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Diane Scott

Thursday, July 31, 2014. No place to hide. Mid winter and a cold studio has moved me to drawing on the dining room table. Country life often feels isolated from any art scene, especially when observing the feast of art shows on the internet. I'm excited by what drawing has brought to the surface so far, it's directness and immediacy being the first unexpected discoveries. When you start with a blank piece of paper and pencil, immediately you're faced with, what is driving the work? No place to hide.

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Diane Scott | dwha003.blogspot.com Reviews
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Thursday, July 31, 2014. No place to hide. Mid winter and a cold studio has moved me to drawing on the dining room table. Country life often feels isolated from any art scene, especially when observing the feast of art shows on the internet. I'm excited by what drawing has brought to the surface so far, it's directness and immediacy being the first unexpected discoveries. When you start with a blank piece of paper and pencil, immediately you're faced with, what is driving the work? No place to hide.
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Diane Scott | dwha003.blogspot.com Reviews

https://dwha003.blogspot.com

Thursday, July 31, 2014. No place to hide. Mid winter and a cold studio has moved me to drawing on the dining room table. Country life often feels isolated from any art scene, especially when observing the feast of art shows on the internet. I'm excited by what drawing has brought to the surface so far, it's directness and immediacy being the first unexpected discoveries. When you start with a blank piece of paper and pencil, immediately you're faced with, what is driving the work? No place to hide.

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1

Diane Scott: May 2010

http://dwha003.blogspot.com/2010_05_01_archive.html

Tuesday, May 25, 2010. Manuel Castells, “Communication, Power and Counter-Power in the Network Society”, International Journal of Communication 1 (2007), pp.238-266. Consequently, the battle to control, own or manipulate this space is very competitive as the “new space” has the ability to not only reach mass audiences but to also shape public opinion. This new shift in power channels is interesting as it can have the effect of decentralising control. Flynn p. 258). As and artist I don’t expect to l...

2

Diane Scott: Photography’s Everyday Life and the Ends of Abstraction

http://dwha003.blogspot.com/2011/05/photographys-everyday-life-and-ends-of.html

Tuesday, May 17, 2011. Photography’s Everyday Life and the Ends of Abstraction. Art critic and scholar Lane Relyea’s essay,. Photography’s Everyday Life and the Ends of Abstraction. Talks about the German artist and photographer Wolfgang Tillmans’s abstractions. My initial response was to ask what kind of abstraction is this, and then to wonder is it a new form of abstraction, or abstraction using different materials? So could Greenberg accept recognisable space, as long as it was flat? Foster p. 19).

3

Diane Scott: March 2010

http://dwha003.blogspot.com/2010_03_01_archive.html

Wednesday, March 24, 2010. Meaning, Identity, Embodiment: the uses of Merleau-Ponty's Phenomenology in Art History. Jones, Amelia. “Meaning, Identity, Embodiment: the uses of Merleau-Ponty's Phenomenology in Art History.” Art and Thought. Ed. Dana Arnold and Margaret Iverson. Oxford: Blackwell, 2003. pp. 71-90. Jones is a feminist art-historian writer and critic. This text comes from the section of the book Art and Thought. The Origin of the World. Subscribe to: Posts (Atom). View my complete profile.

4

Diane Scott: Audio Poverty

http://dwha003.blogspot.com/2011/04/audio-poverty.html

Tuesday, April 26, 2011. Diedrich Diederichsen is a German author, music journalist and cultural critic and currently professor for Theory, Practice and Communication of contemporary art at the Academy of Fine Arts Vienna. The article Audio Poverty is translated from German by James Gussen. That we are encased in a manmade restrictive structure that prevents a pure experience (in this instance music) isn’t new, in western thought Plato’s Republic proposed a new way of being towards enlightenm...I was int...

5

Diane Scott: June 2014

http://dwha003.blogspot.com/2014_06_01_archive.html

Wednesday, June 18, 2014. I've been getting the advice from some to go bigger, prompting discussions around scale, content and physicality. I think scale is part of the content and amping up the visceral experience by bending space on a larger scale is something to explore. I've been asked to write about these drawing projects for a UK site, so I'm here trying to record my thoughts, to map expectations against the outcomes later. Introduce colour, perhaps one at a time. Subscribe to: Posts (Atom).

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Diane Scott

Thursday, July 31, 2014. No place to hide. Mid winter and a cold studio has moved me to drawing on the dining room table. Country life often feels isolated from any art scene, especially when observing the feast of art shows on the internet. I'm excited by what drawing has brought to the surface so far, it's directness and immediacy being the first unexpected discoveries. When you start with a blank piece of paper and pencil, immediately you're faced with, what is driving the work? No place to hide.

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