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Elevator to Alphaville

where the stories sway in afternoon glimmers

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Elevator to Alphaville | elevatortoalphaville.blogspot.com Reviews
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where the stories sway in afternoon glimmers
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1 elevator to alphaville
2 l'eclisse
3 defeat
4 posted by
5 beau
6 no comments
7 kameradschaft
8 somebody else
9 léolo
10 or both
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elevator to alphaville,l'eclisse,defeat,posted by,beau,no comments,kameradschaft,somebody else,léolo,or both,seem indecent,or **********,or insanity,but it is,to a person,la formula secreta,1 comment,the village,a beautiful mind,jesse james,and no country
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Elevator to Alphaville | elevatortoalphaville.blogspot.com Reviews

https://elevatortoalphaville.blogspot.com

where the stories sway in afternoon glimmers

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1

Elevator to Alphaville: December 2007

http://elevatortoalphaville.blogspot.com/2007_12_01_archive.html

Where the stories sway in afternoon glimmers. Wednesday, December 26, 2007. Michelangelo Antonioni's last entry in his "ennui trilogy" is perhaps his best directed effort in the group. It contains the fullest exemplification of his "follow-cam.". I will draw a comparison between video-game camera angles, and Antonioni's cinematic technique, likely causing the entirety of the cinematic intelligentsia to furiously roll in their graves. Nevertheless, I think the point relevant. She looks and gazes at her mi...

2

Elevator to Alphaville: L'Eclisse

http://elevatortoalphaville.blogspot.com/2007/12/leclisse.html

Where the stories sway in afternoon glimmers. Wednesday, December 26, 2007. Michelangelo Antonioni's last entry in his "ennui trilogy" is perhaps his best directed effort in the group. It contains the fullest exemplification of his "follow-cam.". I will draw a comparison between video-game camera angles, and Antonioni's cinematic technique, likely causing the entirety of the cinematic intelligentsia to furiously roll in their graves. Nevertheless, I think the point relevant. She looks and gazes at her mi...

3

Elevator to Alphaville: September 2007

http://elevatortoalphaville.blogspot.com/2007_09_01_archive.html

Where the stories sway in afternoon glimmers. Friday, September 28, 2007. Video Games and Film: Part 1. My first quandary is the following:. Should Video Games have "complex" main characters? The typical knee-jerk reaction would be, "of course! But let's ponder the issue a bit. As far as I am concerned, the main character, the person who you move with the aid of a controller, should be left as vague as possible. Why should the most important entity within a video game be nothing but a "blank slate"?

4

Elevator to Alphaville: Kameradschaft

http://elevatortoalphaville.blogspot.com/2007/12/kameradschaft.html

Where the stories sway in afternoon glimmers. Tuesday, December 18, 2007. Georg Wilhelm Pabst's film is essentially a propaganda piece - though the ideals being expressed are so undeniably wholesome and positive, that it's difficult to formulate much of a criticism against it. But then, something. Happens, and she's forced to return to her town, just as she was about to leave. An explosion - the fire that had been brewing for days within the mines, has suddenly broken out, leaving some of her loved o...

5

Elevator to Alphaville: Léolo

http://elevatortoalphaville.blogspot.com/2007/12/lolo.html

Where the stories sway in afternoon glimmers. Sunday, December 2, 2007. Léolo is a unique comedy; replete with elements of tragedy and the grotesque, and filmed with a sense of energy and discovery. There's a gleeful feeling at work here. A taste for invention and the unexpected; a need to show images that haven't been conceived before. Is that supposed to be funny as well? Or is it supposed to be painful? Shits Daily ejection of excrement is an important matter in Léolo's household. When not dealing wit...

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Where the stories sway in afternoon glimmers. Wednesday, December 26, 2007. Michelangelo Antonioni's last entry in his "ennui trilogy" is perhaps his best directed effort in the group. It contains the fullest exemplification of his "follow-cam.". I will draw a comparison between video-game camera angles, and Antonioni's cinematic technique, likely causing the entirety of the cinematic intelligentsia to furiously roll in their graves. Nevertheless, I think the point relevant. She looks and gazes at her mi...

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