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Dialogica Fantastica

Dialogues on Art and Politics. The Allegory of Mrs. Triangle’ A dialogue between Noriko Okaku and Paul Sakoilsky to co-incide with her inaugural exhibition, ‘Serpentine’, At RED Gallery, London. 21 February 2011. For the moment, I would like to concentrate on your most recent film, ‘The Allegory of Mrs. Triangle’ which we have on show here at RED Gallery, along with two other films, and three wall based works, in the downstairs gallery. Can you firstly, tell me something about the genesis of the film?

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Dialogica Fantastica | dialogicafantastica.wordpress.com Reviews
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Dialogues on Art and Politics. The Allegory of Mrs. Triangle’ A dialogue between Noriko Okaku and Paul Sakoilsky to co-incide with her inaugural exhibition, ‘Serpentine’, At RED Gallery, London. 21 February 2011. For the moment, I would like to concentrate on your most recent film, ‘The Allegory of Mrs. Triangle’ which we have on show here at RED Gallery, along with two other films, and three wall based works, in the downstairs gallery. Can you firstly, tell me something about the genesis of the film?
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Dialogica Fantastica | dialogicafantastica.wordpress.com Reviews

https://dialogicafantastica.wordpress.com

Dialogues on Art and Politics. The Allegory of Mrs. Triangle’ A dialogue between Noriko Okaku and Paul Sakoilsky to co-incide with her inaugural exhibition, ‘Serpentine’, At RED Gallery, London. 21 February 2011. For the moment, I would like to concentrate on your most recent film, ‘The Allegory of Mrs. Triangle’ which we have on show here at RED Gallery, along with two other films, and three wall based works, in the downstairs gallery. Can you firstly, tell me something about the genesis of the film?

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A Larger Sense of Beauty – Graham Harman | Dialogica Fantastica

https://dialogicafantastica.wordpress.com/2011/02/01/a-larger-sense-of-beauty

A Larger Sense of Beauty – Graham Harman. While repelling others as inappropriate (the land of high-speed trains). No exact list of common features between Lebanon and France will ever succeed in recreating the metaphor, simply because it operates at a deeper level than all features and qualities. This entry was posted on February 1, 2011 by MWatson. It was filed under Uncategorized. Pingback: Graham Harman article on aesthetics at Dialogica Fantastica. logical regression. Leave a Reply Cancel reply.

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About | Dialogica Fantastica

https://dialogicafantastica.wordpress.com/about

A platform for dialogue on the arts with a focus on aesthetics, art theory and the political applications of art. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.

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Dialogica Fantastica | Page 2

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OBJECT-CULTURE: Art as Viral-Commodity. OBJECT-CULTURE: Art as Viral-Commodity. A dialogue between Paul Sakoilsky and Mike Watson to coincide with the exhibtion of the same name at RED, London, 15th 25th April 2010. Here they address recent attention given to the ‘object’ in philosophical discourse and ask what value the object has for the artist. Crucially they disagree on the centrality and worth of art praxis vs. art as an exemplary category, from which the object often creates a diversion. Objectum t...

4

Principles of a Poor Artist: for Jerzy Grotowski — Matt Travers | Dialogica Fantastica

https://dialogicafantastica.wordpress.com/2011/02/11/principles-of-a-poor-artist-for-jerzy-grotowski-matt-travers

Principles of a Poor Artist: for Jerzy Grotowski — Matt Travers. It’s better to spend your time failing at something you want to do than to waste your. Life becoming a successful nobody’ (Henry Miller). Artists, do not be seduced by the American Dream. It will devalue your work. And leave you longing for a false ideal of success. This ingenious piece of social. Engineering would have you believe that so long as you work hard and think positive. And hard work do not guarantee a fair wage in the real world...

5

In Praise of the Spooky: Why I Like Quai Branly – Graham Harman | Dialogica Fantastica

https://dialogicafantastica.wordpress.com/2011/02/21/in-praise-of-the-spooky-why-i-like-quai-branly-graham-harman

In Praise of the Spooky: Why I Like Quai Branly – Graham Harman. Or to kidnap the aesthetic allure of masks and bring them back into the fold of bureaucratic commentary, each imprisoned in its own specific cultural context? In the context of Quai Branly, to weigh down an octopus mask with ethnographic data is no more interesting than to reduce Shakespeare’s witches to Elizabethan cultural quirks. If this is what scholars must do, it is not clear that museums should do it as well. Enter your comment here.

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Dialogica Fantastica

Dialogues on Art and Politics. The Allegory of Mrs. Triangle’ A dialogue between Noriko Okaku and Paul Sakoilsky to co-incide with her inaugural exhibition, ‘Serpentine’, At RED Gallery, London. 21 February 2011. For the moment, I would like to concentrate on your most recent film, ‘The Allegory of Mrs. Triangle’ which we have on show here at RED Gallery, along with two other films, and three wall based works, in the downstairs gallery. Can you firstly, tell me something about the genesis of the film?

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