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edgelessEdgeless v1.1 2004-2009.
http://edgeless.co.uk/
Edgeless v1.1 2004-2009.
http://edgeless.co.uk/
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edgeless | edgeless.co.uk Reviews
https://edgeless.co.uk
Edgeless v1.1 2004-2009.
Selected early field recordings No.1: 'Us, Asleep' 2001 - edgeless.org
http://www.edgeless.org/selected-early-field-recordings
Ruth Hawkins - Field recordings. Selected early field recordings No.1: ‘Us, Asleep’ 2001. WATERFALL WHITE NOISE 18.11.15. Selected early field recordings No.1: ‘Us, Asleep’ 2001. The Smooth Space of Field Recording 2013. 8216;For the Birds’ : A sound installation 2012. CRiSAP The Uses and Abuses of Field Recording 9.06.11. CDRS: edgeless Nos.1 & 2. SOUNDFJORD Happy Happy Sound Day 31.07.2011. SOUNDFJORD Listen Up 17.07.2011. SPR Phonography Colloquium 2011.
The Smooth Space of Field Recording 2013 - edgeless.org
http://www.edgeless.org/smooth-space-of-field-recording
Ruth Hawkins - Field recordings. The Smooth Space of Field Recording 2013. The Smooth Space of Field Recording : Four Projects – Sonicinteractions, Doublerecordings, Dense Boogie and ‘For the Birds’. Ruth Hawkins 2013. Goldsmiths University of London. WATERFALL WHITE NOISE 18.11.15. Selected early field recordings No.1: ‘Us, Asleep’ 2001. The Smooth Space of Field Recording 2013. 8216;For the Birds’ : A sound installation 2012. CRiSAP The Uses and Abuses of Field Recording 9.06.11.
AUDIO - edgeless.org
http://www.edgeless.org/audio
Ruth Hawkins - Field recordings. NB Varying levels. Complete versions of original audio files unless otherwise stated.
Event Archives - edgeless.org
http://www.edgeless.org/category/event
Ruth Hawkins - Field recordings. SHO-ZYG (GHOST) 23.09.12. St James’s Hatcham Church, New Cross, London SE14 6AD. Peter Cusack, Max Dixon, Lisa Lavia, Marcus Leadley, Emmanuel Lorien, Ian Rawes, Ruth Hawkins. Dream diffusion (stereo/8-channel), London UK, 23.9.12, 4’51. Ruth Hawkins 1997 and 2012. DO NOT PLAY TOO LOUD! Dream Diffusion has variable volumes: very low-level ambient field recording (0’55); sinewave tonesweep (3’00); very low-level ambient field recording (0’55). Talk, projection and audio.
'For the Birds' : A sound installation 2012 - edgeless.org
http://www.edgeless.org/organised-sound
Ruth Hawkins - Field recordings. 8216;For the Birds’ : A sound installation 2012. For the Birds’: A sound installation. December 2012 pp 211-215. Sound, Listening and Place’ Issue co-ordinator: Katharine Norman. Http:/ journals.cambridge.org/action/displayAbstract? 8216;For the Birds’ 2008-2011. WATERFALL WHITE NOISE 18.11.15. Selected early field recordings No.1: ‘Us, Asleep’ 2001. The Smooth Space of Field Recording 2013. 8216;For the Birds’ : A sound installation 2012. CDRS: edgeless Nos.1 & 2.
Installation Archives - edgeless.org
http://www.edgeless.org/category/sound-installation
Ruth Hawkins - Field recordings. 8216;FOR THE BIRDS’ 2008-2011. Suffolk UK April – July 2011. CDRs Blackbird II and For the Birds. For the Birds’ 2008-2011 (FTB) brings together a complex of ambient background noises and recordings together with close-up, live bird song which was first randomly heard through an open window, over Spring and early Summer 2008 (Blackbird II). Forthcoming: ‘For the Birds’: A sound installation. In Organised Sound, Cambridge Journals. 8220;DENSE BOOGIE” 2007 & 2011. NAB Golds...
