snicdesign.net
Doug Higgins, Landscape Painting in Santa Fe, NM - SNIC Design Websites
http://snicdesign.net/doug-higgins-santa-fe-nm
Websites for artists and small businesses, Santa Fe, NM. (505) 467-8388. Eldorado at Santa Fe, New Mexico. Images courtesy of morgueFile.com. Doug Higgins, Landscape Painting in Santa Fe, NM. September 7, 2013. Doug Higgins is very well known for his landscape painting in Santa Fe, and across the globe. In fact, he’s famous for the ability to. 8220;Do it all”. Visit site for Doug Higgins, Landscape Painting in Santa Fe, NM. Subscribe to Email News Updates Today! No news, no email. Subscribe to Email List.
ennisart.blogspot.com
The Reilly Papers: 7/24/11 - 7/31/11
http://ennisart.blogspot.com/2011_07_24_archive.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Saturday, July 30, 2011. Putting the sun at your back at sunset or sunrise creates a front-lighting condition. Looking into the sun at these hours can create a rim or back-lighting condition. Most other hours will produce form-lighting. Some observations to consider under different outdoor lighting conditions. Detail from the above highlighting the difference between a point light source and a diffused light source.
ennisart.blogspot.com
The Reilly Papers: 6/26/11 - 7/3/11
http://ennisart.blogspot.com/2011_06_26_archive.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Thursday, June 30, 2011. Each summer, Frank Reilly took a number of his students to the Art Students League campus in Woodstock, NY to teach outdoor painting. According to alumnus Jerry Allison, "Studying landscape painting in Reilly's Woodstock classes was a grand adventure.". Beginning in the 1940's and through the mid '60's when the Art Students League's 100-year lease ran out, his. Summer roster, circa 1949-50. View my ...
ennisart.blogspot.com
The Reilly Papers: Sky & Clouds
http://ennisart.blogspot.com/2011/09/sky-clouds.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Saturday, September 10, 2011. When my League instructor Robert Schulz offered this lecture to the class, I remember being struck by the amount of information the students were being given. Reilly's program went way beyond teaching us how to paint, it helped us understand what. A gray day sky is flat with little or no vault (change in value). A moonlit sky has a slight value change to the sky vault. The Rose Dore Effect.
ennisart.blogspot.com
The Reilly Papers: Landscape Palette
http://ennisart.blogspot.com/2011/09/landscape-palette.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Monday, September 5, 2011. My pochade box with the Reilly's outdoor palette. Reilly created a landscape palette for his students that is well thought out and allows for quick access to important colors. A derivative of his Universal Palette, it emphasizes value while facilitating hue and chroma changes much like his figure palette. A string of green values for the foliage is created by using a formula given below. Below, th...
ennisart.blogspot.com
The Reilly Papers: 8/7/11 - 8/14/11
http://ennisart.blogspot.com/2011_08_07_archive.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Sunday, August 7, 2011. Extreme chroma color chart in sunlight. Painted by E. Anzini. This is one of many landscape assignments Reilly gave his students. I had my summer intern recreate this problem for the blog. It is an exercise in creating the look of sunlight, in this case a high chroma color chart in light and shade. The challenge is finding the correct value and. High chroma color chart. Moonlit high chroma chart from...
ennisart.blogspot.com
The Reilly Papers: 7/3/11 - 7/10/11
http://ennisart.blogspot.com/2011_07_03_archive.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Monday, July 4, 2011. Top: Sky-lit or Gray day. Left: Sun and Sky. Right: Moon and Sky. Gray day value study. 2011 E. Anzini. When the sun, a point light source, shines its light it brightens a landscape already illuminated by the sky. Creates a distinct light and shadow side to the objects. Sunny day value study. 2011 E. Anzini. A moonlit landscape is similar to a sunny day, in that a weak point. 169; John Ennis 2011.
ennisart.blogspot.com
The Reilly Papers: 7/10/11 - 7/17/11
http://ennisart.blogspot.com/2011_07_10_archive.html
Art Lessons from the hand-written lecture notes of Frank J. Reilly by John Ennis. Sunday, July 10, 2011. Outdoor Theory: Sky Vault. The sky is a vaulted arch of diffused light encompassing the landscape. It illuminates our scene evenly as a blueish light-source on a clear day (or a gray light-source on an overcast day). 169; John Ennis 2011. Next Topic: Outdoor Theory: Planes. Posted by John Ennis. Subscribe to: Posts (Atom). Frank J. Reilly teaching materials. Order of the Blog. View my complete profile.
karenhalbert.com
Karen Halbert Artist | www.karenhalbert.com | News & Events
http://www.karenhalbert.com/about.cfm
Santa Fe, NM. Karen Halbert is active in Plein Air Painters of New Mexico, serving as volunteer website administrator (www.papnm.org) and, as a way of giving back to the artist community, she volunteers painting classes and tutorials, combining her background in teaching with her extensive knowledge of the tools of Classical and Impressionist art. Halbert is indebted to mentors Albert Handell, Doug Higgins, Roger Williams and others in Santa Fe.". Karen L. Halbert. Santa Fe, New Mexico.
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