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Exhibits | Extracted, Enacted, Embroiled, Embedded, & otherwise Exhumed from the Galerie de Difformité

Extracted, Enacted, Embroiled, Embedded, & otherwise Exhumed from the Galerie de Difformité

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Exhibits | Extracted, Enacted, Embroiled, Embedded, & otherwise Exhumed from the Galerie de Difformité | difformite.wordpress.com Reviews
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Exhibits | Extracted, Enacted, Embroiled, Embedded, & otherwise Exhumed from the Galerie de Difformité | difformite.wordpress.com Reviews

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Extracted, Enacted, Embroiled, Embedded, & otherwise Exhumed from the Galerie de Difformité

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Exhibit A | Exhibits

https://difformite.wordpress.com/exhibits/exhibit-a

Extracted, Enacted, Embroiled, Embedded, and otherwise Exhumed from the Galerie de Difformité. Is for, as if to explain,”. Bea’s beauty and, I would add, her uncharted deformity are left to the eye of each beholder, so the many faces of Bea, taken together, suggest what’s missing. The seeking of Bea becomes the seeking of we, ever changing. More than trying to decipher. Her, then, her. Hange may serve as better guide. To hear Exhibit A, click here. A full text pdf can be downloaded here. What is a Page?

2

&How to Read? | Exhibits

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Extracted, Enacted, Embroiled, Embedded, and otherwise Exhumed from the Galerie de Difformité. 8220;If the sound is in ‘m’ and the listener in ‘n’” (writes Leonardo da Vinci*), “the sound will be believed to be in ‘s’ if the court is enclosed at least on 3 sides against the listener.” Analogy may be made with. If a sound is made in one Exhibit while Gentle Reader resides in another, (s)he may seek out additional Exhibits. To coordinate the orchestrations. New Haven: Yale UP, 1982) 119. What is a Page?

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!Intervention | Exhibits

https://difformite.wordpress.com/intervention

Extracted, Enacted, Embroiled, Embedded, and otherwise Exhumed from the Galerie de Difformité. If you are having trouble wrapping your mind around deformity, and what or why or how you might deform something (which sounds a bit like desecration), then look, feel, and sense the world around you. We live in a world that is constantly deforming. Deformity is process, form-in-motion, change at work in the world. The earth turns. Seasons shift. Bodies age. Deformity is. Fill in the blanks. What rules and cues...

4

Exhibits | Exhibits

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Extracted, Enacted, Embroiled, Embedded, and otherwise Exhumed from the Galerie de Difformité. Published on April 6, 2013 at 11:58 pm Leave a Comment. To TrackBack this entry is:. Https:/ difformite.wordpress.com/exhibits/trackback/. Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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Exhibit D | Exhibits

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Extracted, Enacted, Embroiled, Embedded, and otherwise Exhumed from the Galerie de Difformité. Is for, sleeping with sages.”. To hear Exhibit D, click here. A full text pdf can be downloaded here. If you prefer to deform and reform a .doc, please contact the Undertaker. Submitted by Alisia Guzman. 8220;Letters to/from the Undertaker (D)”. Submitted by Matthew John Lasnoski and Marianna Lynn Kreidler. 8220;Dreaming in Alphabetical Order: Damascu to Educ”. Submitted by Frances Sutton. What is a Page?

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futureoffiction.wordpress.com futureoffiction.wordpress.com

Deformances & Manifestos | The Future of Fiction: From Print to Touch Screen

https://futureoffiction.wordpress.com/deformances-manifestos

The Future of Fiction: From Print to Touch Screen. Assignment Schedule & Readings. I Work For the Web: A Netprov. Assignment Schedule & Readings. I Work For the Web: A Netprov. For their final project, students in this course created “deformances” of Gretchen Henderson’s novel. Accompanied by critical manifestos. Itself asks each new reader to deform it as he or she reads, and Henderson maintains an online gallery of the novel’s continued deformances. Below is our gallery, featuring images of each projec...

