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EDNADEAU.COM

Paintings - Ed Nadeau

I am a painter from Maine whose paintings are inspired by its beautiful, rugged land, its hearty people and its rich cultural heritage in art and art history.

http://www.ednadeau.com/

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Paintings - Ed Nadeau | ednadeau.com Reviews
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I am a painter from Maine whose paintings are inspired by its beautiful, rugged land, its hearty people and its rich cultural heritage in art and art history.
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Paintings - Ed Nadeau | ednadeau.com Reviews

https://ednadeau.com

I am a painter from Maine whose paintings are inspired by its beautiful, rugged land, its hearty people and its rich cultural heritage in art and art history.

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1

Resume — The Art of Ed Nadeau

https://www.ednadeau.com/resume

Maryland Institute College of Art, Baltimore, Maryland, Mount Royal School of Painting, MFA Painting, 1986. Syracuse University, Syracuse, New York, College of Visual and Performing Arts, BFA Painting, 1980. Acadie Mythique , International Traveling Exhibition, Various venues throughout U.S. and Canada, June 2014 to November 2015. Courthouse Gallery Fine Art, Two Person Exhibition , Ellsworth, ME, August 20 September 14, 2014. Courthouse Gallery Fine Art, The Untold Story , Ellsworth, ME, September 2013.

2

Exhibitions — The Art of Ed Nadeau

https://www.ednadeau.com/upcoming-exhibitions

Ed will have new small pieces in the annual Small Works Exhibition at the Courthouse Gallery Fine Arts in Ellsworth. The exhibition opens on December 4, 2015. The artists reception is on Wednesday, December 9, 2015 from 5:00 -7:00pm.

3

New Paintings — The Art of Ed Nadeau

https://www.ednadeau.com/alps

4

Paintings 2010 and earlier — The Art of Ed Nadeau

https://www.ednadeau.com/new-gallery

5

Drawings — The Art of Ed Nadeau

https://www.ednadeau.com/stay

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LINKS TO THIS WEBSITE

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: April 2011

http://lindapackard.blogspot.com/2011_04_01_archive.html

Saturday, April 16, 2011. When a Painting Connects. A Monet Day, 24" x 24", oil on panel. I took it back the my studio to frame and now it is in her home, waiting to be delivered to him. I learned how important it is to talk about a work. Prospective buyers like to hear the story of the work, the place, the process. You just never know how the story will resonate and make a connection. Links to this post. Sunday, April 10, 2011. Painting with Abandon at the Tao Workshop. Links to this post. This workshop...

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: An alcohol-induced accident...

http://lindapackard.blogspot.com/2011/05/alcohol-induced-accident.html

Wednesday, May 11, 2011. Reflecting. 12" x 12" Pastel. Hmmm In addition to the dripping and running of colors, the texture of the Wallis kind of lifted in places. It looks and feels very sandy, not buttery like a normal pastel. I went into it gently with soft pastel in just a few places to accent a line or a shape, but mostly this is as I found it when dry, with just a tad of cropping. Labels: alcohol and pastel. May 12, 2011 at 11:11 AM. May 14, 2011 at 7:37 AM. May 14, 2011 at 9:43 AM. Thanks, Sue....

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: March 2011

http://lindapackard.blogspot.com/2011_03_01_archive.html

Wednesday, March 9, 2011. The End of My Purple Passion. Purple Wood, Oil on panel, 9 x 9.75". Links to this post. Subscribe to: Posts (Atom). This blog is dedicated to thoughts about the art process, my studio practice, and news about my work. I encourage comments and discussion from other artists and art lovers. Bangor, Maine, United States. A professional painter working primarily in oil, living in Maine. View my complete profile. There was an error in this gadget. Courthouse Gallery Fine Art.

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: When a Painting Connects

http://lindapackard.blogspot.com/2011/04/when-painting-connects.html

Saturday, April 16, 2011. When a Painting Connects. A Monet Day, 24" x 24", oil on panel. I took it back the my studio to frame and now it is in her home, waiting to be delivered to him. I learned how important it is to talk about a work. Prospective buyers like to hear the story of the work, the place, the process. You just never know how the story will resonate and make a connection. April 17, 2011 at 6:48 PM. April 18, 2011 at 12:10 AM. What a lucky brother.That is a wonderful painting. There was an e...

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: Monotype workshop encourages experimentation

http://lindapackard.blogspot.com/2012/02/monotype-workshop-yesterday.html

Friday, February 10, 2012. Monotype workshop encourages experimentation. Gail's print (top) illustrates a texture (dried lemon cross section in black) that made a permanent mark in the plate because the dried lemon slice was kind of sharp. So that image/texture was on every print afterward. This print was the result of adding other impressed textures and painting directly on the plate. Everyone went home with at least a couple dozen nice prints! February 17, 2012 at 2:48 PM. February 17, 2012 at 4:12 PM.

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: September 2013

http://lindapackard.blogspot.com/2013_09_01_archive.html

Friday, September 27, 2013. What drives us to make art? At a recent gallery talk I was asked: What inspires you? A very common question at a gallery talk! I was surprised to find myself momentarily stumped. I had never thought about! I just love to paint. My answer was: "I just really love the physicality of rich, juicy oil paint and the way it reponds on the canvas, or panel, or paper. It doesn't seem to matter what I paint. It's the joy of doing it that drives me.". Links to this post.

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: June 2010

http://lindapackard.blogspot.com/2010_06_01_archive.html

Monday, June 7, 2010. The value of waiting. Fern Wood. Oil on canvas. 20 X 16". Links to this post. Alla prima oil painting. Subscribe to: Posts (Atom). This blog is dedicated to thoughts about the art process, my studio practice, and news about my work. I encourage comments and discussion from other artists and art lovers. Bangor, Maine, United States. A professional painter working primarily in oil, living in Maine. View my complete profile. There was an error in this gadget. Courthouse Gallery Fine Art.

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: May 2011

http://lindapackard.blogspot.com/2011_05_01_archive.html

Monday, May 30, 2011. ArtSlant: On Not Representing Anything. The painting above is an abstract work done progressively by 5 different painters in one of my Tao of Painting Workshops. The paper had marks on it to start and each painter took a turn at responding to what was in front of her, so there are 5 personal commentaries in this work. What does it communicate to you? Links to this post. Wednesday, May 11, 2011. Reflecting. 12" x 12" Pastel. Links to this post. Labels: alcohol and pastel.

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: November 2010

http://lindapackard.blogspot.com/2010_11_01_archive.html

Sunday, November 7, 2010. Some thoughts on Oil Painting Mediums. There are so many combinations and options for painting with oil, and then of course there is the newer water-soluble oils (which I have never tried). When I paint alla prima (wet on wet, completed all in one sitting) in a small format (see my small paintings blog for examples). The larger the percentage of galkyd to mineral spirits, the faster the paint dries. Downside? Velvet Ground: 7 x 9" oil on panel. Links to this post. Part of my stu...

lindapackard.blogspot.com lindapackard.blogspot.com

Living Color: February 2012

http://lindapackard.blogspot.com/2012_02_01_archive.html

Friday, February 10, 2012. Monotype workshop encourages experimentation. Gail's print (top) illustrates a texture (dried lemon cross section in black) that made a permanent mark in the plate because the dried lemon slice was kind of sharp. So that image/texture was on every print afterward. This print was the result of adding other impressed textures and painting directly on the plate. Everyone went home with at least a couple dozen nice prints! Links to this post. Subscribe to: Posts (Atom).

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