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Gather & Fold
http://www.gatherandfold.com/edwards-moore.html
139; Referred by Paul Fuog. Referred R. Russell and B. George . Ben Edwards and Juliet Moore. You have written about your approach having an emphasis on encouraging architectural discourse. How is this important to you? How do you work, that is particular to the two of you working together? Were you both trained similarly? But individually, not architecturally? BE: a synergy between us -. JM: there's an overlap in the middle, where the edges might be ourselves. JM: a light fitting, if we wanted to.
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Gather & Fold
http://www.gatherandfold.com/dominic-hofstede.html
139; Referred by Jonathan Wallace. Referred Paul Fuog . Fifteen years after founding Hofstede Design, Dominic Hofstede addressed an issue not commonly acknowledged but one that frequently perplexed him - the mysterious lack of a published Australian graphic design history. How did you first become aware of this problem regarding the scarcity of published graphic design material? So these aren't images you have found looking around the internet - you have sourced the physical copies? Maybe - but it was s...
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Gather & Fold
http://www.gatherandfold.com/meredith-turnbull.html
139; Referred by Madeline Kidd. Referred Nella Themelios . The very first interview I ever did for G&F was with Leah Jackson. We were only acquaintances then and the first time I saw her work - which was the impetus for the interview - was at the Rock Solid exhibition at Pieces of Eight, which was curated by you! It's so neat that it has all come full circle! Yes, that's really funny! It's also funny that Madeline Kidd was in that show too! I didn't see any of her jewellery work when I interviewed her.
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Gather & Fold
http://www.gatherandfold.com/liv-barrett.html
139; Referred by Yanni Florence. Referred Fayen d'Evie . We met Liv Barrett atop a West Hollywood hotel bar, a rendezvous suggested by Liv who confessed the venue was a more appropriate reflection of her working practice than any one workspace. Born and raised in Melbourne, Liv talked us through her curatorial journey, a cyclical process of revisitation and re-examination, which has eventuated in her move to LA. How did curating become the central focus of your practice? I asked Matt Hinkley. Completely...
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Gather & Fold
http://www.gatherandfold.com/jessica-brent.html
139; Referred by Dianna Snape. We also introduced Matt Hinkley . Jessica Brent's career began from a position of curiosity, eventually merging into the intersection of architecture, graphic design and photography. A founding principal of interdisciplinary collective Sibling, this intersection is celebrated through her involvement in various design and research-led projects, while her photography practice openly bears the cipher of her diverse learning. Why the move from architecture to graphic design?
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Gather & Fold
http://www.gatherandfold.com/madeline-kidd.html
139; Referred by Masato Takasaka. Referred Meredith Turnbull . I've seen the work you produced for The Narrows show, a couple of years ago. It's like luxury advertorial art direction, meticulously hand painted-. It's perhaps a touch ironic, designing a lifestyle that isn't anything like mine! When you 'design' your paintings, how are they set up? Do you use specific tools or techniques? For that crisp line? It's all hand painted and it's very time consuming! Mentioned in her interview about her interest...
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Gather & Fold
http://www.gatherandfold.com/matt-hinkley.html
139; Referred by G&F. Referred Warren Taylor . Matt Hinkley creates modest works of involved detail upon found objects and paper, their intricacies challenging the tiny scale, their patterns celebrating order within chaos. Matt has exhibited across Australia, the US and at Frieze Art Fair, and completed an Australia Council studio residency in Los Angeles. He lives and works in Melbourne, represented by Kaliman Rawlins. So these patterns havenâ t been pre-made and projected onto the object? It was when ...
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Gather & Fold
http://www.gatherandfold.com/nella-themelios.html
139; Referred by Meredith Turnbull. We then introduced Oslo Davis . Nella Themelios is the Creative Producer at the Design Hub. Following her role as Coordinating Curator at Craft Victoria and her continuing position as Board Chair of BUS Projects, she is representative of all the Design Hub's ambitions - bridging research activity and the public in this innovative amelioration of social progress and design. Up to this point, your experience had been purely curatorial? It's nice to do it in tandem!
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Gather & Fold
http://www.gatherandfold.com/yanni-florence.html
139; Referred by Warren Taylor. Referred Liv Barrett . Yanni Florence, a Melbourne based designer and photographer, has a discreet online presence suited to his understated, "self-conscious" practice. A professional with focused interest in the amateur, his photographs catalogue the eccentric and the undesigned. In a break from our usual interview approach, Yanni answered questions via email from Los Angeles, his responses accompanied by his recent photographs of its streets and suburbs.
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http://www.gatherandfold.com/chris-hill.html
139; Referred by Stephanie Downey. Referred Jonathan Wallace . Chris Hill is one half of directing duo, Krozm. Together with Lachlan Dickie, they have created music videos for some of Australia's biggest export bands, including Cut Copy, Jet, Midnight Juggernauts and Miami Horror. With a video arts background and focus modern artefact, their work is distinctively dedicated to twisted narratives and exploratory realisation. You started Krozm in 2005, straight out of uni? Did that include Damn Arms? I thi...
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