drawnxfound.blogspot.com

Drawing Foundations

Sunday, October 27, 2013. The final is approaching and thus confusion ensues. 6' x 6 ' (white paper roll, papers taped together, brown paper, newspaper, magazines, book pages, etc). Vine/conte/compressed charcoal for figure (NO PENCIL). Any or all of the supplies for the rest of the drawing. You do not have to draw yourself. More than one person can be drawn. One whole figure must be drawn in proportion (seated, standing or in pieces). Where linear logic is unwelcomed:. Elements do not make sense. Do you...

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Drawing Foundations | drawnxfound.blogspot.com Reviews

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Sunday, October 27, 2013. The final is approaching and thus confusion ensues. 6' x 6 ' (white paper roll, papers taped together, brown paper, newspaper, magazines, book pages, etc). Vine/conte/compressed charcoal for figure (NO PENCIL). Any or all of the supplies for the rest of the drawing. You do not have to draw yourself. More than one person can be drawn. One whole figure must be drawn in proportion (seated, standing or in pieces). Where linear logic is unwelcomed:. Elements do not make sense. Do you...

<META> KEYWORDS

1 syllabus

2 tyler

3 final project

4 size

5 materials

6 drawing

7 a self portrait

8 where

9 an environment

10 neo rauch

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syllabus,tyler,final project,size,materials,drawing,a self portrait,where,an environment,neo rauch,frida kahlo,matthias weischer,shahzia sikander,anya kielar,georg baselitz,dana schutz,nikki lee,james ensor,liu xiaodong,max ernst,posted by,no comments

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Drawing Foundations | drawnxfound.blogspot.com Reviews

https://drawnxfound.blogspot.com

Sunday, October 27, 2013. The final is approaching and thus confusion ensues. 6' x 6 ' (white paper roll, papers taped together, brown paper, newspaper, magazines, book pages, etc). Vine/conte/compressed charcoal for figure (NO PENCIL). Any or all of the supplies for the rest of the drawing. You do not have to draw yourself. More than one person can be drawn. One whole figure must be drawn in proportion (seated, standing or in pieces). Where linear logic is unwelcomed:. Elements do not make sense. Do you...

INTERNAL PAGES

drawnxfound.blogspot.com

1

Drawing Foundations: questionnaire

http://drawnxfound.blogspot.com/2013/08/questionnaire.html

Friday, August 23, 2013. 1 What made you decide to come to Tyler? What did/do your grandfathers and grandmothers do for a living? If you were asked to make a mix CD for me with 10 of your favorite songs what would they be:. Describe your first memory. 5 Describe an event, a moment, an experience in your life that truly moved you. Who are some of your favorite visual artists (painters, sculptors, graphic designers, fashion…)? Name 3 of your favorite films/movies. 9 Are you an extrovert or an introvert?

2

Drawing Foundations: Final Project

http://drawnxfound.blogspot.com/2013/10/final-project.html

Sunday, October 27, 2013. The final is approaching and thus confusion ensues. 6' x 6 ' (white paper roll, papers taped together, brown paper, newspaper, magazines, book pages, etc). Vine/conte/compressed charcoal for figure (NO PENCIL). Any or all of the supplies for the rest of the drawing. You do not have to draw yourself. More than one person can be drawn. One whole figure must be drawn in proportion (seated, standing or in pieces). Where linear logic is unwelcomed:. Elements do not make sense.

3

Drawing Foundations: August 2013

http://drawnxfound.blogspot.com/2013_08_01_archive.html

Wednesday, August 28, 2013. Drawing prompt based on Akira Kurosawa's. The Men Who Tread on the Tiger's Tail. In front of a blank piece of paper. What would your genuine prospectus. What would it have to say? To whom would it be for? Would it be dark, light or would light and dark not be its most pertinent aspects? Would it be small, large or simply medium and why? What would it show and what would it say. Would it be abstract or could anyone understand it? A song in pictures ? What would this drawing be?

