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Eight Days in Havana

Eight Days in Havana. In November 2014, I was given the opportunity of a lifetime to travel to Cuba: ostensibly to attend the Festival de La Habana de Música Contemporánea. Havana Contemporary Music Festival), where two of my chamber works were to be performed—but moreover, por supuesto,. To explore a place that remains, for most of us norteamericanos,. So shrouded in mystery, in certain ways even vilified, that an entire people, and their breathtakingly rich culture, can feel to us a taboo. Subscribe to...

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Eight Days in Havana | eightdaysinhavana.blogspot.com Reviews

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Eight Days in Havana. In November 2014, I was given the opportunity of a lifetime to travel to Cuba: ostensibly to attend the Festival de La Habana de Música Contemporánea. Havana Contemporary Music Festival), where two of my chamber works were to be performed—but moreover, por supuesto,. To explore a place that remains, for most of us norteamericanos,. So shrouded in mystery, in certain ways even vilified, that an entire people, and their breathtakingly rich culture, can feel to us a taboo. Subscribe to...

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Eight Days in Havana | eightdaysinhavana.blogspot.com Reviews

https://eightdaysinhavana.blogspot.com

Eight Days in Havana. In November 2014, I was given the opportunity of a lifetime to travel to Cuba: ostensibly to attend the Festival de La Habana de Música Contemporánea. Havana Contemporary Music Festival), where two of my chamber works were to be performed—but moreover, por supuesto,. To explore a place that remains, for most of us norteamericanos,. So shrouded in mystery, in certain ways even vilified, that an entire people, and their breathtakingly rich culture, can feel to us a taboo. Subscribe to...

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eightdaysinhavana.blogspot.com

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Eight Days in Havana: 15 Nov 2014

http://eightdaysinhavana.blogspot.com/p/15-nov-2014.html

Eight Days in Havana. 161;Qué día increíble! It’s been a long day: up at 3 am in a dingy airport hotel in Miami (not difficult to be up so early; I was abuzz with nervous energy, could hardly sleep) to catch the 4:00 airport shuttle (whose radio was randomly tuned to the familiar strains of Classical MPR)—early, to be safe—. Y sí muy temprano era. I got to the gate with more than two hours to spare—spent flipping through my. Lonely Planet, Cuba Absolutely. Called (woke) Karen (. I won't wax poetic about ...

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Eight Days in Havana: 19 Nov 2014

http://eightdaysinhavana.blogspot.com/p/19-nov-2014.html

Eight Days in Havana. The rain has mostly let up this morning, but it’s still chilly and damp. I start the day reading on Emilio’s patio overlooking Malecón, and the waves are majestic. By 9:00, it’s time to head out and be a responsible tourist finally— desde ahora, soy exclusivamente turista. Gina have been averted. By the way, es sabrosísimo—. For wind quintet and tape—that really grabs me. The other highlights are Carlos Fariñas’s Fractales;. René Alberto Rodriguez’s Parajes de un tiempo,. For guitar...

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Eight Days in Havana: 21 Nov 2014

http://eightdaysinhavana.blogspot.com/p/21-nov-2014.html

Eight Days in Havana. The sun is making an effort this morning, but the skies are threatening more rain. Ricardo and I meet at 9:30 to head into Habana Vieja: we both have sights to see and regalos. To buy. Buying gifts from Cuba feels to me more than indulging in tourist kitsch; anything I bring back home from la isla. Will feel like a cultural artifact. We take a bus—I don’t know that I’d be brave enough to figure out the bus system in Havana without Ricardo’s help, and mira,. Una obra de arte Cubano.

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Eight Days in Havana: Introduction

http://eightdaysinhavana.blogspot.com/2014/11/introduction.html

Eight Days in Havana. In November 2014, I was given the opportunity of a lifetime to travel to Cuba: ostensibly to attend the Festival de La Habana de Música Contemporánea. Havana Contemporary Music Festival), where two of my chamber works were to be performed—but moreover, por supuesto,. To explore a place that remains, for most of us norteamericanos,. So shrouded in mystery, in certain ways even vilified, that an entire people, and their breathtakingly rich culture, can feel to us a taboo. View my comp...

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Eight Days in Havana: 20 Nov 2014

http://eightdaysinhavana.blogspot.com/p/20-nov-2014.html

Eight Days in Havana. As we parted last night at Sofia, the Lezcanos, Ricardo, and I made plans to meet at 10:00 this morning to head into Habana Vieja. When I arrive, the Lezcanos. Are having coffee at a sidewalk counter, pero todavía no hay Ricardo. Two coffees and an encounter with a pair of struggling English tourists later (Dixy and Sylvia, who don’t speak a lick of español,. And have been trying to ask locals for directions to la oficina de recursos humanas—. 8220;Excuse me, do you speak Spanish?

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patrickcastillo.com

Writing, & al.

http://www.patrickcastillo.com/writing-al

Writing, and al. Writing, and al. New York Philharmonic Records Christopher Rouse, Past Composer-in-Residence (Q2 Music, 30 May 2016). Some years ago, a student composer observed Alvin Lucier and Christopher Rouse discussing repertoire favorites. Rouse, a celebrated orchestral master, name-checked. Lucier, the cerebral artist whose signature work entailed him sitting in a room. Alive and Composing: Patrick Castillo (innova Recordings, 4 Apr 2016). On its heady new release,. The Panufnik Legacies II.

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Eight Days in Havana

Eight Days in Havana. In November 2014, I was given the opportunity of a lifetime to travel to Cuba: ostensibly to attend the Festival de La Habana de Música Contemporánea. Havana Contemporary Music Festival), where two of my chamber works were to be performed—but moreover, por supuesto,. To explore a place that remains, for most of us norteamericanos,. So shrouded in mystery, in certain ways even vilified, that an entire people, and their breathtakingly rich culture, can feel to us a taboo. Subscribe to...

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