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Interludes

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Tuesday, 4 May 2010. Skip to the beat. The result - instant tachycardia. I realised I'd not consented to any of this treatment. What was I doing here anyway? Perhaps this was more of an answer, than a question. Saturday, 1 May 2010. I sat and waited. Monday, 26 April 2010. Back to front and inside out.

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Interludes | e-interludes.blogspot.com Reviews

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HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Tuesday, 4 May 2010. Skip to the beat. The result - instant tachycardia. I realised I'd not consented to any of this treatment. What was I doing here anyway? Perhaps this was more of an answer, than a question. Saturday, 1 May 2010. I sat and waited. Monday, 26 April 2010. Back to front and inside out.

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1 skip to main

2 skip to sidebar

3 interludes

4 posted by t

5 silent resignation

6 missing connection

7 i asked impatiently

8 lost and found

9 everything

10 tokyo blue

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Interludes | e-interludes.blogspot.com Reviews

https://e-interludes.blogspot.com

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Tuesday, 4 May 2010. Skip to the beat. The result - instant tachycardia. I realised I'd not consented to any of this treatment. What was I doing here anyway? Perhaps this was more of an answer, than a question. Saturday, 1 May 2010. I sat and waited. Monday, 26 April 2010. Back to front and inside out.

INTERNAL PAGES

e-interludes.blogspot.com

1

Interludes: February 2010

http://www.e-interludes.blogspot.com/2010_02_01_archive.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Sunday, 28 February 2010. A film that had a big impact on me - I can visualize the plot virtually scene by scene, albeit through the misted glaze of time passed. Saturday, 20 February 2010. Why did he say that to me. It was the man who's foot I had almost turned red and now it was me who was becoming tha...

2

Interludes: Skip to the beat

http://www.e-interludes.blogspot.com/2010/05/skip-to-beat.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Tuesday, 4 May 2010. Skip to the beat. The result - instant tachycardia. I realised I'd not consented to any of this treatment. What was I doing here anyway? Perhaps this was more of an answer, than a question. Http:/ e-intervals.blogspot.com/. Skip to the beat.

3

Interludes: Lost and found

http://www.e-interludes.blogspot.com/2010/04/lost-and-found_16.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Thursday, 15 April 2010. I was sat near the driver when the following announcement came on: -. A man is missing. Please advise tram staff to look out for him. He's 75, has a red complexion and sort grey hair, a beige coat and has dementia. He's. Dropped his tram pass, which the.

4

Interludes: Tokyo Blue

http://www.e-interludes.blogspot.com/2010/04/tokyo-blue.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Friday, 9 April 2010. I couldn't let my eyes settle on anything. I was surrounded by connections, memories. Everywhere I looked there was meaning without clarity. Http:/ e-intervals.blogspot.com/. Back to front and inside out. The proof of the pudding is in the eating.

5

Interludes: January 2010

http://www.e-interludes.blogspot.com/2010_01_01_archive.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Sunday, 31 January 2010. Maybe when you sit in one seat you just know. That that's the one you'll stay in for the duration? And would this seat be going forwards or backwards? Subscribe to: Posts (Atom). Http:/ e-intervals.blogspot.com/.

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Intervals

http://e-intervals.blogspot.com/2010/04/blog-post_07.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Http:/ e-interludes.blogspot.com/. Wednesday, 7 April 2010.

ingridnewton.blogspot.com

Par Hazard: Doing as I'm told

http://ingridnewton.blogspot.com/2010/05/doing-as-im-told.html

A Photographic A-Z of Chance Encounters. Saturday, 8 May 2010. Doing as I'm told. Go to Upton Park and visit Queen's Market.with an internal sigh, I turned away from the prospect of exploring Greenwich Park and set off on my journey to Upton Park in East London - they might sound similar but the word park is about all they have in common! Some observations on the way. Overheard on the train - Ticket inspector to smartly dressed young Asian man caught fare-dodging: What's your Christian name? And fine the...

ingridnewton.blogspot.com

Par Hazard: March 2010

http://ingridnewton.blogspot.com/2010_03_01_archive.html

A Photographic A-Z of Chance Encounters. Thursday, 25 March 2010. We know everything in the city connects. Nothing possesses a single or exclusive life.". When I get home, I remember having read about this place before. In. Lights Out for the Territory. It was a relief to leave the cemetery and head back into the suburban streets, turning my gaze upwards for a change to take in the cleansing expanse of the sky. Monday, 22 March 2010. Bringing the map to life. Continuing up page 35 of my A-Z and having by...

ingridnewton.blogspot.com

Par Hazard: Following instructions

http://ingridnewton.blogspot.com/2010/04/following-instructions.html

A Photographic A-Z of Chance Encounters. Friday, 23 April 2010. With the time for my final journey approaching, I felt a mixture of relief and regret - relief that my task would soon be completed but also regret as these trips have become part of my routine and I shall miss them. Still, all good things must come to an end and if I were to continue them too long, the idea would become overworked and the novelty pall. Man, Play and Games. My first instruction -. 24 April 2010 at 13:18. I feel some regret, ...

e-intervals.blogspot.com

Intervals

http://e-intervals.blogspot.com/2010/04/blog-post_10.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Http:/ e-interludes.blogspot.com/. Saturday, 10 April 2010.

ingridnewton.blogspot.com

Par Hazard: Opinions with balls

http://ingridnewton.blogspot.com/2010/04/opinions-with-balls.html

A Photographic A-Z of Chance Encounters. Saturday, 17 April 2010. I wonder how much attention we normally pay to the forest of words we encounter as we go about our business in the city. It was only when I started looking closely that I became aware of the way words insinuate themselves into our consciousness, sometimes with shock tactics, sometimes more subtly. 17 April 2010 at 18:49. And some funny observations/pictures! Nothing can beat a book, the sounds of silence, and the book will never die! Photo...

e-intervals.blogspot.com

Intervals: December 2009

http://e-intervals.blogspot.com/2009_12_01_archive.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Http:/ e-interludes.blogspot.com/. Thursday, 31 December 2009. Wednesday, 30 December 2009. Tuesday, 29 December 2009. Monday, 28 December 2009. Sunday, 27 December 2009. Tuesday, 22 December 2009. Friday, 18 December 2009. Monday, 14 December 2009. Sunday, 13 December 2009. Subscribe to: Posts (Atom).

e-intervals.blogspot.com

Intervals: January 2010

http://e-intervals.blogspot.com/2010_01_01_archive.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Http:/ e-interludes.blogspot.com/. Sunday, 31 January 2010. Subscribe to: Posts (Atom).

e-intervals.blogspot.com

Intervals

http://e-intervals.blogspot.com/2010/04/blog-post_05.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Http:/ e-interludes.blogspot.com/. Monday, 5 April 2010.

e-intervals.blogspot.com

Intervals

http://e-intervals.blogspot.com/2010/04/blog-post_18.html

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Http:/ e-interludes.blogspot.com/. Sunday, 18 April 2010.

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e-interludes.blogspot.com

Interludes

HOW DO WE KNOW WHAT IS REAL? WHERE DO THE PATHS BETWEEN FACT and FICTION CROSS? Perhaps we are drawn to people, places, objects for a reason. In order to locate ourselves we continually make connections. Tuesday, 4 May 2010. Skip to the beat. The result - instant tachycardia. I realised I'd not consented to any of this treatment. What was I doing here anyway? Perhaps this was more of an answer, than a question. Saturday, 1 May 2010. I sat and waited. Monday, 26 April 2010. Back to front and inside out.

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