4

Drawing Foundations: syllabus

http://drawnxfound.blogspot.com/2013/08/syllabus.html

Friday, August 23, 2013. 1511 - Foundation Drawing. Tyler School of Art / Temple University. Available: mon-wed: 5:15 – 6:00pm. Course # 1511 / Section 008/011. Class meets: 008: 12:00 – 2:30. 2:40 – 5:10. Your evaluation will depend on your performance toward the following objectives. The depth of the observation skills. The ability to create a fully-realized drawing. The ability to measure and find proportion using hand/eye coordination. Skills using drawing to generate ideas. Students must present app...

5

Drawing Foundations: October 2013

http://drawnxfound.blogspot.com/2013_10_01_archive.html

Sunday, October 27, 2013. The final is approaching and thus confusion ensues. 6' x 6 ' (white paper roll, papers taped together, brown paper, newspaper, magazines, book pages, etc). Vine/conte/compressed charcoal for figure (NO PENCIL). Any or all of the supplies for the rest of the drawing. You do not have to draw yourself. More than one person can be drawn. One whole figure must be drawn in proportion (seated, standing or in pieces). Where linear logic is unwelcomed:. Elements do not make sense.

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hypercriticalwriting.blogspot.com

HyperCriticalWriting: June 2015

http://hypercriticalwriting.blogspot.com/2015_06_01_archive.html

A bulletin board for recommended readings, random musings, and reactionary responses. Tuesday, June 16, 2015. Saturday, June 13, 2015. Some drawings coming together on the drawing board. Tuesday, June 09, 2015. Interesting podcast of Fresh Air in which Jamie Barrett discusses his research into the 'dark web'. The importance of encryption is discussed. Monday, June 01, 2015. Hand Lettering Workshop with Mike Meyer. Excited to be going to this in September! And more than mildly anxious. End of the world.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: Clipping

http://hypercriticalwriting.blogspot.com/2015/08/clipping.html

A bulletin board for recommended readings, random musings, and reactionary responses. Friday, August 07, 2015. Schoofs, Miriam. " Hanne Darboven: I inscribe by I describe nothing. Jan -Feb 2013, p. Subscribe to: Post Comments (Atom). End of the world. The Elephant in the Studio. Things I make students read. Art Criticism with Jim Elkins. CAA: the College Art Association website. Diana Hacker's "A Writer's Reference". James LeMont Fogg Memorial Library at Art Center College, Pasadena. Tyler School of Art.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: July 2015

http://hypercriticalwriting.blogspot.com/2015_07_01_archive.html

A bulletin board for recommended readings, random musings, and reactionary responses. Wednesday, July 29, 2015. Trying to keep track of stories about mending and repair (less about curation, please). See an earlier post on mending. Here's one, "Preserving what is valued", from University of Oxford's Pitt Rivers Museum. reviewed by Allison Meier for Hyperallergic. Sunday, July 19, 2015. This could get messy. More to come. These were found at Temple University's Special Collections Research Center.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: January 2015

http://hypercriticalwriting.blogspot.com/2015_01_01_archive.html

A bulletin board for recommended readings, random musings, and reactionary responses. Wednesday, January 14, 2015. Sunday, January 11, 2015. A couple of Solresol sketches. Here is a sketch of a translation of a passage from an Oscar Wilde essay (you an see I am struggling with vocabulary in this one.). This is a line from Auden that I often use as a translation exercise. Subscribe to: Posts (Atom). End of the world. The Elephant in the Studio. Things I make students read. A couple of Solresol sketches.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: March 2015

http://hypercriticalwriting.blogspot.com/2015_03_01_archive.html

A bulletin board for recommended readings, random musings, and reactionary responses. Tuesday, March 10, 2015. When I see writing like this. I realize I am doing everything wrong. Subscribe to: Posts (Atom). End of the world. The Elephant in the Studio. Things I make students read. When I see writing like this. I realize I am doing. Art Criticism with Jim Elkins. CAA: the College Art Association website. Diana Hacker's "A Writer's Reference". Journal of Aesthetics Protest. Rubens Ghenov Drawing Class Blog.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: Hand Lettering Workshop with Mike Meyer

http://hypercriticalwriting.blogspot.com/2015/06/hand-lettering-workshop-with-mike-meyer.html

