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I studied ethnomusicology at SOAS and am now an Associate Artist Manager at Rayfield Allied in London. This blog is a way to document some past research and potentially catalogue new thoughts and general 'ponderings' on the world of classical music.

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emilygranozio | Just another WordPress.com site | emilygranozio.wordpress.com Reviews

https://emilygranozio.wordpress.com

I studied ethnomusicology at SOAS and am now an Associate Artist Manager at Rayfield Allied in London. This blog is a way to document some past research and potentially catalogue new thoughts and general 'ponderings' on the world of classical music.

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Staged Performance: Audience Participation or Observation? | emilygranozio

https://emilygranozio.wordpress.com/2012/04/11/staged-performance-audience-participation-or-observation

April 11, 2012 · 6:49 pm. Staged Performance: Audience Participation or Observation? All the world’s a stage. And all the men and women merely players:. They have their exits and their entrances (William Shakespeare,. As You Like It,. And the performance aesthetics of a Western symphony orchestra concert. Most importantly, this paper draws on experiences as a performer, organiser and audience member. 1990), he claims that Western industrial societies come together to share ‘intimate and personal cultural...

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April | 2012 | emilygranozio

https://emilygranozio.wordpress.com/2012/04

Monthly Archives: April 2012. April 11, 2012 · 6:49 pm. Staged Performance: Audience Participation or Observation? All the world’s a stage. And all the men and women merely players:. They have their exits and their entrances (William Shakespeare,. As You Like It,. And the performance aesthetics of a Western symphony orchestra concert. Most importantly, this paper draws on experiences as a performer, organiser and audience member. 1990), he claims that Western industrial societies come together to share ‘...

3

Writings | emilygranozio | Just another WordPress.com site

https://emilygranozio.wordpress.com/about/writings

April 11, 2012 · 6:49 pm. Staged Performance: Audience Participation or Observation? All the world’s a stage. And all the men and women merely players:. They have their exits and their entrances (William Shakespeare,. As You Like It,. And the performance aesthetics of a Western symphony orchestra concert. Most importantly, this paper draws on experiences as a performer, organiser and audience member. 1990), he claims that Western industrial societies come together to share ‘intimate and personal cultural...

4

Performance Relativity | emilygranozio

https://emilygranozio.wordpress.com/2012/04/11/performance-relativity

Staged Performance: Audience Participation or Observation? April 11, 2012 · 6:42 pm. Ultimately, we question whether the performance space is showing a ‘product’. This ‘product’ is determined by the role of the audience or displacement (or indeed placement) of the performed action. Having attended Sound of Place (27. In order to decipher an answer, we need to engage with our feelings as on-lookers. Perhaps, due to the expected tradition in Western classical performances, we feel disengaged from the p...

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I studied ethnomusicology at SOAS and am now an Associate Artist Manager at Rayfield Allied. This blog is a way to document some past research and potentially catalogue new thoughts and general ‘ponderings’ on the world of classical music. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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