ettadeikman.com
ETTA DEIKMANEach brush mark is distinctive, chosen, intuitive, has its own message. In the Garden #1. Theme by Theme Trust.
http://www.ettadeikman.com/
Each brush mark is distinctive, chosen, intuitive, has its own message. In the Garden #1. Theme by Theme Trust.
http://www.ettadeikman.com/
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ETTA DEIKMAN | ettadeikman.com Reviews
https://ettadeikman.com
Each brush mark is distinctive, chosen, intuitive, has its own message. In the Garden #1. Theme by Theme Trust.
ETTA DEIKMAN » In the Garden #1
http://www.ettadeikman.com/projects/india
In the Garden #1. In the Garden #1, 5′ x 4′ oil on canvas. Theme by Theme Trust.
ETTA DEIKMAN » Works on Paper
http://www.ettadeikman.com/portfolio-2/works-on-paper-2
Click on thumbnail for larger view. Theme by Theme Trust.
ETTA DEIKMAN » Older Works: 1980-2005
http://www.ettadeikman.com/portfolio-2/works-on-paper
Click on thumbnail for larger view. Beyond It, 2005, oil on canvas, 64 x 53 “. In the Sky, 2004, oil on canvas, 40 x 47″. There, 2003, oil on canvas, 55 x 48″. Drums, 2002, oil on canvas, 37 x 30″. Smoke 7, 2002, oil on canvas, 55 x 51 inches. Promenade, 2002, oil on canvas, 55 x 51. Nocturne 2, 2002, oil on canvas, 30 x 25″. Oil on canvas, 2001 55 x 53″. About Three, 2001, oil on canvas, 55 x 48″. Oil on canvas, 2000, 55 x 53″. Italic, 1999, oil on canvas, 49 x 60 “. Etruria, 1996-97, oil on canvas.
ETTA DEIKMAN » Artist Statement
http://www.ettadeikman.com/artist-statement
I am an abstract painter and have been working at it for my whole life. It is a never ending challenge. For me, part of what a contemporary artist does is work not only within the parameters of current thought and styles, but also to stretch it. I am making that a central factor in my current work. Coherent style is less important. Direction, adventure, new thoughts, ideas, and anything that is dismissed and perhaps often rejected, becomes the very basis my daily thought sits on. Theme by Theme Trust.
ETTA DEIKMAN » Reviews
http://www.ettadeikman.com/reviews
Magic, 40″ x 30″ oil on canvas. Deikman takes painting seriously and you better believe it. She is invested in every line, but there is also constant play between the line and the background… and it is in this interplay that Deikman has developed a syntax of her own. Tyson Underwood, Pacific Sun 1995. Art Week, April 1999. Water Watchers, 1991, oil on canvas, 67 x 53 “. We are traveling down a road which has no end, from the earliest Cubist phases of Braque and Picasso, on to points past Feininger and Mo...
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Artists of Mount Tamalpais Etta Deikman - Artists of Mount Tamalpais
http://www.mounttamartists.org/projects/etta-deikman-2
Event Info & Map. I am an abstract painter and have been working at it my whole life. It is a never ending challenge. For me, part of what a contemporary artist does is work not only within the parameters of current thought and styles, but also to stretch it. I am making that a central factor in my current work. Coherent style is less important. Direction, adventure, new thoughts, ideas and anything that is dismissed and perhaps rejected, becomes the very basis my daily thought sits on.
TOTAL LINKS TO THIS WEBSITE
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ETTA CURRY – production, creative & events
Production, creative and events. Production, creative, events. M) 614 32 763 109. E) etta.curry@me.com.
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Mot de passe :. J'ai oublié mon mot de passe. Bienvenue dans mon univers à moi, univers d'amitié, de déconne, de déprim' parfois, mais surtout de folies! Si tu t'attendais à un blog banal ou l'on racontes ses petites soirées picoles, ses mec d'un soir, ses premiers concerts, ses passions et ses coups de gueules et bien.tu avais raison parce qu'on à tous une petite vie banale et qu'on à tous besoin d'en parler. Mise à jour :. Brulez dans les flames de l'enfer ô noirs. Savoir regarder en arrière pour se.
ETTA DEIKMAN
Each brush mark is distinctive, chosen, intuitive, has its own message. In the Garden #1. Theme by Theme Trust.
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