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Edible Artefacts : | an MA research adventure | edibleartefacts.wordpress.com Reviews
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an MA research adventure
edibleartefacts.wordpress.com
Big Wheels Keep on Turning… | Edible Artefacts :
https://edibleartefacts.wordpress.com/2010/06/28/big-wheels-keep-on-turning…
An MA research adventure. Big Wheels Keep on Turning. The following is perhaps a little out of context, but 7 pages of stream of consciousness posted on a blog is not going to help anyone so I’ve pulled out a few key questions, and two of the most important lines of thought that emerged in my mad rush to scribble down everything I had experienced. For further research, or to ask when I have my formal meeting in September):. What is the core of their programming? Are the ways they are preserving/presentin...
Introduction to me | Edible Artefacts :
https://edibleartefacts.wordpress.com/about
An MA research adventure. I’m Candice McCavitt—-originally from Owen Sound, I moved to Toronto for my undergrad, and am currently living in Ottawa while completing my Master’s in Public History at Carleton. History has been a life-long passion, but it’s not my only one. I have a deep affinity for food, performance, and the creative. 2009-2011 (expected finish date). Specialized Honours BA History. Funding Awards, Scholarships, and Bursaries. Ontario Graduate Scholarship, OGS. Academic Honours and Awards.
Big Wheels Keep on Turning: Take Two. | Edible Artefacts :
https://edibleartefacts.wordpress.com/2010/07/05/big-wheels-keep-on-turning-take-two
An MA research adventure. Big Wheels Keep on Turning: Take Two. I only managed four pages of stream of consciousness from my Fort York observations, but here are some of the results. How is your food programming run? Are the interpreters volunteers or staff? What is the volunteer management and training structure? Is there a difference between interpreters found inside and outside of the buildings? What is the aim of your food programming? What history are you trying to tell? What is your target audience?
Everyone’s got their own starting point… | Edible Artefacts :
https://edibleartefacts.wordpress.com/2010/06/25/everyones-got-their-own-starting-point
An MA research adventure. Everyone’s got their own starting point…. Here I am, the eve of my first attempt at on-site primary research, and I find myself feeling anxious and unprepared. Anxious because I never did hear back from my contact at Grey Roots Museum and Archives—but I’m going for it anyway. Unprepared because there really is no way to prepare for my day tomorrow. A couple months ago, I drew up a Design Spine. Design Spine No.1 (click to see full sized version). I think it’s served its pu...
It’s true; you can never really go home again. | Edible Artefacts :
https://edibleartefacts.wordpress.com/2010/06/28/it’s-true-you-can-never-really-go-home-again
An MA research adventure. It’s true; you can never really go home again. A day spent at Grey Roots observing, trying to take it all in overwhelmed, under-whelmed, nostalgic, clinically detached, critical not quite criticizing, open minded, thoughts of how this is all going to come together creeping in, holding thoughts inside my head, taking photographic reminders, walking inside and outside, back and forth, present and past , now and then. Also, it was raining. By edibleartefacts on June 28, 2010. Enter...
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Story time with Uncle Greg: | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2010/08/14/story-time-with-uncle-greg
Historically Speaking: a reflexive romp. Story time with Uncle Greg:. This entry was posted on August 14, 2010. Bookmark the permalink. Dening writes beautifully, there is no dening that. He is a natural story teller which is, perhaps, what makes historians weary of him. I love his work. It appeals to me as a historian, a writer, and a performer yes, for some reason I consider myself all three of these things, go figure. 8230;which brings me back to Dening’s form. What I’ve come up with is that they.
The Archive and the Repertoire… | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2010/08/27/the-archive-and-the-repertoire
Historically Speaking: a reflexive romp. The Archive and the Repertoire…. This entry was posted on August 27, 2010. Bookmark the permalink. I spent quite a bit of time trying to figure out exactly how I was going to talk about my education and my experiences coming into and leaving LAC. There was no way to get around it and no reason to lie (I got my last paycheck that morning and my manager had already filled out my evaluation) so, I told them the truth:. Leave a Reply Cancel reply. You are commenting u...
