blog.digitaldevoid.com
News - Digital Devoid's Blog
http://blog.digitaldevoid.com/category/news
Digital Devoid's Blog. DCP Mastering for Cinema Ads. Cinema Ad for the world’s first 3D LED TV – Samsung “A New Dimension :60”. On Jul.04, 2010, under News. Here is a recap of work on cinema deliverables for Samsung’s 3D (Stereoscopic ) Ad. This is a great looking Ad from the first company to launch a 3D Ad campaign in cinemas. Title: Samsung 3D LED TV “A New Dimension :60”. VISA spot converted to 35mm film and DCP for cinema release. On Mar.06, 2010, under News. Title: VISA “Debito :30”. We were given a...
blog.digitaldevoid.com
How to optimize tape-to-film transfers - Digital Devoid's Blog
http://blog.digitaldevoid.com/2009/07/12/how-to-optimize-film-transfers
Digital Devoid's Blog. DCP Mastering for Cinema Ads. How to optimize tape-to-film transfers. On Jul.12, 2009, under Image Processing. On a non real-time basis, Digital Devoid’s proven software foundry yields vastly superior results. Unlike the blurry nature of real-time standard converters, the original picture elements are kept in tact and the intelligently created in between frames yield a visually pleasing tape-to-film conform. In order of preference, for the best tape-to-film conform:. Shoot at 24 fr...
blog.digitaldevoid.com
Robert Breitenstein
http://blog.digitaldevoid.com/author/robert-breitenstein
Digital Devoid's Blog. DCP Mastering for Cinema Ads. Cinema Ad for the world’s first 3D LED TV – Samsung “A New Dimension :60”. On Jul.04, 2010, under News. Here is a recap of work on cinema deliverables for Samsung’s 3D (Stereoscopic ) Ad. This is a great looking Ad from the first company to launch a 3D Ad campaign in cinemas. Title: Samsung 3D LED TV “A New Dimension :60”. For the best looking DCinema spots, first make sure your DCDM is perfect. On Mar.17, 2010, under Education. Here is a VISA Ad we wo...
blog.digitaldevoid.com
For the best looking DCinema spots, first make sure your DCDM is perfect - Digital Devoid's Blog
http://blog.digitaldevoid.com/2010/03/17/for-the-best-looking-dcinema-spots-first-make-sure-your-dcdm-is-perfect
Digital Devoid's Blog. DCP Mastering for Cinema Ads. For the best looking DCinema spots, first make sure your DCDM is perfect. On Mar.17, 2010, under Education. Unlike most feature length movie projects, an Ad edited for TV rarely gets detailed planning and preparation for cinema release. Once you reach the DCP mastering stage it is too late to make corrections. Take care of it beforehand, in the DCDM. Click here to cancel reply. You must be logged in. To post a comment. Feed for this post (comments).
blog.digitaldevoid.com
Gamma - Digital Devoid's Blog
http://blog.digitaldevoid.com/2009/12/28/gamma
Digital Devoid's Blog. DCP Mastering for Cinema Ads. On Dec.28, 2009, under Image Processing. Click here to cancel reply. You must be logged in. To post a comment. Feed for this post (comments). Welcome to Our Blog! Thank you for stopping by! Stay updated by subscribing to the RSS Feed. Please visit Our Website. To find out more. Use the form below to search the site:. Still not finding what you're looking for? Drop a comment on a post or contact us so we can take care of it! Read Our Latest News.
blog.digitaldevoid.com
VISA spot converted to 35mm film and DCP for cinema release - Digital Devoid's Blog
http://blog.digitaldevoid.com/2010/03/06/visa-spot-converted-to-35mm-film-and-dcp-for-cinema-release
Digital Devoid's Blog. DCP Mastering for Cinema Ads. VISA spot converted to 35mm film and DCP for cinema release. On Mar.06, 2010, under News. Here is a VISA Ad we worked on. It’s a good example of simultaneous conversions to various cinema formats including 35 mm film, D-Cinema, and E-Cinema. And since there’s a lot of overlap in the scope of work, the client realized significant cost savings by ordering all formats at the same time. Title: VISA “Debito :30”. Agency: TBWA Latin America. Next we recorded...
blog.digitaldevoid.com
The “beep”, audio 2-pop on film - Digital Devoid's Blog
http://blog.digitaldevoid.com/2009/07/10/the-beep-audio-2-pop-on-film
Digital Devoid's Blog. DCP Mastering for Cinema Ads. The “beep”, audio 2-pop on film. On Jul.10, 2009, under Education. We get many questions concerning 2-pop on movie spots. Aside from an audible “beep” heard before the start of picture, what exactly is 2-pop? 2-pop is one frame ONLY. Of tone, located EXACTLY. 2 seconds before the first frame OF. 2 seconds between the 2-pop frame and the start of SOUND. However, 2 seconds between 2-pop and the first frame of PICTURE. This means for example, that if soun...
blog.digitaldevoid.com
Videos - Digital Devoid's Blog
http://blog.digitaldevoid.com/category/videos
Digital Devoid's Blog. DCP Mastering for Cinema Ads. VISA spot converted to 35mm film and DCP for cinema release. On Mar.06, 2010, under News. Here is a VISA Ad we worked on. It’s a good example of simultaneous conversions to various cinema formats including 35 mm film, D-Cinema, and E-Cinema. And since there’s a lot of overlap in the scope of work, the client realized significant cost savings by ordering all formats at the same time. Title: VISA “Debito :30”. Agency: TBWA Latin America. To find out more.
blog.digitaldevoid.com
2010 August
http://blog.digitaldevoid.com/2010/08
Digital Devoid's Blog. DCP Mastering for Cinema Ads. Archive for August, 2010. The 15 Most Frequently Asked Questions About Cinema Ad Transfers. On Aug.16, 2010, under Education. Just passable results, or even worse a tainted brand. 1 ) How do you convert a television commercial for cinema release? Digital Devoid specialize in D-Cinema Ad adaptations. We are pioneers in this field, and that’s all we do: TV Ads mastered for D-Cinema. We work with any movie theater chain or cinema media firm ...Cinema Ads ...
blog.digitaldevoid.com
Depth resolution – Gray Scale - Digital Devoid's Blog
http://blog.digitaldevoid.com/2009/10/25/depth-resolution-–-gray-scale
Digital Devoid's Blog. DCP Mastering for Cinema Ads. Depth resolution Gray Scale. On Oct.25, 2009, under Image Processing. In the natural realm, depth is simply a measure of our visual system’s ability to detect subtle variations in shades. Some scenes can contain a nearly infinite number of shades where our senses fail to quantify all the subtle nuances. In the digital realm a byte is a word as are bits characters. Now let us equate the gray steps in the staircase to bits in a byte. You must be logged in.