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diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: attempt #2 Still moving 2005. Attempt 2: Still Moving,. Continuous loop dvd projection. The ambiguity behind the women's motivations creates a narrative comprised of complex and unanswerable questions. Why are the women playing this dangerous game? Is it a prank, a test of courage, or a silly dare? Are the women tied to the tracks or freely lying across waiting for the approach of a train? BACK TO COLLABORATIVE WORK.

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diana shpungin / nicole engelmann | dianashpungincolab4.blogspot.com Reviews
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diana shpungin / nicole engelmann | dianashpungincolab4.blogspot.com Reviews

https://dianashpungincolab4.blogspot.com

Diana shpungin / nicole engelmann. Collaborative work: attempt #2 Still moving 2005. Attempt 2: Still Moving,. Continuous loop dvd projection. The ambiguity behind the women's motivations creates a narrative comprised of complex and unanswerable questions. Why are the women playing this dangerous game? Is it a prank, a test of courage, or a silly dare? Are the women tied to the tracks or freely lying across waiting for the approach of a train? BACK TO COLLABORATIVE WORK.

OTHER SITES

dianashpungincolab31.blogspot.com dianashpungincolab31.blogspot.com

diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: lap 2002. Still image from continuous loop video. In Lap, two women, one blonde, one brunette, take part in sacrificing comfortability for the sake of the other. The absurd act turns into a mechanical game of posing for the camera. The personalities of the women are revealed by their different mannerisms. The women have no hesitation playing the game. Their comfortability with one another makes the action seem oddly natural. BACK TO COLLABORATIVE WORK.

dianashpungincolab32.blogspot.com dianashpungincolab32.blogspot.com

diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: four legged 2002. Four leggd, 2002. Still image from continuous loop video. The legs wear gray nylon stockings. It is not known whether the rest of the bodies are clothed. The back of the love seat faces the viewer to conceal the true nature of the activity and the identity of the characters. The cropping obscures the love seats reading and in turn alludes to the foot of a bed. All images © Diana Shpungin and Nicole Engelmann 2000-2007.

dianashpungincolab33.blogspot.com dianashpungincolab33.blogspot.com

diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: puff 2002. Still images from continuous loop dual channel video. Puff is a dual video projection. The projections appear almost identical, except for the difference of the blonde and brunette. Each woman is alone in her space, yet she is sharing an identical experience. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.

dianashpungincolab34.blogspot.com dianashpungincolab34.blogspot.com

diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: hand in hand 2002. Hand in hand, 2002. Still image from continuous loop video. All images © Diana Shpungin and Nicole Engelmann 2000-2007. BACK TO COLLABORATIVE WORK.

dianashpungincolab37.blogspot.com dianashpungincolab37.blogspot.com

diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: Two Piece Band 2009. Diana shpungin and nicole engelmann. Two piece band 2009. Continuous loop dvd projection. Video stills from 16 chanel installation. Two Piece Band is a flexible symphony, which depends on the pairing of the individual projections and order and timing of their play. Each installation embodies unique characteristics and interpretations of the work with varying compositional arrangements. BACK TO COLABORATIVE WORK.

dianashpungincolab4.blogspot.com dianashpungincolab4.blogspot.com

diana shpungin / nicole engelmann

Diana shpungin / nicole engelmann. Collaborative work: attempt #2 Still moving 2005. Attempt 2: Still Moving,. Continuous loop dvd projection. The ambiguity behind the women's motivations creates a narrative comprised of complex and unanswerable questions. Why are the women playing this dangerous game? Is it a prank, a test of courage, or a silly dare? Are the women tied to the tracks or freely lying across waiting for the approach of a train? BACK TO COLLABORATIVE WORK.

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Diana Shrestha - Portfolio

Adobe Illustrator CS6 / Adobe Photoshop CS6. Major: Psychology, Minor: Sociology. Cedar Rapids, IA - May 2012. Director of Business Development. Oakland, CA - October 2016 - Present. Graphic, UI/UX and Front-End Design. Fremont, CA - February 2016 - August 2016. San Francisco, CA - August 2015 - October 2015. Graphic Design and Web Development Intern. San Francisco, CA - May 2013 - August 2014. InterMix - Voices of Humanity. Web and Graphic Designer. San Francisco, CA - May 2013 - August 2014. Administra...

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