January | 2010 | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2010/01
Historically Speaking: a reflexive romp. Posted in January 2010. This is why my Anarchist sister will never speak to me again. The truth is, we love each other, but we don’t exactly see eye to eye on a lot of things and we’ve taken very different (some would argue incompatible) paths in life. Simply put, I’m a public history grad student in Ottawa and she’s an anarchist musician that travels around the country (and sometimes the … Continue reading →. David Dean's blog. Elizabeth enlightens en mass….
Why couldn’t they have taught selective sharing in kindergarten? | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2010/08/19/why-couldn’t-they-have-taught-selective-sharing-in-kindergarten
Historically Speaking: a reflexive romp. Why couldn’t they have taught selective sharing in kindergarten? This entry was posted on August 19, 2010. Bookmark the permalink. I really like this idea of history and theatre. I just can’t seem to get enough of it oh how I wish my preliminary proposal to Carleton that I write a play as my research essay hadn’t of been rejected! Because I am already in the theatre camp, Rokem’s. Just think of the opportunities and potential! Historians are historians, not actors!
C. McCavitt, PROFESSIONAL Public Historian | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2012/04/09/c-mccavitt-professional-public-historian
Historically Speaking: a reflexive romp. C McCavitt, PROFESSIONAL Public Historian. This entry was posted on April 9, 2012. Bookmark the permalink. I started a new job on April 2. As Exhibition Coordinator for Canada’s largest annual community exhibition. Technically it’s my second job since graduating with my MA in Public History, but it’s the first one I’m really excited about, and the one where I feel like I’ve managed to put my degree to work while also following my passion. Anniversary of some big a...
Rob Ford, The Opera | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2012/02/11/rob-ford-the-opera
Historically Speaking: a reflexive romp. Rob Ford, The Opera. This entry was posted on February 11, 2012. Bookmark the permalink. A couple weeks ago, I went to see the University of Toronto Faculty of Music’s production of. Rob Ford, The Opera. To be honest, the subject matter was a real draw. I mean,. Rob Ford, the Opera. Of course, I was also interested for non-Rob Ford related reasons. After seeing. I have to say that even with a contemporary theme opera is not my favourite genre. Some of my criti...
December | 2011 | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2011/12
Historically Speaking: a reflexive romp. Posted in December 2011. Follow up and Follow Through…(a continuous task). Part three of three for Opera/Anna Bolena) How does my diagnosis affect the presentation of history through opera? Is opera still an effective medium for this? Despite everything I’ve said in these blogs, I want to believe that yes, there is still potential for opera to be an effective medium (and this is not just … Continue reading →. A Fusional Approach to Opera try confusional.
A Fusional Approach to Opera—try confusional | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2011/12/05/a-fusional-approach-to-opera-try-confusional
Historically Speaking: a reflexive romp. A Fusional Approach to Opera try confusional. This entry was posted on December 5, 2011. Bookmark the permalink. Part one of three for Opera/Anna Bolena). At first, I had difficulty buying-in to Pavis’ assertion that opera must be approached with a fusional analysis, specifically that the component parts cannot be separated, but must be taken all together. Initially, I balked at the idea what makes opera so special anyway? Opera seems to be a very literal art form...
Attack of the Killer Tomatoes: not just a science-fiction movie? | Historically Speaking: a reflexive romp
https://mccavitt.wordpress.com/2010/09/17/attack-of-the-killer-tomatoes-not-just-a-science-fiction-movie
Historically Speaking: a reflexive romp. Attack of the Killer Tomatoes: not just a science-fiction movie? This entry was posted on September 17, 2010. Bookmark the permalink. Jane Bennett, in her article Edible Matter, argues that food as non-human matter has an agency and effectivity that is often overlooked or ignored:. There is no question that food has the cause and effect to do these things, but the issue remains; is this food-agency? Agency (to historians) is more than just cause and effect. It...
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Edible Artefacts : | an MA research adventure
An MA research adventure. Big Wheels Keep on Turning: Take Two. Bull;July 5, 2010 • Leave a Comment. I only managed four pages of stream of consciousness from my Fort York observations, but here are some of the results. How is your food programming run? Are the interpreters volunteers or staff? What is the volunteer management and training structure? Is there a difference between interpreters found inside and outside of the buildings? What is the aim of your food programming? What is your target audience?
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