cinemastudies-frenchnewwave.blogspot.com
French New Wave: Le Samourai (1967)
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/le-samourai-1967.html
Friday, 18 November 2011. Jean-Pierre Melville creates a precise, taut, and elegant film in. Jef's inscrutable, Bressonian demeanor is reflected through the use of austere colors (blues and grays), inclement weather, and pervasive silence to create an unnatural and unnerving atmosphere. Following the widening of the opening shot, Jef sits up in his bed and turns his back to the camera, facing the windowed wall, smoky light dancing over his head. He has turned away from the camera, away from the audie...
cinemastudies-frenchnewwave.blogspot.com
French New Wave: French New Wave
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/french-new-wave.html
Sunday, 20 November 2011. The French New Wave is widely regarded as one of the most influential movements ever to take place in cinema back in mid-1950s. The effects of the new wave have been felt since its birth as a movement long after it faded away. It was a motion against the traditional French cinema, which was more literature than cinema. One of the movie “ la politique des auteur. Subscribe to: Post Comments (Atom). View my complete profile. The movies that we choose. Paris belongs to us (1960).
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French New Wave: The movies that we choose
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/movies-that-we-choose.html
Sunday, 20 November 2011. The movies that we choose. For the movie, The 400 Blows is directed by François Truffaut. The film is about bastard child Antoine, as his youthful exuberance is slowly drained from him by his desolate life. The reason why Zico picked this movie because The 400 Blows was one of the best French New Wave movies that had made. It reflected the reality inside the lives of the people living in Paris. As a director, one of the first works of the. The following movie is.
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French New Wave: The 400 Blows (1959)
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/400-blows-1959.html
Tuesday, 15 November 2011. The 400 Blows (1959). Subscribe to: Post Comments (Atom). In this project, students are required to analyze the movies. Students are required to watch films and analyze their shot angle, effect they used and other techniques. The title of this project is French New Wave. View my complete profile. The movies that we choose. Breathless 1960 (A bout de Souffle). Paris belongs to us (1960). Jules and Jim (1962). The 400 Blows (1959). Watermark template. Powered by Blogger.
cinemastudies-frenchnewwave.blogspot.com
French New Wave: November 2011
http://cinemastudies-frenchnewwave.blogspot.com/2011_11_01_archive.html
Sunday, 20 November 2011. The French New Wave is widely regarded as one of the most influential movements ever to take place in cinema back in mid-1950s. The effects of the new wave have been felt since its birth as a movement long after it faded away. It was a motion against the traditional French cinema, which was more literature than cinema. One of the movie “ la politique des auteur. The movies that we choose. For the movie, The 400 Blows is directed by François Truffaut. The following movie is.
cinemastudies-frenchnewwave.blogspot.com
French New Wave: Breathless 1960 (A bout de Souffle)
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/breathless-1960-bout-de-souffle.html
Saturday, 19 November 2011. Breathless 1960 (A bout de Souffle). Jump cuts”: a non-naturalistic edit, usually a section of a continuous shot that is removed unexpectedly, illogically, shooting on location, natural lighting, improvised dialogue and plotting, direct sound recording and long takes. Technique aside, Breathless ( A bout de souffle. Trailer of the movie, Have a look! 20 November 2011 at 09:19. Very awesome movie. have to watch! Subscribe to: Post Comments (Atom). View my complete profile.
cinemastudies-frenchnewwave.blogspot.com
French New Wave: Jules and Jim (1962)
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/jules-and-jim-1962.html
Wednesday, 16 November 2011. Jules and Jim (1962). As one of the early, instantly definitive films of the French New Wave, its impact on countless scores of subsequent films impossible to gauge. With an almost insurmountable liberty in his use of the cinematic form, Truffaut embraces contradiction to create meaning—. Is sad yet humorous, breathless yet contemplative, universal yet hermetic, based on a book by a man in his 70s yet directed by a man in his 20s. It knows of life's folly so intimately. Truff...
cinemastudies-frenchnewwave.blogspot.com
French New Wave: Paris belongs to us (1960)
http://cinemastudies-frenchnewwave.blogspot.com/2011/11/paris-belongs-to-us-1960.html
Thursday, 17 November 2011. Paris belongs to us (1960). The common link between Gerard and Juan, beside their friendship, is Terry, Gerard’s current girlfriend and perhaps Juan’s previous. Gerard has his eye on Anne and recruits her for a part she is unsuited to play in. She states that it’s a disjointed work that makes sense on some other level of meaning. Paris Belongs to Us, 2006). Subscribe to: Post Comments (Atom). In this project, students are required to analyze the movies. Students are requir...