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Virtual Instrumentation

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Virtual Instrumentation | eotte.blogspot.com Reviews
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Virtual Instrumentation | eotte.blogspot.com Reviews

https://eotte.blogspot.com

Saturday, February 17, 2018. This blog has been discontinued for the time being. It took too much personal time and effort to keep it updated properly. Thank you all for your visits here. Subscribe to: Posts (Atom). Simple theme. Theme images by gaffera.

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eotte.blogspot.com eotte.blogspot.com
1

Virtual Instrumentation: Syrinx

http://eotte.blogspot.com/2014/05/syrinx.html

If you are looking for a comparison between all kind of virtual instrument libraries this might be the place for you. Involved are products from or called VSL, LASS, Native Instruments' SessionStrings Pro, EWQL Hollywood Strings, EWQL Hollywood Woodwinds, Prague Solo Strings, EWQL Hollywood Brass, WIVI and many others. Friday, May 9, 2014. I have dedicated this page to Syrinx for solo flute by Claude Debussy. EDIT - added the flute version from SampleModeling, which is now also on their website as demo].

2

Virtual Instrumentation: February 2012

http://eotte.blogspot.com/2012_02_01_archive.html

If you are looking for a comparison between all kind of virtual instrument libraries this might be the place for you. Involved are products from or called VSL, LASS, Native Instruments' SessionStrings Pro, EWQL Hollywood Strings, EWQL Hollywood Woodwinds, Prague Solo Strings, EWQL Hollywood Brass, WIVI and many others. Tuesday, February 21, 2012. Williams' Love Theme (talking about oboe). Please choose the tracks form the player under John Williams Love Theme. Sunday, February 5, 2012. I used also dual l...

3

Virtual Instrumentation: Prestissimo contest for violin

http://eotte.blogspot.com/2014/05/prestissimo-contest-for-violin.html

If you are looking for a comparison between all kind of virtual instrument libraries this might be the place for you. Involved are products from or called VSL, LASS, Native Instruments' SessionStrings Pro, EWQL Hollywood Strings, EWQL Hollywood Woodwinds, Prague Solo Strings, EWQL Hollywood Brass, WIVI and many others. Wednesday, May 21, 2014. Prestissimo contest for violin. And here is the “ who can do the fastest notes on a violin. EDIT: added Signor Paganini]. To ' make things up. EWQL Solo Violin: st...

4

Virtual Instrumentation: SampleModeling again

http://eotte.blogspot.com/2014/12/samplemodeling-again.html

If you are looking for a comparison between all kind of virtual instrument libraries this might be the place for you. Involved are products from or called VSL, LASS, Native Instruments' SessionStrings Pro, EWQL Hollywood Strings, EWQL Hollywood Woodwinds, Prague Solo Strings, EWQL Hollywood Brass, WIVI and many others. Tuesday, December 30, 2014. On several fora there are posts in which is stated that the woodwinds suffer from a lack of the real feeling. Please click on SampleModeling versus real. Find a...

5

Virtual Instrumentation: October 2013

http://eotte.blogspot.com/2013_10_01_archive.html

If you are looking for a comparison between all kind of virtual instrument libraries this might be the place for you. Involved are products from or called VSL, LASS, Native Instruments' SessionStrings Pro, EWQL Hollywood Strings, EWQL Hollywood Woodwinds, Prague Solo Strings, EWQL Hollywood Brass, WIVI and many others. Friday, October 11, 2013. I have made a few very small sketches with the demo and full version nki's from this new company from Prague. Patches, in Russian style. In a beautiful close harm...

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Uncategorized | Scoring Film

https://scoringfilm.net/category/uncategorized

Blog on Scoring, Sampling and Recording. Star Wars: Hi-Res Recordings. The soundtrack for Star Wars: The Force Awakens has just been released in hi-res 24-bit/96kHz FLAC. An absolute must for those wanting to be able to reference that wonderful Shawn Murphy sound. While previous films in the saga were scored … Continue reading →. Star Wars: Battlefront Soundtrack. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about...

scoringfilm.net scoringfilm.net

audiophile recordings | Scoring Film

https://scoringfilm.net/tag/audiophile-recordings

Blog on Scoring, Sampling and Recording. Tag Archives: audiophile recordings. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’.

