triplofonictakeover.blogspot.com
The Triplofonic Takeover: May 2010
http://triplofonictakeover.blogspot.com/2010_05_01_archive.html
Thursday, May 20, 2010. For the sake of this ethnography, I was lucky to have a very direct performance role in the community with which I have been involved. The musical community at Northpointe is ostensibly focused around the musicians in the Worship Band, however, the congregation always can participate by singing along to the lyrics (projected on the screen of the movie theater). Subscribe to: Posts (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa.
triplofonictakeover.blogspot.com
The Triplofonic Takeover: Final "Performance Ethnography"
http://triplofonictakeover.blogspot.com/2010/05/final-performance-ethnography.html
Thursday, May 20, 2010. For the sake of this ethnography, I was lucky to have a very direct performance role in the community with which I have been involved. The musical community at Northpointe is ostensibly focused around the musicians in the Worship Band, however, the congregation always can participate by singing along to the lyrics (projected on the screen of the movie theater). Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". View my complete profile.
triplofonictakeover.blogspot.com
The Triplofonic Takeover: October 2007
http://triplofonictakeover.blogspot.com/2007_10_01_archive.html
Monday, October 15, 2007. Although I'm new in Providence, I'd like to think I've scoped out most of the places in town to buy vinyl records. so far I've visited two very different spots with a keen eye out for what the places were selling and who was buying. What do these hipsters want with this vinyl? It's terribly inconvenient and not very useful compared to CDs? Can they really discern any difference in sound? Do these kids even know how to cue up a record? Do they even own turntables? I've found that...
triplofonictakeover.blogspot.com
The Triplofonic Takeover: February 2010
http://triplofonictakeover.blogspot.com/2010_02_01_archive.html
Wednesday, February 24, 2010. Critical Review #2: Berger 2008; Miller 2007. Berger's proposition of a phenomenological ethnomusicology is clearly a convoluted one, if not one of platitude. Perhaps the joke (the platitude) is on me because I'm far off from beginning to understand the idea of "phenomenology"- I did a touch of google-research/reinforcement. Did we read Kiri's piece because her case study is representative of a phenomenological tact? Thursday, February 18, 2010. The Shak-Shak in the Lesser A...
triplofonictakeover.blogspot.com
The Triplofonic Takeover: Critical Review #7 Waxer 1994
http://triplofonictakeover.blogspot.com/2010/04/critical-review-7-waxer-1994.html
Monday, April 5, 2010. Critical Review #7 Waxer 1994. Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa. Critical Review #10 Novak 2010. Critical Review #9 Feld 2000. Critical Review #8 Feld and Meintjes 1990. Critical Review #7 Waxer 1994. Research Notes Part 4 (Interview Documentation). Research Notes Part 3. View my complete profile.
triplofonictakeover.blogspot.com
The Triplofonic Takeover: Critical Review #9 Feld 2000
http://triplofonictakeover.blogspot.com/2010/04/critical-review-9-feld-2000.html
Monday, April 26, 2010. Critical Review #9 Feld 2000. Maybe less so than how they incorrectly cited it as a Central African folk lullaby. Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa. Critical Review #10 Novak 2010. Critical Review #9 Feld 2000. Critical Review #8 Feld and Meintjes 1990. Critical Review #7 Waxer 1994. Research Notes Part 4 (Interview Documentation). Research Notes Part 3. View my complete profile.
triplofonictakeover.blogspot.com
The Triplofonic Takeover: Challenge Question Cycle
http://triplofonictakeover.blogspot.com/2010/04/challenge-question-cycle.html
Tuesday, April 6, 2010. What do you think constitutes an appropriate motivation to undertake ethnography and what should its ultimate goal be? April 30, 2010 at 10:18 AM. May 4, 2010 at 7:26 AM. Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa. Critical Review #10 Novak 2010. Critical Review #9 Feld 2000. Critical Review #8 Feld and Meintjes 1990. Critical Review #7 Waxer 1994. Research Notes Part 4 (Interview Documentation).
triplofonictakeover.blogspot.com
The Triplofonic Takeover: September 2007
http://triplofonictakeover.blogspot.com/2007_09_01_archive.html
Monday, September 24, 2007. Why at this point in time are so many artists interested in sustaining a format which is vastly more difficult to use and maintain than the digital music of today and is generally more expensive than releasing a CD or mp3s? Who are the people who buy vinyl? Why are the young people who are interested in these artists biting at this out-of-date format? Do kids even know how to cue up records anymore? Subscribe to: Posts (Atom). Kiri Miller's "Guitar Hero, a Research Blog".
triplofonictakeover.blogspot.com
The Triplofonic Takeover: April 2010
http://triplofonictakeover.blogspot.com/2010_04_01_archive.html
Monday, April 26, 2010. Critical Review #10 Novak 2010. The point of this article and the point of Ghost World is to decry the effects when remediation replaces the original idea that gets mediated in the first place. When novelty, kitsch and humor replace what heartfelt meaning (not that one can't profoundly feel kitsch etc.), what is the nature of the "new" remediated product that springs forth from the old ones? Labels: Jan Pehechan Ho. Critical Review #9 Feld 2000. Tuesday, April 20, 2010. Cover a lo...