proteotypes.org proteotypes.org

Proteotypes: Links of Interest

http://www.proteotypes.org/links-of-interest

The Publishing Arm of Proteus Gowanus. Ernst Benkert – Next! Kentler International Drawing Space. The Publishing Arm of Proteus Gowanus. Brooklyn, NY 11215. Shipping rates and policies.

wearehomer.blogspot.com wearehomer.blogspot.com

WE ARE HOMER: April 2010

http://wearehomer.blogspot.com/2010_04_01_archive.html

Although the Greeks believed Homer to be an individual poet, modern scholars now think Homer was a community of poets who added, revised, and memorized poems. This blog is devoted to discussing the continued collaborative efforts of writers. Sunday, April 25, 2010. Gretchen E. Henderson. Gretchen E. Henderson received the 2010 Madeleine P. Plonsker Emerging Writer’s Prize from &NOW Books and Lake Forest College for her forthcoming hybrid novel, Galerie de Difformité. From Galerie de Difformité. Named for...

nonvisible.wordpress.com nonvisible.wordpress.com

Pulp to Pixels | Non-Visible & Intangible

https://nonvisible.wordpress.com/ar

Artists Books Respond to E-Books. The following projects will be featured in the. Colette Fu will be creating a piece of art specifically for this exhibition. She describes her work: “I make one-of-a-kind collapsible artist’s books that combine my photography with pop-up paper engineering. With pop-up books I want to eliminate the boundaries between book, installation, photography, craft and sculpture.” http:/ colettefu.com. Is the first e-book by acclaimed net artist Petra Cortright. HELL TREE consi...

bookunbound.wordpress.com bookunbound.wordpress.com

Galerie de Difformité | gretchen e. henderson

https://bookunbound.wordpress.com/books/galerie-de-difformite

Gretchen e. henderson. Un)writing the book, the book unbound. Ugliness: A Cultural History. The House Enters the Street. On Marvellous Things Heard. Music Begins Where Words End. Hybrid novel, to order click book from Northwestern University Press):. Awarded Madeleine P. Plonsker Prize. Named a Nobbie Best Book of 2011. Johanna Drucker, author of. The Century of Artists’ Books. Lennard J. Davis, author of. Bending Over Backwards: Disability, Dismodernism, and Other Difficult Positions. Is doing. A no...

bookunbound.wordpress.com bookunbound.wordpress.com

The Book Unbound | gretchen e. henderson

https://bookunbound.wordpress.com/2011/09/28/hello-world

Gretchen e. henderson. Un)writing the book, the book unbound. Ugliness: A Cultural History. The House Enters the Street. On Marvellous Things Heard. Music Begins Where Words End. September 28, 2011. Video includes audio.). To read more about this project, visit here. This entry was posted in Gretchen E. Henderson. And tagged Book Arts. Gretchen E. Henderson. On Marvellous Things Heard. The House Enters the Street. Gretchen e. henderson. Create a free website or blog at WordPress.com.

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Collaborations | gretchen e. henderson

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Gretchen e. henderson. Un)writing the book, the book unbound. Ugliness: A Cultural History. The House Enters the Street. On Marvellous Things Heard. Music Begins Where Words End. Cassandra in the Temples. Composer Elena Ruehr and I also are collaborating on a new full-length opera called. 8221; during the 2015-2016 academic year across the fields of Communication, Culture, and Technology, Museum Studies, Creative Writing, and Special Collections. 8220;A Forest of Flights”: an exhibition essay aroun...

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Exhibits | Extracted, Enacted, Embroiled, Embedded, & otherwise Exhumed from the Galerie de Difformité

Extracted, Enacted, Embroiled, Embedded, and otherwise Exhumed from the Galerie de Difformité. Thank you for your interest in this collaborative project. To materially deform a book. Before and after its publication. (To read what critics are saying, see below.). For Stage 1: please deform. To be posted in this online gallery. Examples can be found in. If you’d like to learn how to participate, please visit. A brief history of the book can be found here. Johanna Drucker, author of. Thalia Field, author of.

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CHAPBOOKS for the Galerie de Difformité | a book grows in & out of itself

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