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Notation and Audio Production Unified
early-reflections.blogspot.com
Early Reflections: Sound Quality in Hybrid Production of MIDI and Recorded Audio
http://early-reflections.blogspot.com/2009/09/sound-quality-in-hybrid-production-of.html
Saturday, September 19, 2009. Sound Quality in Hybrid Production of MIDI and Recorded Audio. Thus, rule 1. Is: if you can get a good oboe player, let him play melodies, leads, upper voices; this will help to hide a sampled clarinet and fagot. From the same argument, states that, if you want to hide sampled brass, woodwind, or strings, you should let them play the same rhythm as your real player of the same section (or another; no limits! As often as possible. So this is rule 3. Another example: a jazz ri...
Early Reflections: ProTools 8 with Sibelius Powered Score Editor
http://early-reflections.blogspot.com/2009/10/protools-8-with-sibelius-powered-score.html
Friday, October 30, 2009. ProTools 8 with Sibelius Powered Score Editor. I do not have DigiDesign's ProTools. Though I've often thought about checking it out. Many professionals use it; my impression is that it has more users among studio people, whereas Logic is most used by musicians who also produce. In any case, as DigiDesign has long been owned by Sibelius' new boss Avid. It was to be expected that something would happen in order to get things together. Gear; Ensemble and Duet). On the other han...
Early Reflections: Sibelius 6 Update #2
http://early-reflections.blogspot.com/2009/06/sibelius-6-update-2.html
Tuesday, June 16, 2009. Sibelius 6 Update #2. I had not quite foreseen how drastic the Sibelius 6 update workflow enhancement is. That is, today I have combined embedding Sibelius’ audio output into Logic and using Logic’s software instruments in Sibelius via MIDI and the operation system’s IAC bus ( howto. The drawback that the music never sounds better than Sibelius’ MIDI sounds I have put up with gnashingly. Not only that demos and layouts tax the receivers fantasy all too much: which theate...After t...
Early Reflections: Workflow Demands
http://early-reflections.blogspot.com/2009/07/workflow-demands.html
Saturday, July 25, 2009. Inspired by a recent discussion on The Electric Semiquaver. A blog on composing with notation software, I tried to pin down what are my workflow demands concerning notation software. The imperative could be put like that: after having found the basic compositorical idea without computer, but also without a pencil, just walking around or so, I want the notation software to. Posted by Fritz Feger. Inspired by a recent discussion on The Electric Semiquaver. A blog on composing with ...
Early Reflections: Using the iPhone as Numeric Keypad with Sibelius
http://early-reflections.blogspot.com/2009/11/using-iphone-as-numeric-keypad-with.html
Thursday, November 19, 2009. Using the iPhone as Numeric Keypad with Sibelius. No, I am not turning this blog into an advertising agency. but this tiny little iPhone app makes mobile life with Sibelius on the Mac so much easier that I can't hold off and post about it (as Sibeliusblog. Just did): edovia NumPad. Turns the iPhone into a numeric pad, also featuring a dedicated Sibelius mode. The no-numpad layout is virtually impossible to use because it requires option keys for each and every operation.
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gefuehlslandschaften.blogspot.com
Gefühlslandschaften: Ohrwurm-Folter
http://gefuehlslandschaften.blogspot.com/2009/12/ohrwurm-folter.html
Mittwoch, 30. Dezember 2009. Die durch eine, sagen wir, unwillkürliche Vorstellung von als schlecht empfundener Musik verursachte Pein hat auf mein Leben einen so großen Einfluß gehabt, daß ich die Bezeichnung "Ohrwurm-Folter" für mich irgendwo in der Mitte zwischen der rhetorischen und wörtlichen Bedeutung von "Folter" einordnen würde. Zum Thema Musik als Folterinstrument (ohne Ohrwurm-Aspekt):. A History of Music Torture in the "War on Terror". Music As Torture: War Is Loud. Can't Get It Out Of My Head.
gefuehlslandschaften.blogspot.com
Gefühlslandschaften: Raum für Musik: Bühne vs. Leinwand
http://gefuehlslandschaften.blogspot.com/2010/03/raum-fur-musik-buhne-vs-film.html
Montag, 1. März 2010. Raum für Musik: Bühne vs. Leinwand. Am 202. war am Schauspiel Stuttgart die Premiere von Ein Volksfeind. Davor hatte ich den Soundtrack zu NOWHERENOW. Gemacht, und als nächstes kommt wieder eine Filmmusik. Das nehme ich zum Anlaß, mir Gedanken darüber zu machen, woher die in der Arbeit und im Ergebnis so deutlichen Unterschiede zwischen Film- und über Lautsprecher eingespielter Bühnenmusik rühren. Eines Musikers mitten im Geschehen schwieriger. Eingestellt von Fritz Feger. No, I am ...
Emotional Landscapes: Topoi of Mainstream Rock-Pop
http://fritzfeger.blogspot.com/2010/01/topoi-of-mainstream-rock-pop.html
Saturday, 23 January 2010. Topoi of Mainstream Rock-Pop. I've been publishing an analysis of German Rock-Pop mainstream lyrics on the German mirror of this Blog: Topoi des Mainstream-Rock-Pop. Since the lyrics are all in German I refuse to translate this post :-). Posted by Fritz Feger. Topoi of Mainstream Rock-Pop. I've been publishing an analysis of German Rock-Pop mainstream lyrics on the German mirror of this Blog: Topoi des Mainstream-Rock-Pop. Blog comments powered by Disqus. Subscribe to RSS feed.
