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DisMorpha

16 - Nunotani Office Building by Peter Eisenman. Edward T. Sanderson. 15 - The Leaning Tower of Pisa. The effect, while unintended, is quite sublime. Engineers of late have made efforts to stabilize the tower, most notably in the 1990s. The intent is not to remove the tilt - only to stabilize it, since the tilt has a value of its own. Modern building practices make these 'unintended' deformations infrequent. Edward T. Sanderson. 14 - "De Beers Ginza" by Jun Mitsui and Associates. Edward T. Sanderson.

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16 - Nunotani Office Building by Peter Eisenman. Edward T. Sanderson. 15 - The Leaning Tower of Pisa. The effect, while unintended, is quite sublime. Engineers of late have made efforts to stabilize the tower, most notably in the 1990s. The intent is not to remove the tilt - only to stabilize it, since the tilt has a value of its own. Modern building practices make these 'unintended' deformations infrequent. Edward T. Sanderson. 14 - De Beers Ginza by Jun Mitsui and Associates. Edward T. Sanderson.

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DisMorpha | dismorpha.blogspot.com Reviews

https://dismorpha.blogspot.com

16 - Nunotani Office Building by Peter Eisenman. Edward T. Sanderson. 15 - The Leaning Tower of Pisa. The effect, while unintended, is quite sublime. Engineers of late have made efforts to stabilize the tower, most notably in the 1990s. The intent is not to remove the tilt - only to stabilize it, since the tilt has a value of its own. Modern building practices make these 'unintended' deformations infrequent. Edward T. Sanderson. 14 - "De Beers Ginza" by Jun Mitsui and Associates. Edward T. Sanderson.

INTERNAL PAGES

dismorpha.blogspot.com

1

DisMorpha: 13 - The Spork

http://dismorpha.blogspot.com/2011/05/13-spork.html

13 - The Spork. Well, for one, there's nothing unwieldy about two or three pieces of cutlery at a place setting, and more importantly, the spork doesn't function quite as well as a spoon or fork for many of their respective applications (liquids or meats, for instance). Is there value in hybrid form? Does a gain in basic material efficiency outweigh other functional compromises? Image Source: Dimensions Guide. Edward T. Sanderson. Subscribe to: Post Comments (Atom). Edward T. Sanderson. 13 - The Spork.

2

DisMorpha: 09 - Surreal Furniture by Avanzatti of Buenos Aires

http://dismorpha.blogspot.com/2011/04/09-surreal-furniture-by-avanzatti-of.html

09 - Surreal Furniture by Avanzatti of Buenos Aires. These pieces are clear. They are not attempting to deceive. They do contradict one's expectations of oak as a material, but through meticulous wood craft, the oak bends to the designers' will. These pieces, when in use, likely sit a space which is not surreal. They are irregular objects in an otherwise regular domestic setting. Edward T. Sanderson. Subscribe to: Post Comments (Atom). Edward T. Sanderson. View my complete profile. 05 - Gibson EDS-1275.

3

DisMorpha: 11 - OMA's McCormick Tribune Campus Center

http://dismorpha.blogspot.com/2011/04/11-omas-mccormick-tribune-campus-center.html

11 - OMA's McCormick Tribune Campus Center. Edward T. Sanderson. Subscribe to: Post Comments (Atom). Edward T. Sanderson. View my complete profile. 12 - Gordon Matta Clarks Conical Intersect. 11 - OMAs McCormick Tribune Campus Center. 10 - Oak Chair by Charles Rohlfs. 09 - Surreal Furniture by Avanzatti of Buenos Aire. 08 - Frank Gehry and Vlado Milunićs Dancing Hous. 07 - Buro by DesignWright for Lexon. 06 - Social Housing Tower by Roldán Berengué. 05 - Gibson EDS-1275.

4

DisMorpha: 04.11

http://dismorpha.blogspot.com/2011_04_01_archive.html

12 - Gordon Matta Clark's "Conical Intersect". Edward T. Sanderson. 11 - OMA's McCormick Tribune Campus Center. Edward T. Sanderson. 10 - Oak Chair by Charles Rohlfs. The primitive form of the wooden chair is manipulated toward a delicate elegance. The back rest's function is primarily to lift up and exhibit the hand carved design work, rather than to lean one's back against it. Edward T. Sanderson. 09 - Surreal Furniture by Avanzatti of Buenos Aires. Edward T. Sanderson. Edward T. Sanderson. This is an ...

5

DisMorpha: 16 - Nunotani Office Building by Peter Eisenman

http://dismorpha.blogspot.com/2011/05/16-nunotani-office-building-by-peter.html

16 - Nunotani Office Building by Peter Eisenman. Edward T. Sanderson. Subscribe to: Post Comments (Atom). Edward T. Sanderson. View my complete profile. 16 - Nunotani Office Building by Peter Eisenman. 15 - The Leaning Tower of Pisa. 14 - De Beers Ginza by Jun Mitsui and Associates. 13 - The Spork. Simple template. Powered by Blogger.

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DisMorpha

16 - Nunotani Office Building by Peter Eisenman. Edward T. Sanderson. 15 - The Leaning Tower of Pisa. The effect, while unintended, is quite sublime. Engineers of late have made efforts to stabilize the tower, most notably in the 1990s. The intent is not to remove the tilt - only to stabilize it, since the tilt has a value of its own. Modern building practices make these 'unintended' deformations infrequent. Edward T. Sanderson. 14 - "De Beers Ginza" by Jun Mitsui and Associates. Edward T. Sanderson.

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