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Saturday, January 2, 2010. This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent. Were originally cardboard discs with spiral patterns printed on them, made to be watched whirling on record players. They are “toys” that produce an illusion of volume. Duchamp got that idea after producing Anemic Cinema, an optical-illusion film, in 1925. Third disk front:...

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Saturday, January 2, 2010. This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent. Were originally cardboard discs with spiral patterns printed on them, made to be watched whirling on record players. They are “toys” that produce an illusion of volume. Duchamp got that idea after producing Anemic Cinema, an optical-illusion film, in 1925. Third disk front:...
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marcel duchamp blog | duchampdada.blogspot.com Reviews

https://duchampdada.blogspot.com

Saturday, January 2, 2010. This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent. Were originally cardboard discs with spiral patterns printed on them, made to be watched whirling on record players. They are “toys” that produce an illusion of volume. Duchamp got that idea after producing Anemic Cinema, an optical-illusion film, in 1925. Third disk front:...

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marcel duchamp blog: rotoreliefs

http://duchampdada.blogspot.com/2010/01/rotoreliefs.html

Saturday, January 2, 2010. Were originally cardboard discs with spiral patterns printed on them, made to be watched whirling on record players. They are “toys” that produce an illusion of volume. Duchamp got that idea after producing Anemic Cinema, an optical-illusion film, in 1925. Set of six disks (20cm), which a drawing on each side printed in color by offset lithography, to be seen as they rotate at the speed of 33rpm. First disk front: No1 Corolles. Second disk front: No2 Oeuf a la coque. Several ed...

2

marcel duchamp blog: January 2010

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Saturday, January 2, 2010. This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent. Were originally cardboard discs with spiral patterns printed on them, made to be watched whirling on record players. They are “toys” that produce an illusion of volume. Duchamp got that idea after producing Anemic Cinema, an optical-illusion film, in 1925. Third disk front:...

3

marcel duchamp blog: anemic cinema 1926

http://duchampdada.blogspot.com/2010/01/anemic-cinema-1926.html

Saturday, January 2, 2010. This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent. April 11, 2011 at 4:16 AM. Http:/ www.megaupload.com/? Subscribe to: Post Comments (Atom). View my complete profile.

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politicsofmemory.blogspot.com politicsofmemory.blogspot.com

poetics and politics of memory: January 2012

http://politicsofmemory.blogspot.com/2012_01_01_archive.html

Poetics and politics of memory. Monday, January 2, 2012. Chinese-language film: historiography, poetics, politics / ul. Chinese-Language Film makes a significant contribution to international film studies. It will become required reading for all those, whether student, specialist, or general reader, who are interested in Chinese cinema and international film culture or concerned with questions of nationalism, transnationalism, globalization, and multiculturalism. What can we learn about the Chinese revol...

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poetics and politics of memory: May 2012

http://politicsofmemory.blogspot.com/2012_05_01_archive.html

Poetics and politics of memory. No posts. Show all posts. No posts. Show all posts. Subscribe to: Posts (Atom). China incidents' google map. Cinema video art blog. It all started in marienbad. How i discovered irma vep. That's my dvd and don't forget it. Beijing bob and beyond. Sydney super eight film group. View my complete profile. Watermark template. Powered by Blogger.

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poetics and politics of memory: September 2010

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Poetics and politics of memory. Thursday, September 16, 2010. Between art and architecture: the memory works of maya lin. MUSEUM: IT’S BEEN REPORTED THAT THE REDESIGN OF THE MUSEUM OF CHINESE IN AMERICA IS THE FIRST CHINESE-RELATED PROJECT YOU’VE WORKED ON. SO IS MOCA A PROJECT YOU COULDN’T HAVE DONE 10 OR 15 YEARS AGO? YOU’VE SAID THAT THE MUSEUM’S DESIGN IS “NOT SPECIFICALLY TRYING TO ATTACH ITSELF TO WHAT YOU COULD CALL AN “ASIAN AESTHETIC.” WHAT DID YOU MEAN? SO WHAT PRODUCES A SENSE OF IDENTITY?

