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PLAY THE VIOLIN AT ANY AGE. 57:13; "East Suite" - For Flute, Oboe and Bassoon. 58:14 - for Clarinet Solo. 59:14; "Worms" - for 3d Animation and Electronic Sound. It is living and ceasing to live that are imaginary solutions. Existence is elsewhere. Music for the 21st Century.

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PLAY THE VIOLIN AT ANY AGE. 57:13; East Suite - For Flute, Oboe and Bassoon. 58:14 - for Clarinet Solo. 59:14; Worms - for 3d Animation and Electronic Sound. It is living and ceasing to live that are imaginary solutions. Existence is elsewhere. Music for the 21st Century.
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PLAY THE VIOLIN AT ANY AGE. 57:13; "East Suite" - For Flute, Oboe and Bassoon. 58:14 - for Clarinet Solo. 59:14; "Worms" - for 3d Animation and Electronic Sound. It is living and ceasing to live that are imaginary solutions. Existence is elsewhere. Music for the 21st Century.

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PLAY THE VIOLIN AT ANY AGE. 57:13; "East Suite" - For Flute, Oboe and Bassoon. 58:14 - for Clarinet Solo. 59:14; "Worms" - for 3d Animation and Electronic Sound. It is living and ceasing to live that are imaginary solutions. Existence is elsewhere. Music for the 21st Century.

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Music for the 21st Century. 56:09;NM:23;25 26.09$ 25.07.14 - (Approaching the Garden) - For 3d Animation with Electronic Sound (World Premiere with The William Hooker Orchestra at Real Art Ways - Hartford, CT; September 25 26, 2009; With William Hooker Trio - Wadsworth Atheneum, Hartford CT, June 25, 2014). Subsemitoniums - For String Quartet (NYC - 2006)Infinity Modules(NYC - 2006 - . ). Melodium - For any instrumentation (except Piano and Guitar) and any # of instruments (NYC - 2006). Ground Compositio...

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About

http://www.edwardkasparek.com/about.html

My principal teachers include Ishmael Wadada Leo Smith, Robert Carl and Vinny Golia and have had the privilege to work with many well respected creative musicians such as William Hooker, Wadada Leo Smith, Harris Eisenstadt, Jessica Pavone and Matthew Welch. My interest in spiritual athletics has led me to run several ultramarathons and currently hold a PR of 17:19:12 with a second place finish. At the Umstead 100 Mile Endurance Ultra Run. I also. Music for the 21st Century. Go Further. Go Deeper.

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The Feldenkrais Method and the real meaning of ‘breath control’ – part three: Internal and external rhythms – Breath and the musical environment | breath control

https://breathcontrol.wordpress.com/2013/05/14/the-feldenkrais-method-and-the-real-meaning-of-breath-control-part-three-internal-and-external-rhythms-breath-and-the-musical-environment

Using the breath to unleash music from the body. The Feldenkrais Method and the real meaning of ‘breath control’ – part three: Internal and external rhythms – Breath and the musical environment. May 14, 2013. First I covered my initial experiences with the Feldenkrais Method. In June. I wrote about my discovery of Feldenkrais and then described some experiments I carried out last summer. Internally on a deeper and deeper level. While I will give many details, more important than the specifics of my vario...

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PLAY THE VIOLIN AT ANY AGE. 57:13; "East Suite" - For Flute, Oboe and Bassoon. 58:14 - for Clarinet Solo. 59:14; "Worms" - for 3d Animation and Electronic Sound. It is living and ceasing to live that are imaginary solutions. Existence is elsewhere. Music for the 21st Century.

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