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Études arméniennes contemporaines

Revue consacrée à l'Arménie contemporaine et aux pays environnants

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Études arméniennes contemporaines | eac.revues.org Reviews
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Revue consacrée à l'Arménie contemporaine et aux pays environnants
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2 études arméniennes contemporaines
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8 introduction
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10 études
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Études arméniennes contemporaines | eac.revues.org Reviews

https://eac.revues.org

Revue consacrée à l'Arménie contemporaine et aux pays environnants

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1

Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter

http://eac.revues.org/893

160;– Plan du site. Artist and Revolutionary: Panos T. Towards Inclusive Art Histories: Ottoman Armenian Voices Speak Back. Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter. L’artiste et le révolutionnaire : Panos Terlemezian, un peintre arménien ottoman. Probably no painter in the late Ottoman Empire was at war with the ruling block more than the Ottoman Armenian artist Panos Terlemezian (1865-1941). Terlemezian was politically active against the Ottoman state. Silencing the Pa...

2

Female Photographic Representations in the Post-Ottoman Landscape: the Female Body as a Battleground of Imperialisms and Nationalisms

http://eac.revues.org/951

160;– Plan du site. Towards Inclusive Art Histories: Ottoman Armenian Voices Speak Back. Female Photographic Representations in the Post-Ottoman Landscape: the Female Body as a Battleground of Imperialisms and Nationalisms. Représentations photographiques de la féminité dans le paysage post-ottoman : le corps féminin comme champ de bataille et de domination. Self-Portrait as an Ottoman Woman. Self-Portrait as an Ottoman Woman. Self-Portrait as an Ottoman Woman. 2012), composée de cartes postales où figur...

3

Faire entendre la polyphonie du passé : pour une histoire repensée des arts ottomans

http://eac.revues.org/881

160;– Plan du site. Faire entendre la polyphonie du p. Towards Inclusive Art Histories: Ottoman Armenian Voices Speak Back. Faire entendre la polyphonie du passé : pour une histoire repensée des arts ottomans. Reframing Ottoman Art Histories: Bringing Silenced Voices Back into the Picture. Traduction de Boris Adjemian. Ce texte est l’introduction du numéro spécial de la revue. Intitulé Pour des histoires de l’art plurielles : redonner voix aux Arméniens ottomans . 32; Signaler ce document. G Kürkman, 2004.

4

Études arméniennes contemporaines

http://eac.revues.org/index.html

160;– Plan du site. Eacute;tudes arméniennes contemporaines. Eacute;tudes arméniennes contemporaines. Devient la première revue éditée en ligne dans le domaine des études arméniennes. Dernier numéro en ligne. Towards Inclusive Art Histories: Ottoman Armenian Voices Speak Back. Pour des histoires de l'art plurielles : redonner voix aux Arméniens ottomans. Sous la direction de Vazken Khatchig Davidian. Informations sur cette image. Despite a focus on art history, the concerns raised in Issue 6 of. Artist a...

5

Photography and the Empty Landscape: Excavating the Ottoman Armenian Image World

http://eac.revues.org/859

160;– Plan du site. Photography and the Empty Landsca. Towards Inclusive Art Histories: Ottoman Armenian Voices Speak Back. Photography and the Empty Landscape: Excavating the Ottoman Armenian Image World. La photographie et le paysage du vide : exhumer les mondes de l’image des Arméniens ottomans. Tlgadintsi and the Emptying of Kharpert. The Soursourians and the Emergence of Photography. This essay builds on my PhD thesis,. 32; Signaler ce document. I viewed the mountain, and saw only snow,. This empty ...

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Études arméniennes contemporaines

160;– Plan du site. Eacute;tudes arméniennes contemporaines. Eacute;tudes arméniennes contemporaines. Devient la première revue éditée en ligne dans le domaine des études arméniennes. Dernier numéro en ligne. Towards Inclusive Art Histories: Ottoman Armenian Voices Speak Back. Pour des histoires de l'art plurielles : redonner voix aux Arméniens ottomans. Sous la direction de Vazken Khatchig Davidian. Informations sur cette image. Despite a focus on art history, the concerns raised in Issue 6 of. Artist a...

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