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Diana matar's Portfolio - Projects

Return of the Veil. Museum of Contemporary Photography, Chicago. Diana Matar: Lecture in Photography. Jan 24 2018 6:00 pm. Stage Two, 618 S.Michigan Ave. Chicago lL 60605. Museum of Contemporary Photography, Chicago. Traversing the Past: Adam Golfer, Diana Matar Hrvoje Slovenc. Jan 18 - April 1, 2018. ICP Museum New York. Oct 25 2017 6:30PM. Firecrackers Female Photographers Now. Thames and Hudson Publication Oct. 2017. Imperial War Museum London. Art, Justice and Terror. June 17, 2017. 6:30 - 7:30 pm.

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Diana matar's Portfolio - Projects | dianamatar.com Reviews

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Return of the Veil. Museum of Contemporary Photography, Chicago. Diana Matar: Lecture in Photography. Jan 24 2018 6:00 pm. Stage Two, 618 S.Michigan Ave. Chicago lL 60605. Museum of Contemporary Photography, Chicago. Traversing the Past: Adam Golfer, Diana Matar Hrvoje Slovenc. Jan 18 - April 1, 2018. ICP Museum New York. Oct 25 2017 6:30PM. Firecrackers Female Photographers Now. Thames and Hudson Publication Oct. 2017. Imperial War Museum London. Art, Justice and Terror. June 17, 2017. 6:30 - 7:30 pm.

<META> KEYWORDS

1 about the artist

2 evidence/evidence

3 disappearance/evidence

4 witness/evidence

5 barzakh

6 leave to remain

7 still far away

8 martyrs and dictators

9 periphery

10 contact/representation

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Diana matar's Portfolio - Projects | dianamatar.com Reviews

https://dianamatar.com

Return of the Veil. Museum of Contemporary Photography, Chicago. Diana Matar: Lecture in Photography. Jan 24 2018 6:00 pm. Stage Two, 618 S.Michigan Ave. Chicago lL 60605. Museum of Contemporary Photography, Chicago. Traversing the Past: Adam Golfer, Diana Matar Hrvoje Slovenc. Jan 18 - April 1, 2018. ICP Museum New York. Oct 25 2017 6:30PM. Firecrackers Female Photographers Now. Thames and Hudson Publication Oct. 2017. Imperial War Museum London. Art, Justice and Terror. June 17, 2017. 6:30 - 7:30 pm.

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dianamatar.com

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Diana matar's Portfolio - Evidence/Evidence

http://www.dianamatar.com/298991

Return of the Veil. Installation, Tate Modern, London. Conflict Time Photography. 15 hand printed silver gelatin prints - 1 colour pigment print, 16 text pieces. One of the key concerns of my work has been the attempt to photograph things that can no longer be seen. My interest in this paradox arises from a kind of intuition that the past remains, and that history’s traces are somehow imprinted on the spaces, buildings and landscapes where significant events have taken place. Each of the images in this b...

2

Diana matar's Portfolio - Barzakh

http://www.dianamatar.com/barzakh

Return of the Veil. Translated literally into the English language,. Barzakh means isthmus, and is purely a geographical. Term However, in the Arabic it often takes on a. Philosophical meaning, which denotes the midway. Station in the transcendence of the spirit. A stage often. Plagued by crisis and exile, but also by elation and. Hope for the future. These photographs are a meditation on that mysterious. State of being where the explicit manifestations of everyday. To Hell With Journals, B.

3

Diana matar's Portfolio - PRESS / LINKS

http://www.dianamatar.com/untitled-custom-page

Return of the Veil. London Photo Diary, Celine Bodin. June 5 2016. Review: Diana Matar @ Purdy Hicks Gallery. Photomonitor, Simon Bocock. June 1 2016. Photo London 2016 Reviewed. The Economist 1843 Magazine, Felix Bazalgette, May 26 2016. Exposing Libya's Dark Past. Diana Matar at Purdy Hicks Gallery. Financial Times, Horatia Herrod, May 13, 2016. Snapshot, Diana Matar at Purdy Hicks, London. Lensculture, May 2016. Evidence by Diana Matar. Black and White Magazine. George Slade. April 8th 2016. New York:...

4

Diana matar's Portfolio - Evidence/Evidence

http://www.dianamatar.com/evidence

Return of the Veil. Installation, Tate Modern, London. Conflict Time Photography. 15 hand printed silver gelatin prints - 1 colour pigment print, 16 text pieces. One of the key concerns of my work has been the attempt to photograph things that can no longer be seen. My interest in this paradox arises from a kind of intuition that the past remains, and that history’s traces are somehow imprinted on the spaces, buildings and landscapes where significant events have taken place. Each of the images in this b...

5

Diana matar's Portfolio - Periphery

http://www.dianamatar.com/periphery

Return of the Veil. 100 x 100 cm. Portfolio of Periphery Published in Source Magazine.

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Return to Libya: One Family’s Journey - The New Yorker

http://www.newyorker.com/culture/photo-booth/return-to-libya-one-familys-journey

The Cartoon Lounge: Look, Ma, No Hands Driving My Tesla. Politics and Personality: Most of What You Read Is Malarkey. My Rule for Relationships. Hillary Releases Twenty Thousand Spam E-Mails from Old Navy. Ted Cruz Is Still Running for President. My Cool Boyfriend Became a Dud Husband. Return to Libya: One Family’s Journey. March 26, 2013. In March of last year, Diana Matar. In the magazine this week. “What do you do when you cannot leave and cannot return? 8221; he asks at the beginning of the article.

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Diana matar's Portfolio - Projects

Return of the Veil. Museum of Contemporary Photography, Chicago. Diana Matar: Lecture in Photography. Jan 24 2018 6:00 pm. Stage Two, 618 S.Michigan Ave. Chicago lL 60605. Museum of Contemporary Photography, Chicago. Traversing the Past: Adam Golfer, Diana Matar Hrvoje Slovenc. Jan 18 - April 1, 2018. ICP Museum New York. Oct 25 2017 6:30PM. Firecrackers Female Photographers Now. Thames and Hudson Publication Oct. 2017. Imperial War Museum London. Art, Justice and Terror. June 17, 2017. 6:30 - 7:30 pm.

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