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editorman.com

H o m e

TV SPOT - From Raw Images and V/O. FEMALE V/O - NARRATION DEMO. MALE V/O - TRAILERS. Welcome to Editorman.com. A fine edit can move mountains. Or at least help you get your next gig).

http://www.editorman.com/

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H o m e | editorman.com Reviews
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H o m e | editorman.com Reviews

https://editorman.com

TV SPOT - From Raw Images and V/O. FEMALE V/O - NARRATION DEMO. MALE V/O - TRAILERS. Welcome to Editorman.com. A fine edit can move mountains. Or at least help you get your next gig).

INTERNAL PAGES

editorman.com editorman.com
1

H o m e

http://www.editorman.com/h-o-m-e-1.html

Welcome to Editorman.com. A fine edit can move mountains. Or at least help you get your next gig). MALE V/O - ANIMATION. MALE V/O - EXPLAINER/"CONVO". MALE V/O - TRAILERS. MALE V/O - ANNOUNCER. FEMALE V/O - NARRATION DEMO.

2

INFO + PRICING

http://www.editorman.com/info---pricing.html

There are two sets of rate structures:. We Choose Clips and Sequence -. You Choose Clips and Sequence -. Video editing which includes clip and sequence choices made by our editor from source video content provided by the client. This is higher priced as we spend quite a bit of time sorting and narrowing down clips to use and then deciding on final viewing sequence - juggling these until a final version is produced. First and last words spoken (or visual cues if nothing is being spoken) in each clip.

3

Why Video Demos? + History

http://www.editorman.com/why-video-demos----history.html

Video Demos for V/O Artists? And a little V/O Demo History - from Reel-to-Reel to MP3). I entered into the business of voice-over just about the time demo reels were still transitioning from reel-to-reel to cassette. They would actually spend more time loading the tape than they probably do LISTENING to a demo THESE days. Those were the days. I put together my 1st demo in about 1988 (creation was on a reel-to-reel machine) then transferred to cassettes to send out. Age of the disc. Late 90s and early 200...

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debbiegrattan.com debbiegrattan.com

Professional Female Voice Over Artist shares Voice Talent Resources

http://www.debbiegrattan.com/voice-over-resources.html

PROFESSIONAL VOICEOVER UNION AFFILIATIONS:. 8211; dues paying non-member (Fi-Core). Actor’s Equity Association (AEA). 8211; Member since 1995. VOICEOVER TALENT AGENCY REPRESENTATION:. Voices Talent Group (Los Angeles, CA). TAG talent (Los Angeles, Texas, Louisiana, New Mexico). Talent Management Network (Orange County, CA). RSH Management (Atlanta, GA). The Big Fish Agency (National). Ryan Artists (Portland, OR). Lori Lins Ltd. (Chicago/Milwaukee). Squawk Voice Talent Management (National). For radio and...

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