A bulletin board for recommended readings, random musings, and reactionary responses. Monday, June 01, 2015. Hand Lettering Workshop with Mike Meyer. Excited to be going to this in September! And more than mildly anxious. Subscribe to: Post Comments (Atom). End of the world. The Elephant in the Studio. Things I make students read. Hand Lettering Workshop with Mike Meyer. Art Criticism with Jim Elkins. CAA: the College Art Association website. Diana Hacker's "A Writer's Reference". Tyler School of Art.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: Secret Society

http://hypercriticalwriting.blogspot.com/2015/06/secret-society.html

A bulletin board for recommended readings, random musings, and reactionary responses. Tuesday, June 09, 2015. Interesting podcast of Fresh Air in which Jamie Barrett discusses his research into the 'dark web'. The importance of encryption is discussed. Subscribe to: Post Comments (Atom). End of the world. The Elephant in the Studio. Things I make students read. Hand Lettering Workshop with Mike Meyer. Art Criticism with Jim Elkins. CAA: the College Art Association website. Journal of Aesthetics Protest.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: September 2014

http://hypercriticalwriting.blogspot.com/2014_09_01_archive.html

A bulletin board for recommended readings, random musings, and reactionary responses. Sunday, September 21, 2014. An interesting film posted on the Atlantic's. Thursday, September 18, 2014. Why Original Artworks Move Us More Than Reproductions. Saturday, September 06, 2014. Who do first year Art, Architecture, and Design students think we "must talk about" in freshman seminar? Subscribe to: Posts (Atom). End of the world. The Elephant in the Studio. Things I make students read. Tyler School of Art.

hypercriticalwriting.blogspot.com

HyperCriticalWriting: Michael Swaine: "Mending for the People" Tenderloin National Forest, San...

http://hypercriticalwriting.blogspot.com/2015/05/michael-swaine-mending-for-people.html

A bulletin board for recommended readings, random musings, and reactionary responses. Wednesday, May 27, 2015. Michael Swaine: "Mending for the People" Tenderloin National Forest, San. Some time ago, it occurred to me that a good way to teach some of the fundamental skills that are part of a BFA Foundations program might be to use repair as a focus for a project. (This is an idea I have talked about with artist H. John Thompson a little.). Subscribe to: Post Comments (Atom). End of the world. The Univers...

hypercriticalwriting.blogspot.com

HyperCriticalWriting: July 2014

http://hypercriticalwriting.blogspot.com/2014_07_01_archive.html

A bulletin board for recommended readings, random musings, and reactionary responses. Sunday, July 27, 2014. The (After)Life of Pi. The parallels between contract-workers in the SFX industry and adjunct faculty in higher education are hard to ignore. The film is a sobering reminder of the economic forces that surround the 'creative economy' and a challenge to transform creative work into sustainable careers. Subscribe to: Posts (Atom). End of the world. The Elephant in the Studio. The (After)Life of Pi.

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Drawing Foundations

Sunday, October 27, 2013. The final is approaching and thus confusion ensues. 6' x 6 ' (white paper roll, papers taped together, brown paper, newspaper, magazines, book pages, etc). Vine/conte/compressed charcoal for figure (NO PENCIL). Any or all of the supplies for the rest of the drawing. You do not have to draw yourself. More than one person can be drawn. One whole figure must be drawn in proportion (seated, standing or in pieces). Where linear logic is unwelcomed:. Elements do not make sense. Do you...

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