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Develops technology for design and communication purposes. Electronest uses culture, knowledge and skills as a mean to develop new concepts, sustainable approaches and nice projects. We design websites and projects, going beyond the limit of the screen. Many rules for many games on a single level - simple elements creating complexity. Design is made of choices, some of them reducing perceptions, some of them extending the possibilities of a simple flat surface.

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Electronest | electronest.com Reviews

https://electronest.com

Develops technology for design and communication purposes. Electronest uses culture, knowledge and skills as a mean to develop new concepts, sustainable approaches and nice projects. We design websites and projects, going beyond the limit of the screen. Many rules for many games on a single level - simple elements creating complexity. Design is made of choices, some of them reducing perceptions, some of them extending the possibilities of a simple flat surface.

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Free To Air

http://www.freetoair.org.uk/0910

Part 1 of 4. Exhibitions, screenings and. Events exploring the multiple meanings of freedom. Each year a major new commission will be showcased at two London venues, whilst an accompanying programme of screenings, events and workshops will be presented in galleries and cinemas across London’s boroughs. Follow Free to Air on Facebook. Download translations in Bengali. Freedom of speech and freedom of expression provide the focus of Free to Air. SLEEP WALK, SLEEP TALK. Video installation by Suki Chan,.

disclosuresproject.wordpress.com disclosuresproject.wordpress.com

/ / Hydrarchy Conference | Disclosures

https://disclosuresproject.wordpress.com/disclosures-iv/hydrarchy-conference

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Introduction by Stephanie Schwartz (UCL). Introductions by the curators Anna Colin and Mia Jankowicz, and chair Lisa Le Feuvre. Against Terracentrism: The Sea and History. Keynote by Marcus Rediker (historian, writer and activist). Respondent: Julia Morandeira. Free Seas, Free Skies? A presentation by Amy Balkin (artist). Respondent: Paula Ruiz. Splendid Isolation: Philosophers’ islands and the contemporary geopolitical imagination. In this m...

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Thanks | Disclosures

https://disclosuresproject.wordpress.com/disclosures-iv/thanks

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Our thanks go to. John Barlow Gone Offshore. And to all the people who gave us some of their time during our research. Thanks to the funders: Esmee Fairbairn Foundation, Arts Council England, Charles Wallace India Trust, Henry Moore Foundation, Austrian Cultural Forum in London; and to the partner NODE.London. Disclosures II: The Middle Ages. Thanks to Nottingham Contemporary for producing and funding the project. Thanks to the Whitechapel Ga...

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Women and the Archive | Disclosures

https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Women and the Archive. Women and the Archive: A Partial Disclosure. Saturday 14 March 2009. Curated by Anna Colin. The Women’s Library, London. The Otolith Group, Marysia Lewandowska, Cinenova, the Remembering Olive Collective. Produced by Whitechapel Gallery. In partnership with The Women’s Library. For documentation of specific contributions to. Women and The Archive: A Partial Disclosure. Please click the links in the sidebar. Selected mat...

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/ / Petra Bauer | Disclosures

https://disclosuresproject.wordpress.com/disclosures-i/petra-bauer

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Deleted Swedish Stories, Part 1. Presented at Gasworks on Friday 11 April 2008. Some of the examples that I’m going to talk about here tonight may be excluded in the final lecture whereas others will stay to be developed and changed. So I think that your response and critical reflections afterwards will be very valuable. All of the following examples I want to talk about this evening are extracted from a Swedish context and history. 8211; No,...

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Home | Disclosures

https://disclosuresproject.wordpress.com/disclosures-iv/thanks/home

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Started in March 2008 by Anna Colin (Exhibitions Curator, Gasworks, London) and Mia Jankowicz (independent curator),. 8216; projects aim to open up, and draw parallels between, non-dominant histories and cultural practices on the one hand, and contemporary cultural production and political structures on the other hand. This takes place through exhibitions, seminars, commissioning, and events programming clustered round a single focus. An onli...

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/ / Mia Jankowicz | Disclosures

https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure/mia-jankowicz

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Polished-up notes for a panel discussion. Presented at The Women’s Library on Saturday 14 March 2009. This is a worked-up series of notes informing the panel discussion held at the Women’s Library. Not an essay, and also certainly not communicating the content and vivacity of the discussion held, they more denote a series of thoughts and questions formulated before and during the day of. Women and the Archive: A Partial Disclosure. It might b...

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/ / Amy Balkin | Disclosures

https://disclosuresproject.wordpress.com/disclosures-iv/amy-balkin

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Free Seas, Free Skies. The sea and sky are both spatial regimes that can be considered as ‘offshore’, extra-state, ‘exceptional’ spaces; difficult to inhabit, and for states to exert police power upon; gray areas for the exercise of extraction, often defined by maps and legal frameworks. Both are major components of the Earth’s biological system, together comprising the same hydrologic cycle, where water cycles between liquid and gas. The cre...

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Disclosures I | Disclosures

https://disclosuresproject.wordpress.com/disclosures-i

Women and the Archive. Hydrarchy: Power and Resistance at Sea. Saturday 29 – Sunday 30 March 2008. Co-curated by Anna Colin and Mia Jankowicz. Toynbee Hall, London. Middlesex Street Estate, London. Day 1, see archive.org. Unfortunately, there are no recordings available for Day 2. For documentation of specific contributions to. Please click the links in the sidebar. For material and resources informing the research process of. The Author as Producer. 1934); from Roland Barthes’. The Death of The Author.

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Develops technology for design and communication purposes. Electronest uses culture, knowledge and skills as a mean to develop new concepts, sustainable approaches and nice projects. We design websites and projects, going beyond the limit of the screen. Many rules for many games on a single level - simple elements creating complexity. Design is made of choices, some of them reducing perceptions, some of them extending the possibilities of a simple flat surface.

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