mysterious marks in the space made by previous artists, what were they working on to be using red spray paint? Why is there fabric paint left in the cupbord? Now for some work.

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