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Dix McComas

I am a contemporary American realist--though I am now exploring abstraction, having felt for years what one critic calls the 'tyranny of the subject.' I have done commissions as a portait painter. I work in acrylics, primarily on gesso boards, which I afix to back panels that I make. I've defintely been influenced by Edward Hopper and Richard Diebenkorn. For years, I've worked with layering paint that I then scour off with steaming hot water from my kitchen sink. This technique, used sparingly for, say, the

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Dix McComas | dixmccomas.com Reviews
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I am a contemporary American realist--though I am now exploring abstraction, having felt for years what one critic calls the 'tyranny of the subject.' I have done commissions as a portait painter. I work in acrylics, primarily on gesso boards, which I afix to back panels that I make. I've defintely been influenced by Edward Hopper and Richard Diebenkorn. For years, I've worked with layering paint that I then scour off with steaming hot water from my kitchen sink. This technique, used sparingly for, say, the
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Dix McComas | dixmccomas.com Reviews

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I am a contemporary American realist--though I am now exploring abstraction, having felt for years what one critic calls the 'tyranny of the subject.' I have done commissions as a portait painter. I work in acrylics, primarily on gesso boards, which I afix to back panels that I make. I've defintely been influenced by Edward Hopper and Richard Diebenkorn. For years, I've worked with layering paint that I then scour off with steaming hot water from my kitchen sink. This technique, used sparingly for, say, the

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