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Dinosaur Boy | Just another WordPress.com weblog

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Dinosaur Boy | Just another WordPress.com weblog | dinosaurdrew.wordpress.com Reviews
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Just another WordPress.com weblog
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1 dinosaur boy
2 posted in art
3 film
4 photography
5 introduction
6 reality and regression
7 film language
8 stop start
9 elastic hyperreality
10 the digital pantheon
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dinosaur boy,posted in art,film,photography,introduction,reality and regression,film language,stop start,elastic hyperreality,the digital pantheon,camera as camera,the digital flâneur,the cinema effect,here,then,present,always,but is,it is here,it is now
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Dinosaur Boy | Just another WordPress.com weblog | dinosaurdrew.wordpress.com Reviews

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Grain to Pixel: Digital Realities and the Contemporary Cinematic Experience | Dinosaur Boy

https://dinosaurdrew.wordpress.com/2011/03/08/grain-to-pixel-digital-realities-and-the-contemporary-cinematic-experience

Just another WordPress.com weblog. Laquo; Enter the Void. Grain to Pixel: Digital Realities and the Contemporary Cinematic Experience. By Drew O’Neill. This is the question posed by this research project, a kind of snapshot of spectatorship which is evolving at rapid speeds, a work towards developing a semiotic and psychoanalytical framework for the contemporary-digital cinematic experience. From Grain to Pixel. I will analyze the physical aesthetic of the digital and film image, and discuss the nature o...

2

Harun Farocki- Against What? Against Whom? | Dinosaur Boy

https://dinosaurdrew.wordpress.com/2010/02/24/harun-farocki-against-what-against-whom

Just another WordPress.com weblog. Laquo; LeDouxville: Jesse LeDoux’s Illustration. Harun Farocki- Against What? My review of Harun Farocki’s. Show at Raven Row gallery near Liverpool Street (19/11/09-07/02/10). Harun Farocki has been called Germany’s best-known. Filmmaker . Working since the sixties, Farocki attracted the attention of the. At Raven Row gallery in Spitalfields, he is no longer the. Whilst many artists may falsely claim it, Farocki’s work truly is analytical and self aware in its approach...

3

Online Music Copyright Infringement: Unsustainable anti-piracy law that criminalises, stifles and censors in the digital age | Dinosaur Boy

https://dinosaurdrew.wordpress.com/2010/05/17/online-music-copyright-infringement-unsustainable-anti-piracy-law-that-criminalises-stifles-and-censors-in-the-digital-age

Just another WordPress.com weblog. Laquo; Harun Farocki- Against What? By Drew O’Neill. The government passes the Digital Economy Bill on June th12th of this year. The bill will see harsher penalties for those caught downloading music illegally- this is the record companies final attempt to regain control of the shifting hegemony of the music sector. Is music piracy really killing the music industry or just changing it? Retail sales of singles by format. Physical Digital Total Sales. The Times. 2009).

4

Enter the Void | Dinosaur Boy

https://dinosaurdrew.wordpress.com/2010/08/17/enter-the-void

Just another WordPress.com weblog. Grain to Pixel: Digital Realities and the Contemporary Cinematic Experience. After his 2002 release,. Caused such a stir at Cannes that year, Gaspar Noé returns to the festival sporting a very different kind of film. Enter the Void is a drug fuelled trip into the heart of neon lit Japan that draws on the darkest of human themes. Had tortured its audience with a nine minute, uncut rape scene. With. Enter the Void,. Lady in the Lake. 2001: A Space Odyssey. This entry was ...

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Dinosaur Boy | Just another WordPress.com weblog

Just another WordPress.com weblog. Grain to Pixel: Digital Realities and the Contemporary Cinematic Experience. On March 8, 2011 by dinosaurdrew. By Drew O’Neill. This is the question posed by this research project, a kind of snapshot of spectatorship which is evolving at rapid speeds, a work towards developing a semiotic and psychoanalytical framework for the contemporary-digital cinematic experience. From Grain to Pixel. I will analyze the physical aesthetic of the digital and film image, and discuss t...

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Veni, vidi, corrigi. December 5, 2016. Yes, my last post was a decently long time ago, so I thought I’d pick up the slack by writing about everyones “favourite” theropod,. It is by far the most completely known of any dinosaur, with several famous and complete skeletons such as Sue, Stan, Trix, Tristan, AMNH 5027, and many more. The entire skeleton is known and represented, except, very funnily, for the feet *. But, oddly enough, such “completeness” may not be present, as the great. Now for the third dis...

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