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March | 2011 | Moving Pictures – Photographic Theory and Criticism
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Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Monthly Archives: March 2011. March 28, 2011. In Regarding the Pain of Others , Susan Sontag presents and somewhat disagrees with the argument of others, including her former writing, that repeated exposure to images of suffering makes us passive and desensitized to violence ( As much as they [photographs] … Continue reading →. Museum Photographs post (images). March 14, 2011. Museum Photographs post (text).
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April | 2011 | Moving Pictures – Photographic Theory and Criticism
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Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Monthly Archives: April 2011. April 25, 2011. In his essay “Marks of Indifference: Aspects of Photography in, or as, Conceptual Art”, Jeff Wall gives a brief overview of photography’s trajectory in the 20th century: after moving away from pictorialism, which sought to mimic the aesthetic of Western … Continue reading →. April 19, 2011. These words were typed specifically for the web. April 18, 2011. April 12, 2011.
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Final – post #1 | Moving Pictures – Photographic Theory and Criticism
https://seawell.wordpress.com/2012/11/28/final-post-1
Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Final – post #2 →. Final – post #1. November 28, 2012. For my final I’m working on a video piece consisting of appropriated footage of Ronald Reagan, both as an actor and as president. My interest initially came from David Campany’s description of Cary Grant in North by Northwest:. Still trying to figure that out! This entry was posted in Uncategorized. Final – post #2 →. Leave a Reply Cancel reply.
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final – final post | Moving Pictures – Photographic Theory and Criticism
https://seawell.wordpress.com/2012/12/13/final-final-post
Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Final – post #2. Final – final post. December 13, 2012. I uploaded my video to YouTube because the piece is directly engaging with Bourriaud’s talk of postproduction and remix culture. Many of the clips I used were taken from YouTube, which I’ve then repackaged and recontextualized before putting them back in the YouTube domain. So there it is. Looking forward to viewing and discussing all the projects tomorrow.
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October | 2012 | Moving Pictures – Photographic Theory and Criticism
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Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Monthly Archives: October 2012. October 31, 2012. The two essays we read for this week were concerned with the term ‘slow cinema,’ a type of filmmaking that, as the title suggests, involves slow pacing and usually long takes and shots. This type of filmmaking, depending on who … Continue reading →. Steve McQueen – “Static”. October 24, 2012. 8220;an appeal of a presence and proximity”. October 23, 2012. October 16, 2012.
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February | 2011 | Moving Pictures – Photographic Theory and Criticism
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Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Monthly Archives: February 2011. February 28, 2011. In her essay Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory, Judith Butler’s main argument is that gender is constructed, as opposed to sex, which is biologically determined, and that this construction is a result of … Continue reading →. February 21, 2011. February 14, 2011. Death, reading images, reading images and text.
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Steve McQueen – “Static” | Moving Pictures – Photographic Theory and Criticism
https://seawell.wordpress.com/2012/10/24/steve-mcqueen-static
Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. 8220;an appeal of a presence and proximity”. Steve McQueen – “Static”. October 24, 2012. I want to write about Steve McQueen’s film titled “Static.” It’s the first and last piece that you see at his show at The Art Institute – there’s only one way to enter and to exit the show. This entry was posted in Uncategorized. 8220;an appeal of a presence and proximity”. Leave a Reply Cancel reply. Enter your comment here.
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January | 2011 | Moving Pictures – Photographic Theory and Criticism
https://seawell.wordpress.com/2011/01
Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Monthly Archives: January 2011. Benjamin, Baudrillard, Jameson, Crimp, Talking Heads. January 31, 2011. Walter Benjamin’s essay The Work of Art in the Age of Mechanical Reproduction is largely a discourse on the properties inherent to the photographic medium. He identifies photography as a method of speeding up the process of depicting the world … Continue reading →. January 31, 2011.
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sssssssssllllllllllllllllllllllllooooooooooooooooooooowwwwwwwwwwwwwwwwwwww | Moving Pictures – Photographic Theory and Criticism
https://seawell.wordpress.com/2012/10/31/sssssssssllllllllllllllllllllllllooooooooooooooooooooowwwwwwwwwwwwwwwwwwww
Moving Pictures – Photographic Theory and Criticism. Just another WordPress.com site. Steve McQueen – “Static”. Post Production →. October 31, 2012. The two essays we read for this week were concerned with the term ‘slow cinema,’ a type of filmmaking that, as the title suggests, involves slow pacing and usually long takes and shots. This type of filmmaking, depending on who is discussing it, has emerged in the last two decades or even farther back in time (more on that later). But what was most interesti...
