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Skip to Main Content Area. Genealogies of Digital Light. In March, 2011, a symposium was held in Melbourne to explore the major themes of the project. Sean Cubitt. Daniel Palmer and Les Walkling. Have brought these discussions together in a recent article in MIRAJ. Reflections on medium specificity occasioned by the symposium Digital Light: Technique, Technology, Creation, Melbourne, 2011. Moving Image Review and Art Journal, 1.1, 2012, pp. The research group includes:. ARC Discovery Project #DP0879237.

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Skip to Main Content Area. Genealogies of Digital Light. In March, 2011, a symposium was held in Melbourne to explore the major themes of the project. Sean Cubitt. Daniel Palmer and Les Walkling. Have brought these discussions together in a recent article in MIRAJ. Reflections on medium specificity occasioned by the symposium Digital Light: Technique, Technology, Creation, Melbourne, 2011. Moving Image Review and Art Journal, 1.1, 2012, pp. The research group includes:. ARC Discovery Project #DP0879237.
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4 arc discovery project
5 project description
6 methodology
7 theoretical background
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IIS7 | digital-light.net.au Reviews

https://digital-light.net.au

Skip to Main Content Area. Genealogies of Digital Light. In March, 2011, a symposium was held in Melbourne to explore the major themes of the project. Sean Cubitt. Daniel Palmer and Les Walkling. Have brought these discussions together in a recent article in MIRAJ. Reflections on medium specificity occasioned by the symposium Digital Light: Technique, Technology, Creation, Melbourne, 2011. Moving Image Review and Art Journal, 1.1, 2012, pp. The research group includes:. ARC Discovery Project #DP0879237.

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DigLitWebEdeEdicaoElectronicaEnsaio38

http://www.ci.uc.pt/diglit/DigLitWebEdeEdicaoElectronicaEnsaio38.html

DigLitWeb: Digital Literature Web. C de Códice e Computador. E de Edição Electrónica. C for Codex and Computer. E for Electronic Editing. Arte e Multimédia. Licenciatura em Estudos Artísticos. Tema 1: A arte como matéria e como mediação: a materialidade das artes e dos meios. Como definir multimédia? Tema 2: O regime da arte e o regime dos média: inscrição simbólica vs. inscrição física do real. Tema 3: Os limites da arte como limites do meio: singularidade e multiplicidade dos meios. Theme 5: The integr...

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Framing Obama (posted 07/05/11) | Luke J Heemsbergen

http://heemsbergen.org/framing-obama-posted-070511

Framing Obama (posted 07/05/11). It’s not surprising CNN knows a lot about images. Launching the 24 hour Cable News Network as an idea gave them ample opportunity to learn how to broadcast impactful visuals. Fitting then, that John Blake of CNN dissects. The O-bama-sama zeitgeist through image via the iconic Situation Room photo that a week after being uploaded, has become the most viewed photo ever on Flickr. Lincoln’s run for the White House hinged on re-alignment to a serious beard. In his public pers...

seancubitt.blogspot.com seancubitt.blogspot.com

sean cubitt's blog: January 2014

http://seancubitt.blogspot.com/2014_01_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Monday, January 6, 2014. The tenth of Benjamin's Theses on the Philosophy of History. The one that follows the famous passage about Klee's angel, says in part that 'Our consideration proceeds from the insight that the politicians' stubborn faith in progress, their confidence in their "mass basis", and, finally, their servile integration into an uncontrollable apparatus have been three aspects of the same thing'. Bottom Up (TB Lee).

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sean cubitt's blog: March 2014

http://seancubitt.blogspot.com/2014_03_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Thursday, March 27, 2014. Introduction to Patricio Guzmán, Nostalgia for the Light (Nostalgia de la Luz, 2010). Cinema is scarcely more than a century old. It is still a babe in arms compared to the ancient arts of music, poetry, dance, storytelling, painting and sculpture. It is, or should be, still, a laboratory for new forms. Here is Guzmán describing the process. We’ve got the telescopes over here! 8221; She was absolutely baffled!