Emotional Landscapes: Twelve Tone And Serial Music And Neuroscience: A Polemic
http://fritzfeger.blogspot.com/2009/10/twelve-tone-and-serial-music-and.html
Sunday, 18 October 2009. Twelve Tone And Serial Music And Neuroscience: A Polemic. This weekend the Zeitklänge-Festival. For Contemporary Classical Music (Neue Musik) takes place in Kempten (Germany). There are concerts, workshop concerts and scientific presentations. The science journalist Christoph Drösser from ZEIT weekly newspaper reports: Zu schräg für unser Gehirn. This makes the neurocientific investigation into music enormously complicated. Posted by Fritz Feger. For Contemporary Classical Music ...
Emotional Landscapes: Space for Music: Stage vs. Screen, Final Act
http://fritzfeger.blogspot.com/2010/11/space-for-music-stage-vs-screen-final.html
Saturday, 6 November 2010. Space for Music: Stage vs. Screen, Final Act. More than half a year ago, it feels as if there still was snow, I wrote my previous blog posting. It dealt with the difficulties to find space for music. On the theatre stage. During summer, I had once again the opportunity to perform thorough research on this. Not least on grounds of complete absorption by the rehearsal process, I was not in the position to cover here work on Cechov's Seagull. Which I took up recently. And on drivi...
Emotional Landscapes: Neuropop?
http://fritzfeger.blogspot.com/2009/11/neuropop.html
Wednesday, 18 November 2009. After having lunch with my wife. And neuroscientist Axel Lindner. Speaking about our common presentation on Saturday at Schnittstelle Mensch. I associatively point to a website recommended to me by bat sonar researcher (yeah! Their James Bond-like self-advertisement:. On their website there are some " Toys. It is of course a massive scientist's PR exaggeration to claim that it is possible to "get the emotional responses you want". This can be done for certain impulses (an...
Emotional Landscapes: Earworm Torture
http://fritzfeger.blogspot.com/2009/12/earworm-torture.html
Wednesday, 30 December 2009. The torment caused by a, say, involuntary imagination of music conceived as bad has been of such a big impact on my life that, for myself, I would rank "earworm torture" somewhere in the middle between the rhetoric and the literal meaning of "torture". On music as torture instrument (without earworm aspect):. A History of Music Torture in the "War on Terror". Music As Torture: War Is Loud. Music As Torture / Music As Weapon. Statement against the use of music as torture.
Emotional Landscapes: Space for Music: Stage vs. Screen
http://fritzfeger.blogspot.com/2010/03/space-for-music-stage-vs-screen.html
Monday, 1 March 2010. Space for Music: Stage vs. Screen. On February 20, Ein Volksfeind. Premiered at Staatstheater Stuttgart, before I did the soundtrack of NOWHERENOW. And a movie soundtrack comes next. I take the opportunity to muse about the differences between film music and playback stage music which are all so obvious concerning production and result. Posted by Fritz Feger. Space for Music: Stage vs. Screen. On February 20, Ein Volksfeind. Yet there are hundreds of films which are capable of produ...
Emotional Landscapes: Sibelius 6 Update #1
http://fritzfeger.blogspot.com/2009/06/update-on-sibelius-6.html
Monday, 15 June 2009. Sibelius 6 Update #1. The most recent update of the notation software Sibelius. To version 6 yields, by integrating ReWire. A workflow enhancement I have been really waiting for. ReWire is, so to say, a virtual audio cable between two programs. The audio output of Sibelius is sent to a DAW (digital audio workstation) like Apple Logic. Posted by Fritz Feger. 16 June 2009 at 05:56. Visit www.dsmusic.co.uk or phone 01600 772 770. Subscribe to: Post Comments (Atom). Subscribe to RSS feed.
Emotional Landscapes: The Birth of Mainstream from the Spirit of Protest
http://fritzfeger.blogspot.com/2009/12/birth-of-mainstream-from-spirit-of.html
Tuesday, 8 December 2009. The Birth of Mainstream from the Spirit of Protest. For reasons which will have to be addressed later I have been listening to the CDU (Christian Democratic Party of Germany) Song for the 09 election " Wir sind wir. We are us" or something). Written and produced by Leslie Mandokie, has-been singer of "Dschingis Khan". The song reminded my of a question which had been on my mind when working on the stage music for Judith von Shimoda. A self-reinforcing mechanism is continuously n...
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Thursday, November 19, 2009. Using the iPhone as Numeric Keypad with Sibelius. No, I am not turning this blog into an advertising agency. but this tiny little iPhone app makes mobile life with Sibelius on the Mac so much easier that I can't hold off and post about it (as Sibeliusblog. Just did): edovia NumPad. Turns the iPhone into a numeric pad, also featuring a dedicated Sibelius mode. The no-numpad layout is virtually impossible to use because it requires option keys for each and every operation.
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