embodiedinteraction2012.blogspot.com

體現互動設計

Week 13. critical design and beyond. 1 梁容輝，2015，朝向互動設計的本體，數位藝述第肆號：數位設計創客與自造時代，pp. 96-107，財團法人數位藝術基金會。 2 M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". Week 12. pure design research. 1 student presentation on "annotated portfolios". 2 Pure design research. M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". Week 11. concept-things and annotated portfolios. The logic of annotated portfolios.

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體現互動設計 | embodiedinteraction2012.blogspot.com Reviews

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Week 13. critical design and beyond. 1 梁容輝，2015，朝向互動設計的本體，數位藝述第肆號：數位設計創客與自造時代，pp. 96-107，財團法人數位藝術基金會。 2 M Malpass: Between wit and reason: defining associative, speculative, and critical design in practice. Week 12. pure design research. 1 student presentation on annotated portfolios. 2 Pure design research. M Malpass: Between wit and reason: defining associative, speculative, and critical design in practice. Week 11. concept-things and annotated portfolios. The logic of annotated portfolios.

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體現互動設計,作者版本pdf,張貼者：,沒有留言,以電子郵件傳送這篇文章,blogthis！,分享至 twitter,分享至 facebook,分享到 pinterest,標籤： jazzliang,next week reading,annotated portfolios,intermediate level knowledge,questions,what to annotate,criticism,dialogues,phenomenology,interpretation,discourse

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體現互動設計 | embodiedinteraction2012.blogspot.com Reviews

https://embodiedinteraction2012.blogspot.com

Week 13. critical design and beyond. 1 梁容輝，2015，朝向互動設計的本體，數位藝述第肆號：數位設計創客與自造時代，pp. 96-107，財團法人數位藝術基金會。 2 M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". Week 12. pure design research. 1 student presentation on "annotated portfolios". 2 Pure design research. M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". Week 11. concept-things and annotated portfolios. The logic of annotated portfolios.

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embodiedinteraction2012.blogspot.com

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體現互動設計: week 11. concept-things & annotated portfolios

http://www.embodiedinteraction2012.blogspot.com/2015/05/week-11-concept-things-annotated.html

Week 11. concept-things and annotated portfolios. The logic of annotated portfolios. How to annotate portfolios? 1 discuss and propose "guidelines" or "frameworks" for annotation. 2 use the above guidelines to annotate at least two design artifacts. 訂閱：張貼留言 (Atom). Week 1. introduction. Week 2. reading "introduction". Week 3. 颱風假. Week 4. reading "introduction" (II). Week 5. introducing "design research artifacts". Week 6. student presentation. Week 7. student presentation and material interaction.

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體現互動設計: week 10. Intermediate-level knowledge

http://www.embodiedinteraction2012.blogspot.com/2015/05/week-10-intermediate-level-knowledge.html

Week 10. Intermediate-level knowledge. 1 student presentation of critical dialog on design knowledge. 2 introducing "Intermediate-level Knowledge" by Lowgren. 訂閱：張貼留言 (Atom). Week 1. introduction. Week 2. reading "introduction". Week 3. 颱風假. Week 4. reading "introduction" (II). Week 5. introducing "design research artifacts". Week 6. student presentation. Week 7. student presentation and material interaction. Week 8. student presentation and perceptual crossing. Week 9. perceptual crossing (II). Week 11...

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體現互動設計: 十月 2012

http://www.embodiedinteraction2012.blogspot.com/2012_10_01_archive.html

Week 7. annotated portfolios. What should we expect from research through design? The logic of annotated portfolios: communicating the value of 'research through design'. Instead, it was by looking at specific examples. Of practice that we found guidance. For our work and, in discussing. Exactly how those examples were. Relevant to us, began to develop our. Focused on those aspects we want. To promote in future designs. Our. Theoretical work didn’t just concern. What is, but what ought to be.". The funct...

4

體現互動設計: 六月 2015

http://www.embodiedinteraction2012.blogspot.com/2015_06_01_archive.html

Week 13. critical design and beyond. 1 梁容輝，2015，朝向互動設計的本體，數位藝述第肆號：數位設計創客與自造時代，pp. 96-107，財團法人數位藝術基金會。 2 M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". 訂閱：文章 (Atom). Week 1. introduction. Week 2. reading "introduction". Week 3. 颱風假. Week 4. reading "introduction" (II). Week 5. introducing "design research artifacts". Week 6. student presentation. Week 7. student presentation and material interaction. Week 9. perceptual crossing (II). Week 10&#46...

5

體現互動設計: 三月 2015

http://www.embodiedinteraction2012.blogspot.com/2015_03_01_archive.html

Week 5. student presentation. Student presentation: Figure 1. 13 examples of design research artifacts. Week 4. introducing "Design Research Artifacts". 1 Introduction to "Design Research Artifacts". Week 3. reading introduction (II). Week 2. reading "introduction". 1 修辭研究，動詞及同義詞整理 (以九宮格). 2 結構分析: B P M R C. 將 Introduction 放在中間，Background 摘句放在上方，Purpose 摘句放在右方， Method/Question 摘句放在下方， Result/Conclusion摘句放在左方。將 Introduction 重新改寫成 400 字以內的摘要。訂閱：文章 (Atom). Week 1. introduction. Week 3. 颱風假. Week 13. ...

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體現互動設計

Week 13. critical design and beyond. 1 梁容輝，2015，朝向互動設計的本體，數位藝述第肆號：數位設計創客與自造時代，pp. 96-107，財團法人數位藝術基金會。 2 M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". Week 12. pure design research. 1 student presentation on "annotated portfolios". 2 Pure design research. M Malpass: "Between wit and reason: defining associative, speculative, and critical design in practice". Week 11. concept-things and annotated portfolios. The logic of annotated portfolios.

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