Release Archives - edgeless.org
http://www.edgeless.org/category/release
Ruth Hawkins - Field recordings. WATERFALL – WHITE NOISE 18.11.15. Selected early field recordings No.1: ‘Us, Asleep’ 2001. CDRS: edgeless Nos.1 & 2. Two 8cm CDR releases:. Blackbird II 05.06.08 3’16. For the Birds 25.06.11 15’33. Recording of original blackbird and archival rerecording from sound installation ‘For the Birds’ 2008-2011. Binaural field recordings, Programming. CDR series for headphones. NB Varying levels from low to high. Complete versions of original audio files.
SHO-ZYG (GHOST) 23.09.12 - edgeless.org
http://www.edgeless.org/projects/sho-zyg
Ruth Hawkins - Field recordings. SHO-ZYG (GHOST) 23.09.12. St James’s Hatcham Church, New Cross, London SE14 6AD. Peter Cusack, Max Dixon, Lisa Lavia, Marcus Leadley, Emmanuel Lorien, Ian Rawes, Ruth Hawkins. Dream diffusion (stereo/8-channel), London UK, 23.9.12, 4’51. Ruth Hawkins 1997 and 2012. DO NOT PLAY TOO LOUD! Dream Diffusion has variable volumes: very low-level ambient field recording (0’55); sinewave tonesweep (3’00); very low-level ambient field recording (0’55). 31 RANDOM RECORDINGS 2001.
TEASERS FOR NEW PROJECTS 2015 / 2016 - edgeless.org
http://www.edgeless.org/projects/teasers
Ruth Hawkins - Field recordings. TEASERS FOR NEW PROJECTS 2015 / 2016. Coming soon . . . NB Downsampled extracts of original files. TEASERS FOR NEW PROJECTS 2015 / 2016. SHO-ZYG (GHOST) 23.09.12. 8216;FOR THE BIRDS’ 2008-2011. 8220;DENSE BOOGIE” 2007 & 2011. 31 RANDOM RECORDINGS 2001. BELL SOUNDS (after Risset) 1999-2000.
Video Archives - edgeless.org
http://www.edgeless.org/category/video
Ruth Hawkins - Field recordings. WATERFALL – WHITE NOISE 18.11.15. CRiSAP The Uses and Abuses of Field Recording 9.06.11. Ruth Hawkins – The Uses and Abuses of Field Recording. From Sound Arts and Design @ LCC. Talk, projection and audio. London UK 3pm to 6pm 9th June 2011.
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edgeless in a sentence | simple examples
In A Sentence .org. The best little site that helps you understand word usage with examples. Edgeless in a sentence. Quotes aside, I've imagined this kind of. Design to be where things are headed, and it certainly looks beautiful. Use cajoler in a sentence. Use daredevilry in a sentence. Use decimalisations in a sentence. Use depoliticises in a sentence. Use evictees in a sentence. Use guardrail in a sentence. Use horrors in a sentence. Use inattentively in a sentence. Use legwork in a sentence.
edgeless.org - current
Vertical recordings and wrapped gamespace BETA. Game engine, field recordings, hydrophone and ultrasound recordings. Crazy Life 2016 -. Gamespace for monotonous field recordings. App, field recordings, timelapse images. Coming soon . . . Selected early field recordings No. 2: Globe 74 15.05.02 74’00. Vertical recordings and wrapped gamespace BETA. Game engine, field recordings, hydrophone and ultrasound recordings. Crazy Life 2016 -. Gamespace for monotonous field recordings. Coming soon . . .
Edgeless Coach - Home
WELCOME - The heart is more than an organ to pump blood; it is the apparatus to feel ALIVE! GET Up and Get Into It. When it's possible, YOU can accomplish it! Ellzie Ware - Life Coach Specialist. The Man and the Bear. There was a man in the woods who was talking to a bear. The bear asked, "How are you these days? The man replied, "I am well. I am confident. My self-esteem is high and my self-worth is soaring! The bear approached the man, stood up tall, smiled and said, "Don't worry, I'm not real either!