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dylan o'connor

Bull;June 8, 2009 • Leave a Comment. So I figured I would just comment here, as I couldn’t locate a comment button on the tumblr sites. I’m just commenting on Phil’s post: ‘Three things I can learn from Samson and Delilah’. Posted in Mr Postman. Bull;May 23, 2009 • Leave a Comment. Do I add to the images in movies? Perhaps Marker and Godard are doing this, transforming a frame into a photograph, leaving time for this ‘pensiveness’. What does this mean for photography? What about Tableau Vivant in cinema?

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Bull;June 8, 2009 • Leave a Comment. So I figured I would just comment here, as I couldn’t locate a comment button on the tumblr sites. I’m just commenting on Phil’s post: ‘Three things I can learn from Samson and Delilah’. Posted in Mr Postman. Bull;May 23, 2009 • Leave a Comment. Do I add to the images in movies? Perhaps Marker and Godard are doing this, transforming a frame into a photograph, leaving time for this ‘pensiveness’. What does this mean for photography? What about Tableau Vivant in cinema?

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dylan o'connor | dylanoc.wordpress.com Reviews

https://dylanoc.wordpress.com

Bull;June 8, 2009 • Leave a Comment. So I figured I would just comment here, as I couldn’t locate a comment button on the tumblr sites. I’m just commenting on Phil’s post: ‘Three things I can learn from Samson and Delilah’. Posted in Mr Postman. Bull;May 23, 2009 • Leave a Comment. Do I add to the images in movies? Perhaps Marker and Godard are doing this, transforming a frame into a photograph, leaving time for this ‘pensiveness’. What does this mean for photography? What about Tableau Vivant in cinema?

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dylanoc.wordpress.com

1

Vintage Spirit Photographs | dylan o'connor

https://dylanoc.wordpress.com/2009/05/07/spirit-photographs

A flickr photogroup which has (some) spirit photographs and other images from that era or others with a similar aesthetic or subject matter. By dylanoc on May 7, 2009. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

2

Photography and Death | dylan o'connor

https://dylanoc.wordpress.com/2009/04/26/photography-and-death

Found a rather interesting post to do with still photography, movement, and death. Rather flamboyant and subjective, but looks to have a few leads worth chasing up:. Bureau of Ideas – Still Photography? 8220;Coming to photography through ‘cinema’, I was struck by the possibility that the term ‘still’ may not have been used in front of the term ‘photography’ until the advent of cinema: ‘moving photography’.”. Has his notion of the mummy complex, death mask, Holy Shroud of Turin; Roland Barthes. Asserts, &...

3

Comment | dylan o'connor

https://dylanoc.wordpress.com/2009/06/08/comment

So I figured I would just comment here, as I couldn’t locate a comment button on the tumblr sites. I’m just commenting on Phil’s post: ‘Three things I can learn from Samson and Delilah’. With your film I would love to see this used to full effect in the social gathering scenes. To avoid having dialogue compete with high volume music (too much, some competition is interesting too), you could really go to town with body language. It could be very unique, the calculated glance, the studied gesture.

4

Tableau Vivant | dylan o'connor

https://dylanoc.wordpress.com/2009/05/23/tableau-vivant

Do I add to the images in movies? I don’t think so; I don’t have time: in front of the screen, I am not free to shut my eyes; otherwise, opening them again, I would not discover the same image; I am constrained to a continuous voracity; a host of other qualities, but not. Perhaps Marker and Godard are doing this, transforming a frame into a photograph, leaving time for this ‘pensiveness’. Gilberto Perez, in a book entitled: ‘The Material Ghost: Films and their Medium’, writes:. Does the narrative itself,...

5

Dürer – Narrative – Polyhedra | dylan o'connor

https://dylanoc.wordpress.com/2009/05/10/durer-narrative-polyhedra

Dürer – Narrative – Polyhedra. I have been examining some classic artworks, looking at how meaning is constructed within them, specifically narrative meaning. One of these is Albrecht Dürer. While I am more partial to his works dealing with biblical themes, the engraving. Provides an interesting insight into the connections between symbolism and narrative. I would like to think so. The atmosphere of films infuses significance into everything they contain, not necessarily high-sounding, specifiable, even ...

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dylan o'connor

Bull;June 8, 2009 • Leave a Comment. So I figured I would just comment here, as I couldn’t locate a comment button on the tumblr sites. I’m just commenting on Phil’s post: ‘Three things I can learn from Samson and Delilah’. Posted in Mr Postman. Bull;May 23, 2009 • Leave a Comment. Do I add to the images in movies? Perhaps Marker and Godard are doing this, transforming a frame into a photograph, leaving time for this ‘pensiveness’. What does this mean for photography? What about Tableau Vivant in cinema?

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