scoringfilm.net scoringfilm.net

Reference Tracks | Scoring Film

https://scoringfilm.net/2014/01/04/reference-tracks

Blog on Scoring, Sampling and Recording. Audiophile Recordings →. Each sound engineer aims to achieve a specific sound for their recording. This can range from a natural perception of concert hall reality to the most bombastic film sound. Reference tracks from commercial recordings are a good resource to A/B reference against to match EQ, instrumental balance, pan, reverb, distance etc. Here is a broad spectrum of orchestral film soundtracks to use as reference depending on the sound you are aiming for:.

scoringfilm.net scoringfilm.net

Film Sound Engineers | Scoring Film

https://scoringfilm.net/2011/07/20/film-sound-engineers

Blog on Scoring, Sampling and Recording. Placement in the acoustic ‘space’. →. Although I have already mentioned a few engineers in the last few posts it is worth looking at two specifically. They, in my view, represent the most prolific exponents of the two main strands of orchestral film recording. Has well over three hundred soundtracks to his name including thirty with the composer John Williams and the legendary Star Wars series. In another mix magazine article entitled Scoring the Patriot. One coul...

scoringfilm.net scoringfilm.net

scoringfilm | Scoring Film

https://scoringfilm.net/author/scoringfilm

Blog on Scoring, Sampling and Recording. Star Wars: Hi-Res Recordings. The soundtrack for Star Wars: The Force Awakens has just been released in hi-res 24-bit/96kHz FLAC. An absolute must for those wanting to be able to reference that wonderful Shawn Murphy sound. While previous films in the saga were scored … Continue reading →. Star Wars: Battlefront Soundtrack. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about...

scoringfilm.net scoringfilm.net

Audiophile Recordings | Scoring Film

https://scoringfilm.net/2015/01/27/audiophile-recordings

Blog on Scoring, Sampling and Recording. Midi Mock Ups →. Elgar recording with the LSO in 1914. The DVD Audio recordings are generally 5.1 surround sound recordings, however my personal opinion is that they are not effective or realistic and tend to be a little over produced and unnatural (sound limited to stereo on examples):. A complete list of known 5.1 orchestral recordings can be found here. To try. Some of these files can be as ridiculously hi-res as raw audio (32bit, 352Khz)! Midi Mock Ups →.

scoringfilm.net scoringfilm.net

Recording | Scoring Film

https://scoringfilm.net/category/recording

Blog on Scoring, Sampling and Recording. Each sound engineer aims to achieve a specific sound for their recording. This can range from a natural perception of concert hall reality to the most bombastic film sound. Reference tracks from commercial recordings are a good resource to A/B … Continue reading →. So what is the ‘film sound’? As far as the main mics (hauptmicrophone) are concerned there have been two common techniques used since the 1950s by the dominant classical recording labels (EMI and Decca)...

scoringfilm.net scoringfilm.net

EQ Matching | Scoring Film

https://scoringfilm.net/2012/11/27/eq-matching

Blog on Scoring, Sampling and Recording. Full orchestra ‘placement’. Reference Tracks →. Another technique which can be employed to achieve the correct placement in space is EQ matching. Take a reference track with the desired sound and match the EQ of the sample to the reference:. EQ Matching in Ozone. Dry recorded trumpet = yellow EQ line. Reference track Born on the 4. Of July, Williams = purple EQ line. Resulting required EQ = red EQ line. Another software solution is to use a plugin like Clone Boy.

scoringfilm.net scoringfilm.net

recordings | Scoring Film

https://scoringfilm.net/tag/recordings

Blog on Scoring, Sampling and Recording. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’. The appearance of realism. Music behind the screen.

scoringfilm.net scoringfilm.net

Reverb & Reality | Scoring Film

https://scoringfilm.net/category/reverb-reality

Blog on Scoring, Sampling and Recording. Category Archives: Reverb and Reality. Taking all the information researched and discovered thus far we can now form a model of the ideal concert hall reverberation for orchestral recordings: Using this model as reference we can now alter any solo recordings or samples by adding or reducing certain elements to … Continue reading →. As we are starting to delve deeper into the subject of acoustics and reverberation, now would be a good time to explain some of these ...

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Virtual Instrumentation

Saturday, February 17, 2018. This blog has been discontinued for the time being. It took too much personal time and effort to keep it updated properly. Thank you all for your visits here. Subscribe to: Posts (Atom). Simple theme. Theme images by gaffera.

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