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Digital Emerson | Browse Exhibits

Digital Emerson: A Collective Archive is a group project designed and implemented by the graduate students in "Literary History Becoming Digital" (ENGL 529) led by Professor Augusta Rohrbach:. Aaron M. Moe, Adam Heidebrink , Charlie Potter, David Tagnani, Juan Carlos Flores, Jennifer Kiehne, Kellie Herson, Rachel Sanchez, Stacy Wittstock. The sections in "Context" provide users with background—historical, biographical, cultural, and literary—all of which are very much rooted in key texts by E...Hypertext...

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Digital Emerson | Browse Exhibits | digitalemerson.wsulibs.wsu.edu Reviews
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Digital Emerson: A Collective Archive is a group project designed and implemented by the graduate students in Literary History Becoming Digital (ENGL 529) led by Professor Augusta Rohrbach:. Aaron M. Moe, Adam Heidebrink , Charlie Potter, David Tagnani, Juan Carlos Flores, Jennifer Kiehne, Kellie Herson, Rachel Sanchez, Stacy Wittstock. The sections in Context provide users with background—historical, biographical, cultural, and literary—all of which are very much rooted in key texts by E...Hypertext...
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Digital Emerson | Browse Exhibits | digitalemerson.wsulibs.wsu.edu Reviews

https://digitalemerson.wsulibs.wsu.edu

Digital Emerson: A Collective Archive is a group project designed and implemented by the graduate students in "Literary History Becoming Digital" (ENGL 529) led by Professor Augusta Rohrbach:. Aaron M. Moe, Adam Heidebrink , Charlie Potter, David Tagnani, Juan Carlos Flores, Jennifer Kiehne, Kellie Herson, Rachel Sanchez, Stacy Wittstock. The sections in "Context" provide users with background—historical, biographical, cultural, and literary—all of which are very much rooted in key texts by E...Hypertext...

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digitalemerson.wsulibs.wsu.edu digitalemerson.wsulibs.wsu.edu
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Digital Emerson | About

http://digitalemerson.wsulibs.wsu.edu/exhibits/show/about

Digital Emerson: A Collective Archive is a group project designed and implemented by the graduate students in "Literary History Becoming Digital" (ENGL 529):. Aaron M. Moe, Adam Heidebrink , Charlie Potter, David Tagnani, Juan Carlos Flores, Jennifer Kiehne, Kellie Herson, Rachel Sanchez, Stacy Wittstock. Working syllabus of readings and assignments. A growing assemblage of books, articles and other materials pertaining to the topic of literary history and digital culture. Proudly powered by Omeka.

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Digital Emerson | Context

http://digitalemerson.wsulibs.wsu.edu/exhibits/show/context

The sections in "Context" provide users with background—historical, biographical, cultural, and literary—all of which are very much rooted in key texts by Emerson and his contemporaries. When I go into a good garden, I think, if it were mine, I should never go out of it. Emerson, "Concord Walks". This section explores the natural world that inspired Emerson. A look at the works of visual artists working concurrently with Emerson within the Transcendentalist movement. Proudly powered by Omeka.

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Digital Emerson | Browse Exhibits

http://digitalemerson.wsulibs.wsu.edu/exhibits/browse/tag/Archive

Digital Emerson: A Collective Archive is a group project designed and implemented by the graduate students in "Literary History Becoming Digital" (ENGL 529):. Aaron M. Moe, Adam Heidebrink , Charlie Potter, David Tagnani, Juan Carlos Flores, Jennifer Kiehne, Kellie Herson, Rachel Sanchez, Stacy Wittstock. Proudly powered by Omeka.

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Digital Emerson | Browse Exhibits

http://digitalemerson.wsulibs.wsu.edu/exhibits/browse/tag/Garden

The sections in "Context" provide users with background—historical, biographical, cultural, and literary—all of which are very much rooted in key texts by Emerson and his contemporaries. Proudly powered by Omeka.

5

Digital Emerson | Hypertext

http://digitalemerson.wsulibs.wsu.edu/exhibits/show/hypertext

Hypertext presents us with a unique opportunity, one that invovles extending the exploration of Emerson through using technological innovations. This is a place to revel in something organic, and, like a rhizome, the organic nature of the Digital Classroom needs time to grow. To call this a “resource” is to miss the vision. It is, rather, a (de)composition where your acts of “wreading” are not only welcome. They are what keeps the compost a verb. We are a remix culture; Lawrence Lessig calls Read/Write (...

