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Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

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journal | desearch.co.uk Reviews
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Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.
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journal | desearch.co.uk Reviews

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Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

INTERNAL PAGES

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1

Sound as an Object in Space: Interpreting Space through Sound and Performance , by Tansy Spinks

http://desearch.co.uk/home/category-2011/12-sound-as-an-object-in-space-interpreting-space-through-sound-and-performance-by-tansy-spinks

Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

2

category 2011

http://desearch.co.uk/home/category-2011

Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

3

Going With the Flow: A Comparison of the Themes Within Martin Heidegger’s Being and Time and Joris-Karl Huysmans’ With the Flow, by Alexander Williams

http://desearch.co.uk/home/category-2012/7-going-with-the-flow-a-comparison-of-the-themes-within-martin-heidegger-s-being-and-time-and-joris-karl-huysmans-with-the-flow-by-alexander-williams

Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

4

An Aesthetics of Capitalism: A Nietzschean Analysis of Baudrillard’s Theory of Consumption, by Ben Trubody

http://desearch.co.uk/home/category-2012/6-an-aesthetics-of-capitalism-a-nietzschean-analysis-of-baudrillard-s-theory-of-consumption-by-ben-trubody

Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

5

The Journey, The Makers, The Book, by James C. Cameron Silva

http://desearch.co.uk/home/category-2012/18-the-journey-the-makers-the-book-by-james-c-cameron-silva

Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

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Issue 3, 2013. Computer Science Diagrams as Art Form, by Tosca Lahiri. The Archive is Present, by Joseph Dunne. Designing Identity: Sophie Taeuber, Dada, and the (re)Construction of the Fragmented Self, by Elizabeth Benjamin. Place and Collaboration: Contemporary Art Curation Within Historic Sites, by Ashleigh McDougall. Issue 2, 2012. A Trace From A Point.(Without Reference), by Robert Luzar. The Journey, The Makers, The Book, by James C. Cameron Silva. Issue 1, 2011. By Eray Çayli and Kerem Özcan.

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