jenlitth.wordpress.com
Three, A Secret University | Jenlitth's Blog
https://jenlitth.wordpress.com/2010/10/11/three-a-secret-university
Just another WordPress.com site. Laquo; Two, James’s pane of glass. 124; Four, American Firepower in Faulker. Three, A Secret University. Most interestingly, the Cannon for Guillory is not fixed, it is reinvented with every new syllabus which modernises, or updates a list of what students should read. The more diverse the syllabus, the more representatives of social or cultural identities, the larger and more hegemonic the Canonical values of nationalism and capitalism become. 124; RSS feed.
jenlitth.wordpress.com
October | 2010 | Jenlitth's Blog
https://jenlitth.wordpress.com/2010/10
Just another WordPress.com site. Archive for October, 2010. October 14, 2010. Four, American Firepower in Faulker. Boggard lights Ronnie’s cold pipe three times in their first brief encounter. The American aviator has an inexhaustible supply of firepower. The American’s virility is a part of this inexhaustible supply, and ability to supply, resources. American wealth is warm, fecund, it generates more wealth. October 11, 2010. Three, A Secret University. Most interestingly, the Cannon for Guillory is not...
jenlitth.wordpress.com
August | 2010 | Jenlitth's Blog
https://jenlitth.wordpress.com/2010/08
Just another WordPress.com site. Archive for August, 2010. August 14, 2010. Two, James’s pane of glass. Also I talked about a few specific literary devices James uses to create the sense that Maisie through this treatment, objectifies herself. She views her own life with detachment. She is outside herself. James uses the metaphor of a plane of glass separating Maisie from both herself and the real world outside herself. So, on page 83, James tells us that for Maise,. August 14, 2010. Nets – webs! The nex...
jenlitth.wordpress.com
Two, James’s pane of glass | Jenlitth's Blog
https://jenlitth.wordpress.com/2010/08/14/two-james
Just another WordPress.com site. Laquo; Post One Barthes. 124; Three, A Secret University. Two, James’s pane of glass. Also I talked about a few specific literary devices James uses to create the sense that Maisie through this treatment, objectifies herself. She views her own life with detachment. She is outside herself. James uses the metaphor of a plane of glass separating Maisie from both herself and the real world outside herself. So, on page 83, James tells us that for Maise,. 124; RSS feed. I love ...
jenlitth.wordpress.com
About | Jenlitth's Blog
https://jenlitth.wordpress.com/about
Just another WordPress.com site. This is an example of a WordPress page, you could edit this to put information about yourself or your site so readers know where you are coming from. You can create as many pages like this one or sub-pages as you like and manage all of your content inside of WordPress. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.
msim6380.wordpress.com
The Literary In Theory | ENGL3655 | Page 2
https://msim6380.wordpress.com/page/2
The Literary In Theory. The distant object of desire. Another quick post-seminar-post, just to break down the things I thought useful in some sense from Friday’s seminar – I’ll make one of those ‘academic confessions’ that I haven’t finished. Is that really possible? Cf the opening to. All of this seems to be very available to Lacan, theories of gaze, phallic formation, and so on – according to my notes, Georgio Agamben and the concept of anaphora, though I can’t say why now. Perhaps later. I wasn’...
jenlitth.wordpress.com
Post One Barthes | Jenlitth's Blog
https://jenlitth.wordpress.com/2010/08/14/8
Just another WordPress.com site. 124; Two, James’s pane of glass. Writers, Intellectuals, Teachers,. As I read I annotate constantly. ‘Textler’ was an accidental annotation that nonetheless explains how Barthes explains how how we are trained to read and interpret texts and people. When I annotate I draw a line in pencil from the text to the margin, and I write ‘wow’! Because I remembered who she was, I wrote ‘! Nets – webs! Place). (p. 204). Line to the margin of the paper and wrote ‘map? So before I lo...
msim6380.wordpress.com
the axis of opposition is fundamental | The Literary In Theory
https://msim6380.wordpress.com/2010/08/20/the-axis-of-opposition-is-fundamental
The Literary In Theory. The axis of opposition is fundamental. We travelled low over the country of Felski, Edmundson and Warner (which sounds like a law firm), more or less hovering over ‘the author’ and the viability of various reading/analytic strategies. Fun conclusions, regarding the author: although there definitely is a physical author,. Also regarding reading strategies: Edmundson’s railing against ‘readings’ is useful inasmuch as it is a warning against. August 20, 2010. Enter your comment here.
msim6380.wordpress.com
About | The Literary In Theory
https://msim6380.wordpress.com/about
The Literary In Theory. FRANCO MORETTI – maps, graphs, trees: abstract models for a literary history. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.