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Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. Kate Armstrong, 2012. Special thanks to Jennifer Campbell, curatorial intern. We acknowledge the financial support of the Government of Canada. Through the Department of Heritage Canada Interactive Fund.

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Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. Kate Armstrong, 2012. Special thanks to Jennifer Campbell, curatorial intern. We acknowledge the financial support of the Government of Canada. Through the Department of Heritage Canada Interactive Fund.
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1 extract gruntarchives org
2 artists
3 nadia myre
4 jude norris
5 hans winkler
6 david ostrem
7 rebecca chaperon
8 lisa fedorak
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10 jason fitzpatrick
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Home | Extract | extract.gruntarchives.org Reviews

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Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. Kate Armstrong, 2012. Special thanks to Jennifer Campbell, curatorial intern. We acknowledge the financial support of the Government of Canada. Through the Department of Heritage Canada Interactive Fund.

INTERNAL PAGES

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1

Jeff Thomas - A Study of Indianness | Extract

http://extract.gruntarchives.org/jeff-thomas-a-study-of-indianness.html

Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. A Study of Indianness. March 10 - April 1, 2006. I am an urban-Iroquois, born in the city of Buffalo, New York in 1956. My parents and grandparents were born at the Six Nations reserve, near Brantford, Ontario and left the reserve to find work in the city. Jeff Thomas - Artist Site.

2

Rebecca Belmore - Victorious | Extract

http://extract.gruntarchives.org/rebecca-belmore-victorious.html

Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. All videos require the free QuickTime plugin. In this visceral performance, Rebecca Belmore constructs a dress from newspaper and honey. The seated figure (Daina Warren) recalls Queen Victoria, and the act of constructing a structure around her from newspaper makes a statement about the role of the printed word as a vehicle for domination and control. Broadband Video for high speed connections.

3

Kathryn Walter - Redevelopment: An Intervention | Extract

http://extract.gruntarchives.org/kathryn-walter-redevelopment-an-intervention.html

Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. October 17-26, 1989. Kathryn Walter worked and studied in Vancouver (BFA-ECCAD, 1989) and Montreal (MFA-Concordia University, 1993) and now lives in Toronto where she founded the FELT studio in 2000 as a laboratory through which she explores the material and culture of modern industrial felt through exhibitions, research, architectural commissions and a product line.

4

Home | Extract

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Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. Kate Armstrong, 2012. Special thanks to Jennifer Campbell, curatorial intern. We acknowledge the financial support of the Government of Canada. Through the Department of Heritage Canada Interactive Fund.

5

Julie Faubert and Heloise Audy - The Hive-Dress (La Robe Ruche) | Extract

http://extract.gruntarchives.org/julie-faubert-heloise-audy-the-hive-dress-la-robe-ruche.html

Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. Julie Faubert and Heloise Audy. The Hive-Dress (La Robe Ruche). May 23, 2008 - June 28, 2008. Julie Faubert lives and works in Montreal. A recipient of a bursary from the Fonds québécois de recherche sur la nature et les technologies, she completed her Masters in Visual and Media Arts at the University of Quebec in Montreal (UQÀM) in 2005.

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katearmstrong.com katearmstrong.com

KATE ARMSTRONG

http://www.katearmstrong.com/news/index.php

Source Material Everywhere (2011). Objects for Burning (2009). Why Some Dolls Are Bad (2007). The Problem of Other Minds (2006). Extract: Text Works from the Archive (2012). Tributaries and Text-Fed Streams (2008). I'll be doing a talk at the Digital Pathways event with Kate Pullinger, a workshop being held June 9 - 13, 2014 by the Masters of Publishing Program. At Simon Fraser University. I've done an interview for Anna Kasko's documentary #ArtOffline. My book Source Material Everywhere. PATH has been a...

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grunt gallery | Projects

http://grunt.ca/projects

Past and Presense: NEC Mural Project. The Native Education College and grunt gallery are partnering with Vancouver-based First Nations artists Corey Bulpitt, Sharifah Marsden and Jerry Whitehead to create a mural celebrating NEC’s 30 years in Mount Pleasant. Spark: Fireside Artist Talk Series. What sorts of barriers or challenges exist for these artists? What strategies do they use to overcome these challenges? Cutting Copper: Indigenous Resurgent Practice. Terminus: Archives, Ephemera, and Electronic Art.

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Home | Activating the Archive

http://gruntarchives.org/welcome-message-glenn-alteen.html

Introduction - Glenn Alteen. Essay - Lorna Brown. Welcome message from ATA Producer Glenn Alteen. The other part of this project is the database of artists and the Activation Map, which allows the user to start a web page and populate it with selections from our database. These pages can be streamed allowing for curatorial selection and classroom use or simply re-mashing works in exhibitions. And thank you to the board at grunt for their support and input. Finally I need to thank Lorna Brown for her thou...

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Home | Activating the Archive

http://gruntarchives.org/index.html

Introduction - Glenn Alteen. Essay - Lorna Brown. Activating the Archive (ATA). Welcome message from ATA Producer Glenn Alteen. Essay: Category Drift - Lorna Brown. We acknowledge the financial support of the Government of Canada. Through the Department of Heritage Canada Interactive Fund. This project was made possible in part though financial support by. Radio stations 103.5 QM/FM, The Beat 94.5 and Team Radio. Dana Claxton, Tania Willard. Daina Warren, Tania Willard, Dana Claxton. Archer Pechawis - Al...

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grunt gallery | Study Guides

http://grunt.ca/grunts-study-guides

Our educational guides provide a lesson plan for the following senior-level courses: BC First Nations, Communications, English, English First Peoples, Media Arts, and Studio Arts. Activating the Archive Study Guides. 1 BC First Nations 12. 2 Communications 11 and 12. 4 English First Peoples 12. 5 Media Arts 11 and 12. 6 Visual Arts 11 and 12. ATA resulted in a searchable online database and six curated websites that focus respectively on text-based artworks; sculpture; queer performance practices; social...

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Home | Extract

Rip, Scene and Risk-E. Edgar Heap of Birds. Pam Hall and Margaret Dragu. Julie Faubert and Heloise Audy. Kate Armstrong, 2012. Special thanks to Jennifer Campbell, curatorial intern. We acknowledge the financial support of the Government of Canada. Through the Department of Heritage Canada Interactive Fund.

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I'm Hannes Grebin, product designer, living and working in Berlin. This blog highlights selected posts from a bunch of design, art and architecture related blogs I'm visiting each day. Have fun! To get full access to the thumbnails of all posts that have been uploaded so far. Dmitri kessel (photo) - figuring out the orbit of sputnik - 1957. Yinchuan’s museum of contemporary art reflects the flow of china’s yellow river. Thursday, August 13th 2015. Modern Polish Architecture in the Countryside.

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Expression Is The Law. Got the urge to suddenly improve user experience, so that webpages load much faster, and also removing Facebook and Plus integration. What this means, is that FB can no longer track you from this site. However, I have to leave the ability for Google Adsense and Amazon to track you, as those provide pocket change for me. The ability to share page links has reverted to a non-tracking method, meaning you can now share via multiple methods without big page load times. A project to get ...

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