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The End of Celluloid: Film futures in the digital age, by Matt Hanson

A book that charts a journey across cinematic boundaries. Across filmed and imagined digital spaces, between the layers of fact and fiction from moving imagemakers redefining the rules of film. Unlike other books that look at these singular areas, The End of Celluloid joins the dots between these disciplines, offering visual cues and stimulation, with authoritative commentary suggesting directions for future and possible evolutionary paths. Posted on April 18, 2004 [ °Permalink. Release date: May, 2004.

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The End of Celluloid: Film futures in the digital age, by Matt Hanson | endofcelluloid.com Reviews

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A book that charts a journey across cinematic boundaries. Across filmed and imagined digital spaces, between the layers of fact and fiction from moving imagemakers redefining the rules of film. Unlike other books that look at these singular areas, The End of Celluloid joins the dots between these disciplines, offering visual cues and stimulation, with authoritative commentary suggesting directions for future and possible evolutionary paths. Posted on April 18, 2004 [ °Permalink. Release date: May, 2004.

<META> KEYWORDS

1 introduction

2 information

3 publication details

4 author matt hanson

5 design studio tonne

6 publisher rotovision

7 mobile site

8 extra

9 directors featured

10 jonas åkerlund spun

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introduction,information,publication details,author matt hanson,design studio tonne,publisher rotovision,mobile site,extra,directors featured,jonas åkerlund spun,hideo nakata ringu,mamoru oshii avalon,kinematic 9 11 survivor,simon pummell bodysong,details

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The End of Celluloid: Film futures in the digital age, by Matt Hanson | endofcelluloid.com Reviews

https://endofcelluloid.com

A book that charts a journey across cinematic boundaries. Across filmed and imagined digital spaces, between the layers of fact and fiction from moving imagemakers redefining the rules of film. Unlike other books that look at these singular areas, The End of Celluloid joins the dots between these disciplines, offering visual cues and stimulation, with authoritative commentary suggesting directions for future and possible evolutionary paths. Posted on April 18, 2004 [ °Permalink. Release date: May, 2004.

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endofcelluloid.com

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The End of Celluloid Archives

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Epic Battlefield Scotsman article. Posted on May 10, 2004 [ °Permalink. From reality to illusion. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. Posted on April 18, 2004 [ °Permalink. The End of Celluloid. Film futures in the digital age. Buy: Amazon.co.uk. From reality to illusion.

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The End of Celluloid: Film futures in the digital age, by Matt Hanson

http://www.endofcelluloid.com/pages/introduction.html

Publication details ». A book that charts a journey across cinematic boundaries. Across filmed and imagined digital spaces, between the layers of fact and fiction from moving imagemakers redefining the rules of film. Unlike other books that look at these singular areas, The End of Celluloid joins the dots between these disciplines, offering visual cues and stimulation, with authoritative commentary suggesting directions for future and possible evolutionary paths. Posted on April 18, 2004 [ °Permalink.

3

The End of Celluloid: Film futures in the digital age, by Matt Hanson

http://www.endofcelluloid.com/pages/about_the_author.html

Extended interviews ». Matt Hanson is an authority on digital film and contemporary trends in moving image, named as an international film visionary by Screen International magazine. In 1996, he created the UK digital film festival onedotzero: 'Probably the most influential film festival of the early 21st century' (The Guardian newspaper, UK). He currently runs V.I.A. Posted on April 18, 2004 [ °Permalink. The End of Celluloid. Film futures in the digital age. Buy: Amazon.co.uk. Site by V.I.A.

4

The End of Celluloid: Film futures in the digital age, by Matt Hanson

http://www.endofcelluloid.com/pages/directors-featured.html

Laquo; Mobile site. Moving imagemakers from all disciplines are redefining the rules of film. The End of Celluloid charts a journey across cinematic boundaries and features works by artists including:. Roger Avary (Rules of Attraction). Matthew Barney (The Cremaster Cycle). Danny Boyle (28 Days Later). Chris Cunningham (Flex, Windowlicker). Mike Figgis (Hotel, Timecode). Grant Gee (Meeting People is Easy). Lars von Trier (Idioterne). Peter Greenaway (The Tulse Luper Suitcases). Marc Evans (My Little Eye).

5

The End of Celluloid: Film futures in the digital age, by Matt Hanson

http://www.endofcelluloid.com/pages/from-reality-to-illusion.html

Laquo; Extended interviews. Epic Battlefield Scotsman article ». From reality to illusion. Web adaptation of the introductory essay for the book:. Rarely has reality so much needed to be imagined.". Chris Marker, French documentary maker. This book is not about film. Not simply about what we see on screens and monitors. Not just about watching, alone in the dark or together with friends. This is, fundamentally, a book about how we can experience moving image now and in the future. To Méliès;. Over a cent...

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Electro Dad: September 2011

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The ramblings of a: man;dad;artist;musician;organiser. Sunday, September 25, 2011. LevelHead by Julian Oliver - one of the speakers at Improving Reality. Photograph: Florian Sander. On Friday I went to the Improving Reality. Conference, organised by Lighthouse. I was LOADED with man flu (thanks to some classy gent who sneezed all over me on the Metro. Last week I suspect). So I dosed up on max strength lemsip. And sat quietly in the audience sucking up links and references like a nerdy basking shark.

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robertseidel.com | _grau

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D 2004 10:01 min. Director, producer, animator: robert seidel. Music: heiko tippelt, philipp hirsch. Grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally. Various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds. SHIFT Japan DOTMOV Festival 2004. Selected and commented by Motion Theory.

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robertseidel.com | _grau

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D 2004 10:01 min. Director, producer, animator: robert seidel. Music: heiko tippelt, philipp hirsch. Grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally. Various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds. SHIFT Japan DOTMOV Festival 2004. Selected and commented by Motion Theory.

robertseidel.com

robertseidel.com | _grau

http://www.robertseidel.com/grau.9.0.html

D 2004 10:01 min. Director, producer, animator: robert seidel. Music: heiko tippelt, philipp hirsch. Grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally. Various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds. SHIFT Japan DOTMOV Festival 2004. Selected and commented by Motion Theory.

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The End of Celluloid: Film futures in the digital age, by Matt Hanson

A book that charts a journey across cinematic boundaries. Across filmed and imagined digital spaces, between the layers of fact and fiction from moving imagemakers redefining the rules of film. Unlike other books that look at these singular areas, The End of Celluloid joins the dots between these disciplines, offering visual cues and stimulation, with authoritative commentary suggesting directions for future and possible evolutionary paths. Posted on April 18, 2004 [ °Permalink. Release date: May, 2004.

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