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sean cubitt's blog: February 2014

http://seancubitt.blogspot.com/2014_02_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Wednesday, February 19, 2014. Society has exactly the opposite geometry to the universe: its periphery is everywhere and its centre nowhere. Subscribe to: Posts (Atom). Is licensed under a Creative Commons Attribution-Noncommercial 2.5 Australia License. The teeming void) - Mitchell Whitelaw. ADA - aotearoa digital arts. AHRC Artists' Moving Image Research Network. Bottom Up (TB Lee). Bureau for Unstable Urbanism. Images to live by.

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sean cubitt's blog: August 2013

http://seancubitt.blogspot.com/2013_08_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Wednesday, August 28, 2013. Against the Cult of Hitchcock. I can no longer resist putting this out: a tirade cut from The Cinema Effect. The wildly overrated work of Hitchcock, whose manipulative tendencies took the total film to new heights of totalitarianism in The Birds, Vertigo, Marnie. Thursday, August 22, 2013. The War on War. Writes, this slow violence never figures in accounts of the 'surgical' strike and the 'hundred hours war...

seancubitt.blogspot.com seancubitt.blogspot.com

sean cubitt's blog: June 2014

http://seancubitt.blogspot.com/2014_06_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Monday, June 16, 2014. Subscribe to: Posts (Atom). Is licensed under a Creative Commons Attribution-Noncommercial 2.5 Australia License. The teeming void) - Mitchell Whitelaw. ADA - aotearoa digital arts. AHRC Artists' Moving Image Research Network. Bottom Up (TB Lee). Bureau for Unstable Urbanism. Communications' Point (Luke Heemsbergen). Continental Drift (Brian Holmes). Data Landscapes (Tom Corby AHRC). Genealogies of Digital Light.

seancubitt.blogspot.com seancubitt.blogspot.com

sean cubitt's blog: April 2015

http://seancubitt.blogspot.com/2015_04_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Tuesday, April 14, 2015. Why subsidise low wages? The UK Tory party enters the election promising to lower taxes for workers on the minimum wage : “With the Conservatives, if you’re on minimum wage, no income tax". But why should taxpayers subsidise employers who don't pay a living wage? Subscribe to: Posts (Atom). Is licensed under a Creative Commons Attribution-Noncommercial 2.5 Australia License. The teeming void) - Mitchell Whitelaw.

seancubitt.blogspot.com seancubitt.blogspot.com

sean cubitt's blog: The Practice of Light

http://seancubitt.blogspot.com/2014/07/gratefully-acknowledging-sachsiche.html

Aphorisms and scribbled notes on the history and philosophy of media. Friday, July 25, 2014. The Practice of Light. Gratefully acknowledging the Sächsiche Landesbibliothek- Staats- und Universitätsbibliothek Dresden. The delightfully abbreviated SLUB) for the beautiful engraving of Wenzel Jamnitzer's geometric figures from the 1568 Perspectiva Corporum Regularium. The cover of The Practice of Light. August 10, 2014 at 11:37 AM. Subscribe to: Post Comments (Atom). The teeming void) - Mitchell Whitelaw.

seancubitt.blogspot.com seancubitt.blogspot.com

sean cubitt's blog: October 2013

http://seancubitt.blogspot.com/2013_10_01_archive.html

Aphorisms and scribbled notes on the history and philosophy of media. Sunday, October 6, 2013. 8211; with our bodies: looking after the body, grooming the body, feeding the body the right foods and drugs. This is as far from a Socratic care of the self as we can imagine. Not only the human biomass, the object of epidemiology, but the individual bodies that compose it have become alien environments to be inhabited, tended as necessary, exploited where possible. Organised by Joanna Zylinska. High Definitio...

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Skip to Main Content Area. Genealogies of Digital Light. In March, 2011, a symposium was held in Melbourne to explore the major themes of the project. Sean Cubitt. Daniel Palmer and Les Walkling. Have brought these discussions together in a recent article in MIRAJ. Reflections on medium specificity occasioned by the symposium Digital Light: Technique, Technology, Creation, Melbourne, 2011. Moving Image Review and Art Journal, 1.1, 2012, pp. The research group includes:. ARC Discovery Project #DP0879237.

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