DONBRICE.COM

bigroom.com.au

Media - Big Room

http://bigroom.com.au/Media.html

Photography used on this site courtesy of. Don Brice (www.donbrice.com). No Agreement - Front Cover. No Agreement - Front Cover. A Hand of Four Aces - Front Cover. Wastelands - Front Cover.

moeckarchitect.com

Peter Moeck Architect COLLABORATION AT WORK - Peter Moeck Architect

http://moeckarchitect.com/collaboration

The sculpture Collaboration At Work by Greg Healey ( ghdesign.com.au. Belinda Powells and Jan Aspinall ( janaspinall.com.au. Celebrates the establishment of Peter Moeck Architect as a sole practitioner on 1 July 2012. Peter continues to actively seek opportunities to integrate art and architecture because he understands that this adds immeasurable value by personalising architectural outcomes. Showtrek Productions ( showtrek.com. Groundplay ( groundplay.com.au. Photographer Don Brice ( donbrice.com.

picturenoise.blogspot.com

picturenoise: Cyanotypes from digital negatives

http://picturenoise.blogspot.com/2015/04/cyanotypes-from-digital-negatives.html

Thursday, 16 April 2015. Cyanotypes from digital negatives. I've just set up a bulk ink system on my cheap Epson printer because I was fed up on spending so much money on cartridges. The conversion is rela. Tive simple to make and the guys from the shop repair said that sometimes it can be done while you wait. All prints were made on Hahnemuhle proof paper with a solution of 3% gelatin (leaf) average 5 - 8 minutes on artificial UV light. Posted by Mauricio Sapata. 20 April 2015 at 19:39. Sao Paulo, Brazil.

picturenoise.blogspot.com

picturenoise: July 2014

http://picturenoise.blogspot.com/2014_07_01_archive.html

Tuesday, 22 July 2014. I have done some prints with the Albumen technic using digital negatives. The quality of the print is ok comparing to the orignal shot in 35mm. I have printed the tweaked file in a normal inkjet printer using a simple tranparency sheet so I can't really expect much quality to be honest. It's a shame I missed some of the details in the shadows, especially in the model's face, but I guess the colours really added some atmosphere to the shot. Posted by Mauricio Sapata. El Bufon de Lear.

picturenoise.blogspot.com

picturenoise: July 2015

http://picturenoise.blogspot.com/2015_07_01_archive.html

Tuesday, 7 July 2015. I've made a couple of experiments at Sesc with Salt Paper process using the recipe of "The Keepers of Light" book (starch, sodium citrate and ammonium chloride) It's reasonable simple to make and the results are satisfatory considering the negatives I had in hands. Posted by Mauricio Sapata. Links to this post. Subscribe to: Posts (Atom). Sao Paulo, Brazil. View my complete profile. 127 Camera Adapted to 35mm. 1960 Kodak Royal X. 1961 Ilford Cine Film. 1968 Kodak Tri-X Pan.

picturenoise.blogspot.com

picturenoise: Salt Paper

http://picturenoise.blogspot.com/2015/07/salt-paper.html

Tuesday, 7 July 2015. I've made a couple of experiments at Sesc with Salt Paper process using the recipe of "The Keepers of Light" book (starch, sodium citrate and ammonium chloride) It's reasonable simple to make and the results are satisfatory considering the negatives I had in hands. Posted by Mauricio Sapata. Subscribe to: Post Comments (Atom). Sao Paulo, Brazil. View my complete profile. 127 Camera Adapted to 35mm. 1960 Kodak Royal X. 1961 Ilford Cine Film. 1968 Kodak Tri-X Pan. From inside the car.

picturenoise.blogspot.com

picturenoise: September 2014

http://picturenoise.blogspot.com/2014_09_01_archive.html

Tuesday, 23 September 2014. I've followed the brilliant work of Lukas Birk and Sean Foley from the Afghan Box Camera. If you're interested on more about this sort of cameras I highly recommend checking out the site. I've also built a Tumblr page where I've been posting all stuff related to my project:. And here are some of the test I've made so far. Posted by Mauricio Sapata. Links to this post. Labels: afghan box camera. Subscribe to: Posts (Atom). Sao Paulo, Brazil. View my complete profile.

picturenoise.blogspot.com

picturenoise: June 2015

http://picturenoise.blogspot.com/2015_06_01_archive.html

Tuesday, 16 June 2015. Another couple of cyanotypes made from digital negatives. The first image was printed onto Hahnemuhle proof paper, the second one onto Filiperson. The developer used was acetic acid at 1% solution to work in the midtones, then I left the images in a bath of hydrogen peroxide to increase the blue tones. Posted by Mauricio Sapata. Links to this post. Subscribe to: Posts (Atom). Sao Paulo, Brazil. View my complete profile. 127 Camera Adapted to 35mm. 1960 Kodak Royal X.

picturenoise.blogspot.com

picturenoise: March 2015

http://picturenoise.blogspot.com/2015_03_01_archive.html

Sunday, 22 March 2015. So yesterday I spent the whole doing some ambrotypes at my friend's lab for an exhibithion that's about to come to celebrate the 2015 wet plate day, which will happen in May. This is the result! Posted by Mauricio Sapata. Links to this post. Subscribe to: Posts (Atom). Sao Paulo, Brazil. View my complete profile. 127 Camera Adapted to 35mm. 1960 Kodak Royal X. 1961 Ilford Cine Film. 1968 Kodak Tri-X Pan. Coronet Twelve 20 Camera. From inside the car. Gakken Stereo Pinhole Camera.