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Digital Fluidity | The Technologies of Moving Image ProductionThe Technologies of Moving Image Production (by @SherriffHD)
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The Technologies of Moving Image Production (by @SherriffHD)
http://www.digitalfluidity.net/
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Digital Fluidity | The Technologies of Moving Image Production | digitalfluidity.net Reviews
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The Technologies of Moving Image Production (by @SherriffHD)
digitalfluidity.net
5D mk ii | Digital Fluidity
http://digitalfluidity.net/tag/5d-mk-ii
The Technologies of Moving Image Production. Tag Archive 5D mk ii. December 20, 2009. In 5D mk ii. Magic Lantern for 7D…. 1) On-screen audio meters. 2) Manual gain control with no AGC. 3) Zebra stripes (video peaking). 4) Custom Cropmarks for 16:9, 2.35:1, 4:3 and any other format. 5) Control of focus and bracketing. I am henceforth extremely happy about the prospect of this Firmware being relased as well for the 7D. December 13, 2009. In 5D mk ii. I'm reviewing the @ Blackmagic News. FCPX 10.0.6. Final ...
REDucation Offical Red Cam Training at London Met Film School | Digital Fluidity
http://digitalfluidity.net/2015/04/22/reducation-offical-red-cam-training-at-london-met-film-school
The Technologies of Moving Image Production. April 22, 2015. REDucation Offical Red Cam Training at London Met Film School. Time to get hands on with the Epic, Scarlett, and Dragon. Maximise the potential and control the look. Steve Johnson demonstrates changing the cameras OLPF. For those who are converted to it it is like a religion, something for them to shout from the rooftops and evangelise over. I was keen to find out. Our Scarlett setup with standard 50mm prime for testing. With which to practice.
Live Grading | Digital Fluidity
http://digitalfluidity.net/category/workflow/live-grading
The Technologies of Moving Image Production. RSS for this section. February 2, 2015. Sony 4K RAW – Why Compression Is Bad and DiTs are good. Back in December a Line Producer I know gave me a call and asked if I was available to work on a short film with some provocative (read slightly kinky! Rifa Lights as Keys and our low ceiling problem. DiT Playback and Grading Stations. Always mixing soft and hard light on ‘The Session’. I'm reviewing the @ Blackmagic News. Ursa Mini 4.6k in next months @ tvbay.
Sony 4K RAW – Why Compression Is Bad and DiTs are good | Digital Fluidity
http://digitalfluidity.net/2015/02/02/the-onset-grade-sony-4k-raw-why-compression-is-bad-and-dits-are-good
The Technologies of Moving Image Production. February 2, 2015. Sony 4K RAW – Why Compression Is Bad and DiTs are good. Back in December a Line Producer I know gave me a call and asked if I was available to work on a short film with some provocative (read slightly kinky! Rifa Lights as Keys and our low ceiling problem. DiT Playback and Grading Stations. Always mixing soft and hard light on ‘The Session’. Share on Facebook (Opens in new window). Click to share on Twitter (Opens in new window). Leeds festiv...
4K Lighting | Digital Fluidity
http://digitalfluidity.net/tag/4k-lighting
The Technologies of Moving Image Production. Tag Archive 4K Lighting. November 12, 2014. TV-Bay – Kit Plus Tour – London Roundup. Yesterday TV-BAY – Kit Plus came to Brick Lane in East London with a roadshow of some great seminars and kit to whet our appetites in advance of BVE in February. It was no great surprise that for the cinematographers and camera operators at least, the star of their roadshow event was the Sony PXW-FS7. Through the lens on the PXW-FS7. I am a lover of great lighting and great to...
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Digital Fluidity | The Technologies of Moving Image Production
The Technologies of Moving Image Production. April 22, 2015. REDucation Offical Red Cam Training at London Met Film School. Time to get hands on with the Epic, Scarlett, and Dragon. Maximise the potential and control the look. Steve Johnson demonstrates changing the cameras OLPF. For those who are converted to it it is like a religion, something for them to shout from the rooftops and evangelise over. I was keen to find out. Our Scarlett setup with standard 50mm prime for testing. With which to practice.
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