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Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Best known for seminal Danish crime drama Forbrydelsen (The Killing), director Kristoffer Nyholm tells DQ why Tom Hardy-led thriller Taboo is like nothing ever seen on TV before. Load more videos ›. And Then There Was Sarah Phelps. Screenwriter Sarah Phelps tells DQ how she is reinventing Agatha Christie for a new audience, first with And Then There Were None and now with two-part drama The Witness for the Prosecution. Swedish actor Al...

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Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Best known for seminal Danish crime drama Forbrydelsen (The Killing), director Kristoffer Nyholm tells DQ why Tom Hardy-led thriller Taboo is like nothing ever seen on TV before. Load more videos ›. And Then There Was Sarah Phelps. Screenwriter Sarah Phelps tells DQ how she is reinventing Agatha Christie for a new audience, first with And Then There Were None and now with two-part drama The Witness for the Prosecution. Swedish actor Al...

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Drama Quarterly | dramaquarterly.com Reviews

https://dramaquarterly.com

Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Best known for seminal Danish crime drama Forbrydelsen (The Killing), director Kristoffer Nyholm tells DQ why Tom Hardy-led thriller Taboo is like nothing ever seen on TV before. Load more videos ›. And Then There Was Sarah Phelps. Screenwriter Sarah Phelps tells DQ how she is reinventing Agatha Christie for a new audience, first with And Then There Were None and now with two-part drama The Witness for the Prosecution. Swedish actor Al...

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Being Maximilian | Drama Quarterly

http://dramaquarterly.com/being-maximilian

Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Anatomy of a showrunner. Cold War heats up. January 12, 2017. One day Jannis Niewöhner was shooting an art-house film, the next he was giving a rallying speech to 150 extras on the set of a German historical miniseries. He tells DQ about period drama Maximilian and Marie de Bourgogne. Maximilian is a coproduction from MR Film, Beta Film, ORF and ZDF. S 2014 movie The Dark Valley, he was keen to link up with the Austrian. It was such a ...

2

In production | Drama Quarterly

http://dramaquarterly.com/category/in-production

Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. DQ goes deep on shows in production, speaking to the creatives behind shows currently on air. With two of the most anticipated new US shows to his name in dramedy This Is Us and baseball series Pitch, Dan Fogelman is hoping to hit a home run this year. DQ uncovers the hidden story of Farang. Hell on Wheels producer Entertainment One is proving to be a nimble operator as it bends to the changing television landscape. Two of a kind.

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Kings of the wild frontier | Drama Quarterly

http://dramaquarterly.com/kings-of-the-wild-frontier

Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Kings of the wild frontier. Kings of the wild frontier. Anatomy of a showrunner. Cold War heats up. Novela titans at Natpe. The art of the shared universe. Out with the new, in with the old. January 10, 2017. Period dramas are never far from our screens, but they currently appear to be more popular and diverse than ever. Stephen Arnell examines the current trend for costume series. Cinemax’s Banshee (2013-16) should also qualify as par...

4

IN FOCUS | Drama Quarterly

http://dramaquarterly.com/category/in-focus

Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. DQ explores scripted dramas and their journey from pitch to production, speaking to showrunners, writers, directors and stars about how the show came to life. A Clockwork Orange provided some of the inspiration behind the look of FX’s latest original series, Legion. Production designer Michael Wylie tells DQ how he created this unique world. Out in the Cold. Luke Roberts and Frank Spotnitz take DQ behind the scenes of Ransom, revealing...

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The Director’s Chair | Drama Quarterly

http://dramaquarterly.com/category/the-directors-chair

Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Category: The Director’s Chair. Category: THE DIRECTOR’S CHAIR. Director Bill Eagles and cinematographer Michael Snyman discuss their work and partnership on ITV’s new India-set medical drama The Good Karma Hospital, and reveal the challenges of filming on location in Sri Lanka. Directing duo Björn Stein and Måns Mårlind reveal the secrets behind the first Swedish-French coproduction, Midnight Sun. Out of this world. The Red Planet is ...

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Hit & Miss. SIX OF THE BEST. WE NEED TO TALK ABOUT. Why I Work In TV. Best known for seminal Danish crime drama Forbrydelsen (The Killing), director Kristoffer Nyholm tells DQ why Tom Hardy-led thriller Taboo is like nothing ever seen on TV before. Load more videos ›. And Then There Was Sarah Phelps. Screenwriter Sarah Phelps tells DQ how she is reinventing Agatha Christie for a new audience, first with And Then There Were None and now with two-part drama The Witness for the Prosecution. Swedish actor Al...

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