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On Here are a few sketches. On I chose 10 locations in. On I always go back to. On I always go back to. On I always go back to. On I always go back to. On I always go back to. October 19, 2006. Decisions about where to walk next are made not by reference to an authoritative architectural guide or tourist map, but by some form of individual, subjective response to the emotional contours of the urban landscape." (from 'The City of Psychogeography' by Iain Borden). How do these spaces interact? These are th...

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(re)connect | designme.typepad.com Reviews
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On Here are a few sketches. On I chose 10 locations in. On I always go back to. On I always go back to. On I always go back to. On I always go back to. On I always go back to. October 19, 2006. Decisions about where to walk next are made not by reference to an authoritative architectural guide or tourist map, but by some form of individual, subjective response to the emotional contours of the urban landscape. (from 'The City of Psychogeography' by Iain Borden). How do these spaces interact? These are th...
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(re)connect | designme.typepad.com Reviews

https://designme.typepad.com

On Here are a few sketches. On I chose 10 locations in. On I always go back to. On I always go back to. On I always go back to. On I always go back to. On I always go back to. October 19, 2006. Decisions about where to walk next are made not by reference to an authoritative architectural guide or tourist map, but by some form of individual, subjective response to the emotional contours of the urban landscape." (from 'The City of Psychogeography' by Iain Borden). How do these spaces interact? These are th...

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Graphic Language

http://graphiclanguage.typepad.com/graphic_language

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. March 25, 2008. Phantom Sightings @ LACMA. My friend Gary Garay will be participating in this exhibition, upcoming at LACMA. April 6, 2008 September 1, 2008 Art of the Americas. Phantom Sightings: Art after the Chicano Movement. Posted at 09:58 PM in Openings. October 19, 2006. Posted at 01:19 PM.

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Graphic Language: Official Brain Dump

http://graphiclanguage.typepad.com/graphic_language/2006/10/official_brain_.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; DESERT PEOPLE. On the Wall ». October 05, 2006. Ask me about Public Poster Workshop. What about the Public Poster Workshop? Ok, just kidding. I'll ask you when I see you. This email dialogue is a perfect example of how to activate dialogue. But what about the PLAY factor? In the end it's b...

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Graphic Language: Interactive Poster

http://graphiclanguage.typepad.com/graphic_language/2006/10/interactive_pos.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Fill in the Blanks Part 2. This poster needs no introduction, just your participation and a little imagination ». October 18, 2006. Click on the poster image to see simulation of public modification. Posted at 01:53 PM. The comments to this entry are closed.

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Graphic Language: Moving Forward

http://graphiclanguage.typepad.com/graphic_language/2006/10/moving_forward.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; More Sketches. Phantom Sightings @ LACMA ». October 19, 2006. I will document the process of a poster as a model. Posted at 01:19 PM. The comments to this entry are closed.

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Graphic Language: Openings

http://graphiclanguage.typepad.com/graphic_language/openings

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. March 25, 2008. Phantom Sightings @ LACMA. My friend Gary Garay will be participating in this exhibition, upcoming at LACMA. April 6, 2008 September 1, 2008 Art of the Americas. Phantom Sightings: Art after the Chicano Movement. Posted at 09:58 PM in Openings.

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Graphic Language: This poster needs no introduction, just your participation and a little imagination

http://graphiclanguage.typepad.com/graphic_language/2006/10/this_poster_nee.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Interactive Poster. More Sketches ». October 19, 2006. This poster needs no introduction, just your participation and a little imagination. How do you make this distiction? Being that the list of designers are deceased,. Posted at 09:08 AM. The comments to this entry are closed.

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Graphic Language: Phantom Sightings @ LACMA

http://graphiclanguage.typepad.com/graphic_language/2008/03/phantom-sightin.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Moving Forward. March 25, 2008. Phantom Sightings @ LACMA. My friend Gary Garay will be participating in this exhibition, upcoming at LACMA. April 6, 2008 September 1, 2008 Art of the Americas. Phantom Sightings: Art after the Chicano Movement. Posted at 09:58 PM in Openings.

graphiclanguage.typepad.com graphiclanguage.typepad.com

Graphic Language: Fill in the Blanks Part 2

http://graphiclanguage.typepad.com/graphic_language/2006/10/untitled_2006.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Bottoms Up. Interactive Poster ». October 10, 2006. Fill in the Blanks Part 2. I originally wrote the following for an article title in Martin's class. I found myself hypnotised by the language and thought by writing these out it would give me more clarity. Posted at 08:49 PM.

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Graphic Language: On the Wall

http://graphiclanguage.typepad.com/graphic_language/2006/10/about_an_hour_b.html

I got a lot on my mind but don't know what to say. Phantom Sightings @ LACMA. This poster needs no introduction, just your participation and a little imagination. Fill in the Blanks Part 2. Beauty in the Tragic. Laquo; Official Brain Dump. Fake ID ». October 05, 2006. The poster represents a voice, not specifically defined as a single voice or collective for that matter. The content will dictate the point of view, but it will at times seem purposefully ambiguous. WHAT IS YOUR DESIGN WEAKNESS?

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خانه | Shamot DesignMe!

Just turn the lights on! فقط به ما بگویید.طراحیتان می کنیم. DesignMe را یک گروه از جوانان خوش ذوق و خلاق تشکیل داده اند که هدفشان ساخت و طراحی وب و گرافیک، با کیفیت و البته متفاوت است. به همین راحتی طراحیتان می کنیم. امروز به نظر روز خوبی برای طراحی میاد. طراحای ما هم منتظر شما هستند:). DM در جشنواره وب ایران(تمام شد). اگر از وب سایت ما خوشتون اومده، بهترین راه حمایت کردن - رای دادن به ماست! گروه طراحی Shamot DesignMe! قصد دارد برای بهبود کار و کادر، طراحان علاقه مند به همکاری را جذب کند. نمونه کار های ما.

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Kaskady Hotel & Spa Resort. Nie som žiadna bábovka. TVORÍME VAŠE DIGITÁLNE PRÍBEHY. Cez web design, tvorbu web stránok a branding. Vytvorili sme veľa digitálnych príbehov. Ten prvý bol náš vlastný. Píšeme ho stále desiatkami úspešných projektov pre našich klientov. Unex ce button id="content pytem56cr,column content ft7buhzp9" button text color="#ffffff" button font="custom one" button font size="14px" button width="auto" button alignment="left" button text spacing="4px" button bg color="#ea2e49" button ...

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(re)connect

On Here are a few sketches. On I chose 10 locations in. On I always go back to. On I always go back to. On I always go back to. On I always go back to. On I always go back to. October 19, 2006. Decisions about where to walk next are made not by reference to an authoritative architectural guide or tourist map, but by some form of individual, subjective response to the emotional contours of the urban landscape." (from 'The City of Psychogeography' by Iain Borden). How do these spaces interact? These are th...

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