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poetics and politics of memory: July 2009

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Poetics and politics of memory. Friday, July 31, 2009. Making transcendents: ascetics and social memory in early medieval china. Making transcendents: ascetics and social memory in early medieval china by robert ford campany. Monuments and memory, made and unmade. Monuments and memory, made and unmade by robert s. nelson (editor), margaret olin (editor). How do some monuments become so socially powerful that people seek to destroy them? Thursday, July 30, 2009. Illuminations from the past: trauma, memory...

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poetics and politics of memory: September 2008

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Poetics and politics of memory. Friday, September 12, 2008. Paul Byrnes, reviewer. September 10, 2008. WALTZ WITH BASHIR is a brilliant piece of work and I never want to see it again. I'm not sure that is the reaction that Israeli writer and director Ari Folman was aiming for, but it could be. Did I mention that it's animated? Folman also talks to the Israeli journalist Ron Ben-Yishai, who says he called the then defence minister, Ariel Sharon, that night to say he had credible reports of massacres in th...

politicsofmemory.blogspot.com politicsofmemory.blogspot.com

poetics and politics of memory: March 2009

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Poetics and politics of memory. Thursday, March 26, 2009. Charting memory : framing memory exhibition. The dynamic relationship between art, science and medicine, and the community is the subject of a new exhibition - Charting Memory, Framing Memory - by two members of the University of Newcastle, Ms Miranda Lawry and Professor Philip Schofield. Virna Rodriguez: Art Curator. Charting memory : framing memory exhibition. What makes up memory? How does it infiltrate our minds and bodies? These are some of t...

politicsofmemory.blogspot.com politicsofmemory.blogspot.com

poetics and politics of memory: August 2008

http://politicsofmemory.blogspot.com/2008_08_01_archive.html

Poetics and politics of memory. Sunday, August 24, 2008. The memory palace of matteo ricci by jonathan d. spence. In 1596 Matteo Ricci taught the Chinese how to build a memory palace. The Memory Palace of Matteo Ricci. In summarizing this memory system, he explained that these palaces, pavilions, divans were mental structures to be kept in one's head, not solid objects to be literally constructed out of "real" materials. Ricci suggested that there were three main options for such memory locations. It was...

politicsofmemory.blogspot.com politicsofmemory.blogspot.com

poetics and politics of memory: March 2012

http://politicsofmemory.blogspot.com/2012_03_01_archive.html

Poetics and politics of memory. Wednesday, March 28, 2012. Creative work: Strange Tale from a Baisha Studio. Exegesis: Poetics and Politics of Memory. Second exegesis proposal for phd. Poetics and Politics of Memory: An Outsider’s Discourse. Part 1: Introduction (1). Part 2: Creating the authorial space as an Outsider (6). I) Pu Songling and the characters of Strange Tales From A Chinese. Ii) The author and the characters of A Strange Tale From A Baisha Studio. 8211; An Outsider’s discourse. Transcultura...

politicsofmemory.blogspot.com politicsofmemory.blogspot.com

poetics and politics of memory: October 2010

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Poetics and politics of memory. Sunday, October 31, 2010. Memory and contemporary art. Pbs: art21: memory and contemporary art. How does memory function? How do contemporary artists frame the past in their work? The Art in the Twenty-First Century documentary “Memory” explores these questions through the work of the artists Susan Rothenberg, Mike Kelley, Hiroshi Sugimoto, and Josiah McElheny, and concludes with an original video artwork by Teresa Hubbard / Alexander Birchler. Brain channels: art of memory.

politicsofmemory.blogspot.com politicsofmemory.blogspot.com

poetics and politics of memory: April 2009

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Poetics and politics of memory. Tuesday, April 14, 2009. The age of wild ghosts: memory, violence, and place in southwest china : erik mueggler. The age of wild ghosts: memory, violence, and place in southwest china. Landscape of memory : mu xin. Landscape of memory: the art of mu xin. June 10 through september 7, 2003 / asia society museum / curated by alexandra munroe and wu hung. Prison Notes and Humanism. Landscape of Memory: The Art of Mu Xin. Artist's statement:i paint from historical photographs, ...

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marcel duchamp blog

Saturday, January 2, 2010. This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent. Were originally cardboard discs with spiral patterns printed on them, made to be watched whirling on record players. They are “toys” that produce an illusion of volume. Duchamp got that idea after producing Anemic Cinema, an optical-illusion film, in 1925. Third disk front:...

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