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Class Notes | Transcendentalism

https://luminousallusion.wordpress.com/class-notes

My Philosophy of Learning. For updates on assignments and due dates, refer to the Assignments page. You should also check in with my blog post for the week. All assignments are due in class unless otherwise indicated; the items listed under “Consider” are suggestions for your thinking and responding, but not required. Where do we find ourselves? Note course focus, objectives and medium (resources on blog):. Note card: What you are doing here (origin, areas of interest)? Due: Emerson, The American Scholar.

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Syllabus | Transcendentalism

https://luminousallusion.wordpress.com/syllabus

My Philosophy of Learning. English 394.11 Fall 2015. Office: 116 Goldstein Hours: MWF 11.30-12.30 and by appt. All course information (including assignment schedule and blog) available at this Web site : https:/ luminousallusion.wordpress.com/. Bookmark and use often). Focusing on close and intensive readings of Emerson’s texts and scholarly writing that develop those readings, culminating in the seminar paper, our exploration will concentrate around three primary learning objectives for the English major.

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Reading Circles | Transcendentalism

https://luminousallusion.wordpress.com/reading-circles

My Philosophy of Learning. As a way for us to explore more texts from several major authors in the space of one course, and as a way to grasp further the transcendentalist interest in the conversational circle or club that gathers around a reading or intellectual discussion, we will have what I call (with a nod to Emerson) Reading Circles. Third circle: give a sense of what is here that has no circumference–an idea or problem that might be new to our reading, has no direct link to a past text; or s...

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Conversation | Transcendentalism

https://luminousallusion.wordpress.com/discussion

My Philosophy of Learning. We will be exploring this kind of gymnastic and inventive reading throughout the course–interrogating it (what does it mean? Note, you may want to coordinate with others assigned that day, but that is not required. Here are the assignments for conversation leading. If you have not posted by class time or are absent on the day you are assigned and have not communicated with me in advance, you won’t get credit for the assignment:. 9/14 “Self-Reliance”: Rachel. September 14, 2015 ...

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My Philosophy of Learning | Transcendentalism

https://luminousallusion.wordpress.com/philosophy

My Philosophy of Learning. My Philosophy of Learning. Continuing Education : My Philosophy of Learning. The crux of the philosophy of education and learning that I bring with me into class can be phrased best in the words of John Dewey–a philosopher inspired by Emerson and Whitman. In. The end is learning. I am a student of learning. The course is a work in progress. The educative process I emphasize applies to the course itself. There will be a syllabus and clear guidelines. But there will also ...You a...

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Keywords | Transcendentalism

https://luminousallusion.wordpress.com/keywords

My Philosophy of Learning. Them to another text from the author, or another author. 8220;These are not the dreams of a few poets, here and there, but man is an analogist, and studies relations in all objects.” [36]. Emerson, “American Scholar”: “science is nothing but the finding of analogy, identity, in the most remote parts” [58]. Nature: “Every appearance in nature corresponds to some state of the mind” [35]. And related, Experience. Related term: essay (verb): to try, to test, to experience. Emerson,...

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Writing Projects | Transcendentalism

https://luminousallusion.wordpress.com/writing-projects

My Philosophy of Learning. For any citations, use MLA format [in-text citation; works cited at end refer to Purdue OWL. Each project will be submitted to Canvas as well as posted to your blog. The copy uploaded to Canvas must include each of the following in order for me to read and grade it: [1] Abstract of the essay (cover-sheet). 2] Honor Code Statement at the bottom; [3] proper citation format (including works cited) for all citations. Writing Project One: Philosophical Relations. What’s a key elemen...

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Transcendentalism | Emerson's School | Page 2

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My Philosophy of Learning. Whitman’s Gymnastic Reading. October 15, 2015. Where does Whitman leave us as readers? Once we put his book down, where are we? I think for Whitman, the answer is that we are never far from that book, even if we are meant to leave the book behind. Think of the various images Whitman presents for the metonymic relation he desires and asserts between his writing and his reader. The closing lines from “So Long! 8221; that Whitman adds in 1860 to close Leaves of Grass:. Lurks behin...

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Digital Emerson | Browse Exhibits

Digital Emerson: A Collective Archive is a group project designed and implemented by the graduate students in "Literary History Becoming Digital" (ENGL 529) led by Professor Augusta Rohrbach:. Aaron M. Moe, Adam Heidebrink , Charlie Potter, David Tagnani, Juan Carlos Flores, Jennifer Kiehne, Kellie Herson, Rachel Sanchez, Stacy Wittstock. The sections in "Context" provide users with background—historical, biographical, cultural, and literary—all of which are very much rooted in key texts by E...Hypertext...

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